Saturday, February 28, 2009

Dymocks Southland Bestselling Horror Titles for February ‘09

Dymocks Southland is a general bookshop in Cheltenham, Victoria, boasting an extensive range of genre stock. Below are listed the top 10 bestselling horror titles for February 2009.

1. Eclipse Special Edition - Stephanie Meyer
2. Twilight Special Edition – Stephanie Meyer
3. New Moon – Stephanie Meyer
4. World War Z – Max Brooks
5. The Zombie Survival Guide – Max Brooks
6. Dead Until Dark (Sookie Stackhouse) – Charlaine Harris
7. The Day Watch – Sergei Lukyanenko
8. The Thing on the Doorstep & Others – H. P. Lovecraft
9. Holidays are Hell – ed. Kim Harrison
10. The Book of Lists: Horror – ed. Bradley, et al

Dymocks Southland also publishes a monthly SF, fantasy and horror newsletter, Dymensions. Click here to subscribe.

NAMELESS 15

:Togobacktothefirstchapterasitwere...Remember,youwereleavingaclubthatnightthroughaside
exitontoanalley.OneofourDeliriumsinterceptedyou.Heaskedyouaquestion,whichapparentlymade
quiteanimpressionuponyou,hegaveyoua'taste'.Doyourecall?You'vebeenonmysideofthingsever
since.Stillareinfact.MyrealnameisSiekanbytheway.:

A movement at the side of her neck, feeling of an ever so slight suction of removal there, like a departing kiss. Then, an awful moment of emotionally tearing, spirit plummeting loss. Her knees buckled, strong hands supported her. She turned her face to this new player.

It was club boy.

The dread trinity must have retreated, she sensed they were further away now, distanced.

He held up the stone.

:This,whatitcando,iswhatit'sallabout.Itssweetpromiseandthreat,themarvelsandterrorsitcan
deliver.Andwe;theagentsofitspurpose.:

Another stream of words into her skull, garbled by oneness. She gained the gist but not the detail.

He looked at the smooth grey stone himself, into the gently swirling mist capture that adhered so closely to it. Then those clear brown eyes were back upon her.

:Thepropofyourillusion.Theclosestyoucametoitsactualfunctioningwasthesenseofaneedle'sbite.
Youthoughtofitasaneedle,asyringe.But,nowthatyouknowoftheStoneyoucanperhapsperceiveit
tobethesourceofyourlittleadventure.: He turned it in his fingers as they both stared at it.
:ThePurveyance,TheJunkieStone,SweetLeaving,ThePhantasus,TheMorpheum,TheGrail,itisknown
byquiteafewnamesasisoftenthecasewithnarcogenicsandpsychopharmacopeia.:

Then the stone was gone, into a pocket of the grey wool greatcoat he wore.

She saw, past the three watching horrors over there (the dead junkie girl now cradled the dead boy child), the street, her surrounds, looking very grey and dim, through a misty fog that must have settled on the city while she was otherwise distracted.

She looked down at herself, her clothing was all intact; no blood, no birth slime.

:Youhavebeeninmydomainfor...quitesometimenow.Unfortunately,youhavehadabadreactionto
alittletestdosethatwegaveyou.Butitwasagoodtestasitturnsout.Youpassed.:

Hands clasped behind his back, he strolled away a few metres on his black motorcycle boots, stylishly frayed blue jeans and black t-shirt evident through the open coat.

She left the wall.

"But ... Why?"

"That will take a little longer to explain, and I'd rather not do it here in an in-between. Someone coming I'd rather not meet."

He looked about their increasingly foggy surrounds, smiling no longer, spoke more quietly. "The Karolin. You know her as The Trashwife. Whenever she gets my vibration she trails me." Siekan regarded Leah side on with a crow gleam in his eyes. :Oh,she'snotthealtruisticsaintthatshewantsyourlottobelieve.Shewantssomethingtoo.Every
bodywantssomething.Andwantingunfulfilledisneedingandneedingunfulfilledisyearning.
Andyearning...isamarketplace.:

Then the skull voice seemed closer, almost whispering.

:Therearedealersindesires.Tradersindreamsandnightmares.Essenceforessence.Coinoftheunrealms.:

He cocked his head at her.

"All will be explained, if you take the next step with me."

"To where?"

"To the Dream Dens."

"Who are you?! What are you?!"

In a casual voice he replied. "We are the Sorien. Dream wranglers in the employ of The Night Brethren."

She still couldn't grasp this. Her mind was pawing at it like a large, bizarre machine she was trying to find the shape and function of in a pitch black space.

He frowned. "Still, I wonder, if we can leave the weight of tongues behind yet?"

Then - it was in her head again -

:Undertheinfluenceyouhallucinate.Buteachhallucinationhasalife,orlives,ofitsown.Foraminorexample,
themerestecho...thoughtheStonewasfirmlyatyourneck,bothofyousuckingateachotherlikenewlovers,
youthoughtyouhadbeeninjectedwithasyringe.Thereforeitfell,discardedtotheground,thereforeyouheard
itclatterthere.WhilststilltheStoneclungtoyouexchangingdelightsanddamnations.:

He came closer still, that internal voice softer now.

:Youareoneoftheveryrarefew.Yourespondedbadlytoastandard,measureddose.Thatwasthefirst
sign.Youhallucinated,youjourneyedthroughyourillusions.Yet,someofwhatyouimaginedyouactually
createdinknownspace.TheDeliriumyoubirthed,there'ssymbolismforyou,thedeadgirlandbaby,
theycanroaminanyrealm,playinandoutofthebubblesnow.Youare,whatyouroneswouldcalla
dreamweaver.Essenceassistedyouwovethemoutofwhatyouwouldinterpretasnothing,outofthe
basematerialsofuntime,mouldedfromthesandandtearsofasubconsciousshorelinethat,inStonesleep,
youwashedoverlikeawave.Theyareyourfigments,yourTulpamare.:

"Mine?" Her voice small, childlike.

:Yours,ohnightmother.Itwasyouwhobirthedthem,tohaveandtomould.Toplaynowintheweftand
weaveoftheslumberofothers.Ohwhatyoumightfashionundertheinfluenceofother'smokes'rarer
essences...:

He drew in deeply of the grey air. His eyes fair sparkled.

Anger flared in her. Fists clenched she moved towards him.

:Jesusifoneofyoubastardshadapproachedmeasadealerwitha -
She scratched double quotation marks in the air
:'new'trip'Stoneforthestoner',Imostlikelywouldhavetriedit.AsitstandsforallI
know "you mean to harm me, you want me dead or insane."

"Au contraire. I want to employ you. I want you to work for me."

That stopped her in her tracks.

"The conditions are excellent, and the benefits - " with a smile he cast his arms wide. "Out of this world."


(Loveless)



(Note: Due to the ricochet of unforeseen circumstances, Rosaleen Love could not add to the 'Nameless' concept. Another Gun Crow has filled the saddle and brought this pony home. We thank Rosaleen Love for agreeing at the start to help stitch this Chimera together. S.S.)












Friday, February 27, 2009

GUN CROWS 20




Dozens of hard, bad men had entered the town, bent on blood.

They were destined to meet 'Fancy' Felicity.

She'd made a costume change in the bullet riddled general store. Dresses were so awkward.

So, she went out to meet those bad 'uns and make some suggestions, dressed a little like a prim and proper male filing clerk. In dark tailored, close fitting suit, shirt and pants, tied back blonde hair tucked up under a derby hat, with the exotic flourish of a purple neckerchief. She also wore slim framed glassless reading spectacles. The last time she'd geared up like that one of the others had drawn a moustache on her face with some charred wood from a campfire. She'd killed twelve men that day. Such was her sartorial selection.

No guns in sight.

Still, she was a top pistol.

Her main weapon did not even require loading, ever.

Big C men roamed and prowled the town, in the way of her casual stroll.

They met her, and were given Felicity's piece of mind.

She pointed at one man, stopping him, as if paralysed, from drawing his Colt. He stared at her with an intense, strained expression. The only bullets he unleashed were the ones he was sweating.

"You," she said with a harsh frown, "are going to the stables and you will clean up horse apples for two hours. Then you will travel to the city and assist in every way you can at the local free hospital."

The barrel of her trigger finger left the man and he walked off and he did and he did and did.

Another leering bastard further up the street, poised to swoop upon her - Felicity's voice froze him.

"You - will join the cause of women's suffrage, for the next ten years."

"Suff - sufrage?" the man stammered incomprehensibly.

Felicity sighed. Amended. "You will go to a big city library, look up 'suffrage' in Mr. Webster's dictionary. You will also look up 'suffragist' and 'samaritan' meaning number two, and you will study their meanings, ask the head librarian about their meanings, until you understand what they mean, then you will become a suffragist and a samaritan. Keep asking for help if you still do not understand. Then - "

"Cain't read," the man said.

Felicity stomped her foot angrily. Set her glasses straight again on her nose. "You will devote yourself to learning to read. Then do as I have told you."

He did and he did.

And so it went. . .

"You - will join the temperance crusade - "

"You - will leave town now and dedicate your life to helping homeless waifs."

"...And every morning that you arise and go out into the world you will ask of the first six people you meet: Can I help you? And if they ask a favour, or tell you how you can help, or tell of a problem, you shall help them."

"Every stray dog you see, you will help make its life better. You will seek out such dogs. Being bitten by such dogs will only encourage you to help them more."

"Any abuser of animals that you see you will horsewhip. Go find Margo, the lady with the whips, tell her Felicity sent you and she will give you a whip and a lesson. Go, now, then - seek them out."

Felicity was multilingual. Fluent in eight and counting. Her talent effective in each.

She rounded a corner and was confronted by four nasty looking men, alcohol fuelled, guns in hands. Seeing her their wicked eyes flared, for her outfit could not completely conceal her womanly curves. Two of them unbuttoned their pants right then and there and unleashed other threats, began to briskly ready themselves as they crooned suggestions to her.

She did not even step back. She began to speak - until the stinking, rough hand from behind covered her mouth. She fought, but an iron muscled arm clamped about her, flattening her breasts, restraining her movements.

"How badly do you wanna live?" the unseen gunman's voice grinded into her ear, as the others moved in closer. He smelt of burnt gunpowder, sweat and halitosis, with a hint of onion.

"Flip a coin, boys," he said then. "See who goes first."

She rammed her elbow into his ribs and heard him grunt. She stomped his feet, tried to heel his shins, sought his balls with her clawed hands, threw back her head to smash into his face - none of it worked, he just squeezed harder, constricting her breathing, lifting her feet off the ground. The other men laughed coarsely, two of them drew knives.

Then there was a deep and sudden growl, from behind her, and she knew that it was not her captor. She felt a rushing motion from back there, swifting by her, glimpsed a darting, elongated moon shadow that seemed to disappear into the air it had formed in a scant few seconds later. There had been a slashing, crunching sound, then a noise like highly pressurised water released from a pipe, a liquid pattering on the earth... She saw the other men pause, eyes widen, step back, fear reflected on each face, something terrifying having penetrated the armour of drunkenness and lust.

She was released. Heels of her boots finding the ground again she turned to see the body of her captor stumbling back from her, arms waving, headless, roughly torn neck still venting crimson into the air, save it looked black under the moon's illumination.

Heads you lose, won't get that back, she thought. It's on the other wet side of the page now.

She smelt the musk of a Tyger in the air and smiled. She closed her eyes briefly. "Thank you," she whispered. Turned back to the stunned sober men before her attacker's corpse even hit the dirt.

She spoke quietly.

"You will all remove your clothes, then you will line up and, because you love one another so much..." She couldn't help grinning as she detailed this one.

"...And you will all sing bawdy songs as you do," she completed. As she walked on the four began to happily strip each other of clothing.

Felicity giggled.

Further on she said to one burning tar torch wielder "You will ride as fast as you can, with that torch, to the Big C ranch. You will not let that torch go out, it is an Olympic torch, a very, very important torch that must keep burning. If anyone tries to stop you you will tell them that the boss wants that torch, if they still try to stop you you will kill them. You will go quickly to the Big C gunpowder and ammunition stores area, you will put the torch out in a barrel of black powder. Even if you are killed you will still do this. Do you understand?"

The man nodded. That last was an experiment she had tried in the past without any success, but what the hey, she wanted to confirm if her wishes could be carried out beyond the extinction point of the brain she planted them in and the body that they rode upon.

Off the torch wielder set and on Felicity strolled.

As she did she lightly sang. "When you wish, up-on a star, makes a diff'rence who you are..."

Dozens of hard, bad men left the town, bent on good deeds.



http://www.youtube.com/watch?v=TEh-pGjdnMs&feature=related

GUN CROWS 19




Something unseen moved through Community.

Whispered.

Farted.

"Shhh, they'll hear you."

"That's okay, it'll just unnerve 'em more."

Farted.

Felicity and Stephen. Giggling, cackling Crows.

In ghost mode or 'Not Fair' as they called it, they haunted the Community gundown. Safe as spirits. Unable to resist a few deadly pranks.

With a simple 'Boo' in one ear they'd caused a Big C brute to discharge shit and piss into his britches and double 'ought buckshot into his partner's boots.

Laughing the two invisibles had wafted away.

Gotta love medicine man magic.

Friends who did not often meet, the, apparently, empty air was occupied with the chatter of ghosts.

Marty had an iron automaton stomping around town shooting up the bad guys. It was made of cast-iron and had a cylindrical chimney-like head and single eye slit. Its name was Ned.

"Ned's fallen over again, we'd better go pick him up and reload him."

"Okay, but mind you don't get shot by him. You know the other one blew up."

"Kelly?"

"Yeah, blew up."

"Ah, such is life. I think we'll let Marty set his toy right then. Is he going to bring Sidney and Nolan in?"

"Jeez, I hope not. Y'know Jiraiya was shot by one of them on a job once?"

"No! Where'd it get him?"

"Well..."

They both laughed.

"It was the prototype, Robby; peppered him with buckshot. 'Crimson' and 'Lash' had to apply field dressing, cut the seat of his pants out and patch him up. He was not a happy sparrow."

More laughter.

A Big C man, creeping by within a dozen feet of the two, looked all about and hurried on, spooked.

"I'm a little disappointed," Stephen sighed.

"Why, we're going great guns."

"I know, but these guys are so stereotypical, walkin', talkin', dyin' cliches."

"Ah... telegraph wire - We want them to die."

"Oh, they do that. They get up on rooves, they get shot and dramatically fall off, they bunch up like cheap underdraws, they get overconfident, they bully, they pause to gloat, classic stuff. I just expected. . . more of a challenge."

"When is it ever much of a challenge to us?"

"Those zombies in the McKenzie Mountains?"

"Yeah, that was nasty."

"We lost two of our own there."

"Those werewolves along Livings Pass weren't a picnic either."

"Was for them; three Crows down. One lost to the 'Weres'. If Harland hadn't brokered a peace with the tribe..."

"The Witeveen Witches?"

"Yep, and that Elder god atop Mount Shardcraft."

"Oh, Jeesus."

"Twelve Crows go in, five, just barely, come out."

"We lost Proposch and Williams, Tansey and McAuliffe..."

"Yeah, Stevens, Brook, Paulsen. Masters, Roberts, Sequeria, Sterns and Boyd were never the same afterwards."

"Look, the Big C are not renowned for their intelligence, just their numbers and their ruthlessness."

A brief silence.

"Hey, a horse walks into a saloon. The barman looks at the horse and says - "

"Why the long face. Yeah, yeah. A three legged dog with a gun in a holster on a gunbelt round its waist skips into a saloon. Goes up to the bar, jumps up on the counter, looks the barman in the eye and says - "

"I'm lookin' fer the man who shot my paw."

"Hey, remember when Marty invented that invisible substance? He put it away and he couldn't find it again."

"I'm getting Deja Moo."

"You've heard this bull before."

Having run its course, the shaman protection of the invisibility slipped away from them like water. Within seconds the elegantly dressed woman and the black garbed man were painted back into existence.

Felicity looked down at herself, in the wedding cake dress like a bloom of magnolia blossom, and all around. "And now, I'm going to get changed and give these turds on legs a piece of my mind." She flounced off.

"Hmm, I'd best come and stand guard."

She flipped him the bird without even turning. Both of them smiling.

Watching her, and their surroundings, till she was out of sight, he recalled their earlier arrival in the town as part of the scouting party. One of the Big C henchmen had, on a previous visit, raped a fifteen year old girl. The incident, and the perpetrator, were already known to them.

In the saloon of the abandoned town they'd found the rapist, tied to a chair, an unsigned note on the bar: Introducing Chris Andrews, rapist and murderer. Thought you might like to deal with this.

Though the note was in crude print, Stoodark recognized the hand of his old pardner Red Hands Baz Radburn; both in the lettering and the tenderising of the rapist's face.

Later that evening Stoodark had found the man in a beads and buttons bits 'n pieces store. Sitting, naked this time, in a chair again. Bloody again. Very, very bloody.

It seemed that some dark compulsion had inspired Andrews to find a very sharp knife and a quiet place and there remove all of the fingers on his left hand and all of the toes on both his feet.

After that he had, with a tear run face but stoic determination, continued his grim work; slicing off every protuberance that marred his smooth skin, until the blood loss got the better of him.

When he'd found what was left of the rapist, slick knife still in hand, a mental picture had come to Stoodark of one of his Crow Crew. One whose talents he had much respect for. He saw her sitting across a table from him, smiling her cheeky smile. Chin resting on the bridge of her linked fingers, head cocked, one pencilled eyebrow arched, trying to look coy but unable to hide the wickedness.

Felicity.

Chuckling he checked that the steely finished 'Mightier' was snug in its holster. Then he went about his own business.

. . .

In a rare pause in hostilities the side street she walked was dead quiet. She was bound for the store where she had secreted her change of clothes. Her white and blue multi layered dress was meant to draw killers, but there had been too many bullets flying willy-nilly lately. She did not particularly want to draw actual fire. Unlike 'Lucky' Lucy she couldn't influence the path of a bullet on the wing.

Pretty soon she noted the shadowy shape, low to the boards, on all fours, keeping pace with her on the opposite sidewalk across the way. The shadow was maybe seven feet long, maybe stood a tad higher at the shoulder than a wolfhound. There was a sinuous, heavy muscled sense to its motion, in the silence she thought that she could hear its deep, rasping breath.

A little further on and it fluidly rose to its hind legs, walking like a man.

She stopped. It too ceased to move. She was aware of the blot of black's stare. "I don't need you tonight," she called across to it.

She heard its harsh, low growl. Then, it was simply not there anymore.

She still feared the Tygers a little. They did not like to be denied their portion. Hers was not the only imagination that knew of and informed of them. They were unpredictable, and she knew that they had turned on others before.

But with her uncertainty came a comfortable feeling of reliance and safety as well. Her cats could not just roar, they could kill for her.

. . .


To Be Continued...



http://www.youtube.com/watch?v=vbe2yFnHFXg

Thursday, February 26, 2009

Review: The Strangest Adventures trilogy by Alexandra Adornetto




I’m always on the lookout for good books for young readers, to read to my daughter when she is ready (and to use in my teaching). Whilst waiting for Dean Lorey’s next instalment in the Nightmare Academy, I chanced upon this trilogy from Australian author Alexandra Adornetto – ‘The Strangest Adventures’ (HarperCollins). For those screaming at me that this series is by no means horror, it is, for a young readers’ series, a set of very dark works, with genres crossing from adventures to dark fantasy and almost horror. The second instalment, ‘The Lampo Circus’ was even nominated for an Aurealis Award this year (though not shortlisted).

The first book in the series, ‘The Shadow Thief’, follows Millipop (Milli) Klompet and Ernest Perriclof in the uneventful town of Drabville. The town presents a world where free-thinking is squashed, where creativity is punished, and so on – not an original idea, but fantastic for books for the target age (~8-15), where readers will be growing and perhaps pressured into such an existence in the real world. Of course, Milli and Ernest are children who cannot cave to the town’s boring ways, and one day their exploration gets them into trouble and has them taken away to a strange house on the outskirts of town. Here they are reunited with other townsfolk who refused to follow the rules, but are quickly ‘adopted’ by the major and his wife and forced into embarrassing situations in preparation for a cataclysmic event, The Great Guzzle, led by an evil magician, Lord Aldor. The magician has stolen the townsfolk’s shadows, a part of their soul and free-spirit, guarded by the Shadow Keepers. Lord Aldor plans to absorb all the shadows in a ‘Highlander’-style power fix and rule the world. The children must of course thwart him.

The second in the series, ‘The Lampo Circus’, begins by looking at the adjustments the townsfolk of Drabville are making after rejoining with their shadows (well, now you know what happened in the first one – sorry). A circus arrives to help celebrate the occasion, but it is of course a trap. The ringleader, Frederico Lampo, holds a ‘children only’ special event and whisks all the children into a magical Conjuror’s Realm where, you guessed it, Lord Aldor now lurks. The children are placed in a grim boot camp, where they train day and night for something horrible – to overthrow the magical land of Mirth, run by fairies – the only part of the Conjuror’s Realm Lord Aldor does not control. To rescue the children and fairies, Milli, Ernest and twins from the circus, Finn and Fennel, escape and journey to Mirth. On the way they meet evil clowns, the ‘Grin Bandits’, who collect teeth by extraction; and play a life-size game of monopoly, where the losers do more than sit out and watch.

Having lost their shadows and then children, the townsfolk of Drabville need some cheering up. In the final instalment of the series, recently released, ‘Von Gobstopper’s Arcade’, legendary toy maker Gustav Von Gobstopper decides to come out of retirement and build a toy arcade in the town, just in time for Christmas. Only, when the children tour the arcade with their school, it is evident that Von Gobstopper did not make the opening, and something far more sinister is running the show. I loved this book because it gets very dark. Milli and Ernest meet toys who are alive (every child dreams of that) and help them to see what’s underground from the arcade. It is a hospital for toys, only not to make them better… It seems Lord Aldor is planning a Grinch-style takeover of Christmas, complete with altered, disfigured, demonic toys. He wants to end childhood forever, and comes very close to succeeding…

The series of books have a narrative voice very similar to my favourite, Lemony Snicket, though begins to get its own style by the second instalment. It did bother me that the first two books in the series lacked emotional responses and hence depth to many of the situations (I realise this was probably because Adornetto was thirteen when she wrote ‘The Shadow Thief’). The other problem with these two books was that they were loaded with strange choices for words. I was always reminded of a writing tip, ‘If you’re unsure of the word to use, choose the simplest’. It doesn’t always work, but showed its relevance in these books – there were many large words that could stump young readers. Either Adornetto went through a Thesaurus and chose the strangest synonym, or it was an intentional throw-back to works such as ‘Peter Pan’, which these stories have similarities to (with the never-ending quest to end childhood). That said, such a problem was corrected in the final instalment, which was written with much more depth. This made me tingle all over – it was written when Adornetto was sixteen. If she writes with such skill at this age, I cannot wait to see her future works (no pressure, Adornetto).

Make a good investment for your children and buy these books. I recommend you buy the series in their first edition, hardback formats. These are beautifully presented, with nice silhouettes throughout (to start each chapter/part) – something to keep for the future. Unfortunately, the first instalment has been reprinted in paperback format, with a cartoon-like cover, and does not do the story justice. Hunt down the original!

Tuesday, February 24, 2009

Review: Not Quite Hollywood (Australia, 2008)


NOT Quite Hollywood is an exceptional home-grown film that documents the rise of the country’s most productive yet often overlooked film era.


Known as Ozploitation – and founded in the commercial boon of tax breaks and a film-proactive government of the 1970s and 1980s – the era saw an influx in the exportation of b-grade genre films as filmmakers, disillusioned by the high end art films, yet encouraged by the flow of cash towards the film industry turned their hand to horror, sex and action.


The documentary itself explores three facets of the era, the sex-driven comedy romps, the nasty home-grown horrors and the revenge-fuelled beat ‘em ups of with lovingly-gathered interviews, memoirs and footage from about 100 films. Told as a celebration, the documentary embraces the imaginative directors and writers of the time and their low brow masterpieces.


While many of the films presented may have been flawed, the documentary itself is close to perfection with candid accounts of the films, their makers and the political and social backgrounds that inspired their inception. Horror fans are sure to discover at least a few unknown gems they’ll be keen to chase up on, and with a number of these finally getting a DVD release through Madman’s Ozploitation line there has never been a better time to revisit our native past.


Not Quite Hollywood is a celebration of genre – made by genre fans, for genre fans. None of the films on offer will ever be regarded as high art, but as Ozploitation reveals that was never what it was about.

Not Quite Hollywood includes extensive DVD extras including, interviews, a Melbourne International Film Festival panel, funding pitches and trailers. It is available through Madman Entertainment.

GUN CROWS 18




They were staying just out of range.

That was alright. She wouldn't have to hit them with the whips.

They wanted a whip display? She'd give 'em one.

Margo began to utilize her supple wrists, flicking and dancing the leather tails through the air, making whip music, faster and faster, lashing, cutting, singing...

Some of the five were licking their lips, eyes darting nervously... Time to strike -

Both whips streaked out at head height, straight for the men -

Though pulling up short a decent distance from the faces of the gunfighters, the sonic booms that the cracking whips created in the air travelled on to connect with the men.

Again she struck, and again, and again, the stunning waves blinding and disorientating the gunmen. Three of them fell to the ground unconscious, one blindly firing a shot which thumped at an angle into the dirt closer to himself than Margo.

Dropping the larger whip again she drew rapidly and shot the remaining two addled men. They crumpled down with their colleagues.

Standing there she looked all about the quiet street, standing in a hushed stillness, as if the series of sound barrier breaching cracks had opened up a silent layer of existence.

Reloading and holstering the Walker she picked up the bullwhip grip and re-rolled it, quickly as its length lay open, twirling it in a circular wind as easily as a cowhand whirls a lariat. The black serpent length moved with silky ease, almost like an obedient, living thing. She recalled that several of the whips in her collection had been supplied by Stoodark. Some of them were 'special' he had said. A couple were supposed to have strands from an Indian (not the North American kind) fakir's magical climbing rope wound into their core bellies. She hooked the whip on a customised belt pommel on her left, speedily rewound the shorter whip and cautiously walked on, getting off the open street.

Using whips in combat required a clear, sharp mind. It was a bit like high speed chess at times. So far, Margo's mind had proven equal to the task.

She came to a timber frame two storey frontage, looked like a boarding house maybe?

Her senses were telling her that there was another Big C killer in the vicinity.

There was something odd about the building... She moved to one end of the frontage, looked around the corner, then walked back there, frowning. The building was a facade only, nothing behind it save timber support struts angling back to the ground where they were sturdily pegged. Odd, she thought, then stepped back as the main door of the building facade swung open and a man dressed in a gambler's dark clothing stepped through from the other side.

As he came through, pistol in hand, she slunk around the corner to the front again, still watching him with one eye from the building's edge. He was handsome, clean shaven save for a pencil-thin mo, spotlessly clean, but with cruel eyes.

Once the cautious man was all the way through and clear of the door she threw the longer of the two furled whips out into the air high to her right - the man swivelled and fanned three shots from the hip at the uncoiling whip - she stepped out fully then, and snap-flicked it through the sliced air --

It struck fast around the gunman's hand lashing him to one of the timber supports, at the end of its wrap the double-edged knife lodged itself in the wooden strut. Having dropped his gun the man quickly reached down to his ankle, through the split trouser cuff and came up with a razored Bowie blade which he instantly slashed through the restraining whip end. He still had to free his coil wrapped hand though.

He watched Margo as he tried to hurriedly do this, gave up, flipped the Bowie in his free hand and expertly threw it at her.

As she lunged to the right she felt the blade handle graze her left arm - better that than the point finding her left of centre mass, which it had been bound for. She closed the distance between herself and her attacker with a quick shuffle and, left handed, she threw the other, shorter whip length out over her right arm then snapped it back with a sharp, echoing crack, whirled it about her head once - hissing through cut air like a wielded serpent - then struck downwards with it.

This second loaded whip had a five and a half inch, unfired machine gun cartridge, bullet head to the fore, worked into its end. It struck the man in the left eye at close to super sonic speed. The whip fired cartridge left almost as much damage as if its bullet had been shot from a gun. The man in black quietly slumped down dead, obliterated eye and socket briefly streaming out liquids, terminally damaged contents of his brain pan uniquely shot by an unfired bullet. Still tethered one handed to the strut, his head jerked and his body rocked briefly as Margo plucked the whip free from fourteen feet away.

All that practice flicking flies out of the air with a whip tip had paid off, yet again.

With a single whirl of the longer, Bowie curtailed, whip, arms up, she allowed it to swiftly wrap around her waist in a snug embrace.

She strolled off, behind the town, to see what other trouble she could whip up.

















Monday, February 23, 2009

Movie Review: REC

Dir. Jaume Balaguero & Paco Plaza. 2007

While filming a piece covering the night shift at a local fire station, a Spanish TV reporter and her cameraman attend a call to an apartment block, where an elderly resident has been heard screaming. Soon after they arrive, a policeman is viciously attacked by the same resident. When the fire-fighters and TV crew attempt to seek medical assistance, they find themselves unable to leave: the whole building has been sealed by the Centre for Disease Control. No one gets in or out. Nobody is telling the quarantined residents anything. People are beginning to get sick. And through it all, the TV camera rolls on...

REC is a truly frightening piece of cinema that makes the most of the current ‘found footage / reality TV’ trend. The acting and dialogue (the latter via subtitles) seem completely realistic and unrehearsed, with the occasional lapse into irrelevancies and inconsequentials providing an unsettling counterpoint to the moments when all hell breaks loose. Some of the themes incorporated will be familiar to horror fans, but there’s plenty of originality too. And the constant switch between scenes of tension and those of action-packed terror is guaranteed to shred the viewers’ nerves.

If I have any complaints to make here, it’s simply that I don’t speak Spanish. While the subtitles certainly do a more than adequate job of keeping an English-speaking audience abreast of what’s going on, it’s sometimes hard to focus on the print when set against the constant movement of a hand-held camera.

That aside, though, this is one of the most perfect horror films I’ve ever said: utterly compelling, with an uncomfortably realistic human core, a minimum of gore (despite the cannibalistic tendencies of the ‘infected’), and an ending that will leave you unwilling to turn the lights out after viewing, particularly if you live in an apartment block.

As an aside, I’ll be very interested to compare this movie with the US remake, Quarantine, particularly with regards to the apparent ‘conspiracy’ element of the latter, suggesting that the quarantine event was covered up by the authorities (this is not the case in the original). Also, for those interested, a sequel to REC is currently in the works: a recent teaser trailer suggesting that the movie picks up immediately where the first one concluded, as special ops forces enter the same building, flinching nervously as weird screams emanate from somewhere above... Brr!

GUN CROWS 17




They called her 'Lash' Lanagan, and she was the whip hand in the Gun Crows group.

It was rumoured that she could crack flies on the wing clean out of the air with the tip of any of the handmade whips from her cruel collection. Though no one had ever actually seen her do that.

She lithely wove her way between three of the five towering granite rocks standing in the main street, using them for cover. She was stalking three Big C men. Save they thought they were stalking her. She had only killed four tonight and wanted to get her tally up.

No doubt the three in stealthy pursuit of her liked the cut of her jib in the black Spanish caballero outfit, including, upon her short cut blonde haired head, a round brimmed, low crowned hat, with a single inky black crow feather adorning it.

So had the previous four.

In each hand she held a kangaroo hide bullwhip; one coiled, the other snaking blackly through the dust to one side of her. She also wore a double-action pistol holstered at her hip.

For a battleground the contested town now lay in one of those near silent lulls she had come to expect from her past participation in aggressions with the Crows.

Leaving the cover of the newly planted totems to Gun Crow activity in the town, she padded up onto the boardwalk in front of a courthouse. The wrist that held the trailing twenty foot whip moved in a circular motion, whip and wrist both possessed of a strength and ability that came with years of dedicated practice.

She quietly moved over the boards, every now and then one would squeak or groan, head turning, eyes darting, every sense tautly alert. The whip slithered along in her wake.

She stepped down from the walk between buildings, passed an alley. Froze and crouched as she heard a sound down there - singing?

Peering into the moon tinted shadows with gunsight eyes she saw four men, buck naked in a conga line coitus, singing raucously at the same time.

Even she, with all she'd seen in her time with the Gun Crows, did a double take at the incongruity of this one. She paused for a cautious few moments, watching the four, who she assumed were Big C men, and listening to their unmusical rendition, to the bastardised tune of 'Botany Bay'.

"Aaaaaaas - Charlotte the harlot lay dy-eee-ing, two young whores sup-porting her head, as Charlotte the harlot lay dy-eee-ing, sheeeee rolled on her left breast and said: I've - Been - Fucked by the men of all nat-i-ons, been fucked by the chinks and the Jews. I came cross the sea to Aus-tra-lee-a... and was fucked by the red kangaroos.

"Sss-ooooo- pull down your bulging white undies, and give me your berry brown nuts, so I pulled down my bulging white undies, and I hosed it all over those sluts! Oooooh -"

And on it went.

Light smile on her face she whirled away.

And stopped dead. The gunman smiled. Gun already out he stood above her at the top of the wooden steps to the next covered boardwalk.

It was a good angle.

The men in the alley sang and rutted on.

With a quick crouch Margo flicked the unrolled whip upwards, in an underhand crack.

Each of her whips held a serpent's tooth. This one had a double bladed throwing knife worked and stitched into the lash end of it.

The loaded whip struck the man under the chin with silken, deceptive force, the six inch blade and firm part of the whip's black braided leather penetrating up into his skull's interior.

In death spasm the revolver went off, the shot drilling through the boards near the man's own feet. He fell back, as good as dead, without a sound. As he did Margo jerked back on the whip, freeing it before his body hit the boards heavily, raising a cloud of dust in the silver moonlight.

Sly movement across the dirt street caught her eye -

Two men, out of whip range, one with a revolver coming up from hip height, the other with a rifle nearing its shoulder setting -

Whoops! She dropped the whip drew from her holster and fired the double-action rapidly four times - head, chest, head, chest - one man went through the produce store's window, another slumped down a brick wall.

Doc Dedman had taught her to shoot.

Reholstering the Walker handarm she ducked and flinched as a shot clapped in the air and a hole was splintered in a corner support post at head height four feet from her. A man had snapped off the shot from a Winchester as he ran across the street. She heard the click-clack of the lever mechanism as, still running, he nudged another shell into the breech.

Her whip arm smoothly drew back then, in an instant, the sharp tip was speeding across the distance between its pointed threat and the running killer -

He pulled up short when the razored edge owned by the whip sliced him on the forward crack and then again coming back. One of his carotid arteries spat exclamations into the air. She flicked the whip back then snapped it out again - opening up the other side of his neck in similar manner. The rifle hit the ground, then the man's knees. His hands were up at his throat but inadequate to stem the pulsing tides. Gurgling wetly he soon collapsed face first into the street.

She air cracked the whip twice to remove some of the blood and dirt from the blade and braided leather.

Hearing boots from back behind her she swung about - five more Big C, guns out, ranged in a line, all grinning. No doubt thinking that two whips were no match for five guns. If she went for her own pistol they'd just open up on her. She only had two loads left in the Walker anyway.

She slowly moved out into the open, uncoiled the roo red fifteen footer.


To Be Continued...



http://www.youtube.com/watch?v=1sKOc-DWGMo&feature=related

NAMELESS 14

Another question, twisted darkly, that could never be adequately answered.

Brimming eyed she looked up at her prodigal orphan, her child and the zombie midwife.

Though her horror, too, was overflowing, her mind drowning in it, another feeling stirred in her as she beheld her unholy trinity.

Despite the primary terror, she could not merely feel fear and revulsion when she looked at the three. She experienced pity, regret, and something that she was starting to understand to be a maternal sentiment, God help her.

The newborn non-man's voice was an obscene mix of vibrancy, decrepit age and manic adulation. "I told you that you'd do something for me before the end. And so you have. You've birthed me in again. Thank you, mother."

Leah managed to sit up, slumped against that hard, cold old lover the wall. Still watching her watchers she raised both arms, hands out to them.

Back behind the paused, naked baby (grotesque as it stood there, teetering, looking like it should crawl, or be buried), the stretch-limbed, crimson gleaming one reaches just a little past normalcy, and takes her hand in its still slick, wrinkled grey palm, long, bony fingers curling about her hand like a predatory plant or spider. It lifted her up the wall, to a slouched standing position. She was aware of her bloodied, naked loins, felt cooling wetness on her thighs, and did not care. With its other hand it clasped the nude babe about the middle with telescoping fingers. The Lazarus child giggled, reached for her as the non-man swept the baby boy into Leah's arms.

In primitive reflex she embraced the cold little form. At the same time the deceased junkie girl, witch-faced by addiction and death, limped closer, brushing the wall, smiling her mad canine grimace, reached out and took one of Leah's hands in hers.

As Leah held the dead-living child it fumbled at her breasts beneath the t-shirt. Were its actions, too, instinctive? Her nipples hardened. She could not feed it, at least not with the sup of living babies. She saw the non-man staring at her with his black eyes, strings of drool running from his drooping gash of a mouth. They both wanted some form of nourishment. Her soul quailed at that thought.

The zombie addict raised Leah's hand to her mouth, pressed her fingers to her chill bruise tinted lips, as if for a courtly kiss, then, after a preliminary cat lick with a cold, dry tongue, took them in further... Leah felt the girl's small, hard little drug-ravaged teeth on her fingers, toying with them, nibbling at them like a lover's offering.

Leah closed her tear run eyes and shuddered.

There they stood, posed for an album shot, a hellish family unit.

She barely noted the warm hand on her shoulder, until she heard the voice, the young, male voice.

"Leah? I think we can end this now."


(Lash)


(Note: Unfortunately, because of all consuming work schedules, Margo Lanagan was not able to contribute a section for 'Nameless'. Another writer has composed this piece pseudonymously. We thank Margo for her initial commitment. S.S.)

Sunday, February 22, 2009

Book Review: The Book of Lists: Horror

Compiled by Amy Wallace, Del Howison & Scott Bradley, 2008, Harper

Have you ever wondered what the highest-grossing horror movies of all time were? Or which famous horror authors have also written childrens’ fiction? Or even what the twelve alternate titles for ‘Triffid’ were in John Wyndham’s famous novel? If so (or even if not, frankly) then The Book of Lists: Horror is just the book for you!
Composed of hundreds of ‘Top 10’ type lists supplied by famous industry professionals and fans alike, this tome is packed with genre-related information that is often as fascinating for the insight it gives us into the tastes of the individual list-writers as for any other reason. Discover which five horror movies most influenced Ray Bradbury as a child. Read about the ten films that Anthony Timpone wishes he’d never given Fangoria cover space to. Chuckle at Alan Beatt’s list of common tactical errors made by victims in slasher flicks.

I found this book literally unputdownable, and would recommend it to any and every fan of horror literature and media alike, as well as to general trivia enthusiasts. The publication is available from Australian bookshops, and - if I may add a word of reassurance – don’t be put off by the first list in the book, which cites Jurassic Park, The Rocky Horror Picture Show, and Ghost as horror movies (see? There’s an insight into my opinions!); it’s honestly the only glitch in an otherwise excellent compendium.

Thursday, February 19, 2009

News: Author Signings at Dymocks Southland









Dymocks Southland will be hosting two exciting author events over the coming month.

Trudi Canavan - internationally-bestselling Australian fantasist!
Sat 21st Feb, 12-1pm, signing copies of her latest novel, The Magician's Apprentice. Copies of Trudi's entire backlist will also be available for purchase and signing on the day.

Brett McBean - rising star of Australian horror!
Sat 7th March, 12-1pm, signing copies of his Aurealis Award-nominated novel, The Mother. There will also be extremely limited quantities of some of Brett's overseas publications, including the recently-released New Dark Voices II (so get in early if you want to grab a copy!).

Dymocks Southland is located on the third floor of Westfield Shopping Centre in Cheltenham, Victoria. Tel: 03-95841245. Both of these events are free, and registration is not required.

Tuesday, February 17, 2009

Movie Review: Zombie Strippers

2008, dir. Jay Lee, starring Jenna Jameson and Robert Englund


(Disclaimer: this review has been carefully screened for puerile smut by an appointed government censor. Any apparent double-entendres are purely a figment of the reader’s imagination).

When an experimental government re-animation virus gets accidentally released (snort!) into an illegal strip-club, there can be only one result – zombie strippers! And as the first zombified dancer begins to demonstrate a crowd-pulling (hoo!) lack of inhibition in her routines, it’s only a matter of time before the remaining girls begin to think about ‘crossing over’ themselves. Now, if only they could control their urges (fwoar!) to eat (giggle!) the patrons...

Hands up (ooer!) if you thought Zombie Strippers was bound (cor!) to be a juvenile piece (fnarr!) of boobs-out exploitation aimed at sad, sweaty blokes with porn addictions? Well, you’d be right. But it’s also a great deal of fun, simply because it revels in its own trashiness. The plot is ridiculous, the acting way over the top, and the jokes (it’s a comedy, after all) are of truly hospital-grade quality. And yet, it works. There is not the slightest hint that anyone involved in this production is taking things (chortle!) seriously, and this is what makes it so great to watch. It’s laugh-out-loud stupid. Additionally, the horror quotient is actually pretty high, with the sort of gory effects you’d expect from a big (oh, stop!) budget fright-flick. And, believe me, the titillation derived from watching nekkid women strut their stuff (narf!) on the screen wears off very quickly once the girls begin to, well, decompose (and if you don’t agree, then there is obviously something very wrong indeed with you, and you should seek professional help).

In a nut(choke!!)shell, this is an extremely enjoyable comedy, a pretty decent horror movie, and a great entry (!!!!) to the zombie flick subgenre. More like this one, please!

Review: Diary of the Dead (US, 2007)


Heralded as a return to the genre’s roots by fans, yet equally lauded and panned by critics on its US release, George A. Romero’s latest entry into his much loved zombie series finally makes its belated direct-to-DVD release through Madman Entertainment. But after failing to secure a cinema release the question arises, is it any good? Thankfully, the answer is very.

Following a group of film students who decide to document a zombie plague from its initial break out, Romero’s fifth film in the dead series is one of his best. Shot on a shoe-string budget using a hand-held documentary style used in films such as Rec, Cloverfield and the Blair Witch Project, the film shows a director who has come full circle.

Gone are the cities of the undead, enabling the story to return to a small band of misfits trying to escape impending doom. As in the original Night of the Living Dead, the horror comes not only from the zombies, but the group’s reaction as they come to terms with what is happening around them. The make up and gore is consistent with other zombie films of the day, while the violence is more restrained and realistic than later Dead efforts.

As with any Romero zombie film, there is always much more going on that just hordes of undead. This time Romero takes a dig at the media and the overload of information purported as fact. Even the film students ``exposĂ©’’ of the truth is hindered by their subjectiveness, raising questions of how hard it is to believe anything in a time of video blogs and YouTube. As with his previous films, Romero delivers his message too heavy handily at times, but a consistent pace and gore-drenched story ensures the zombie plague remains at the forefront.

Diary of the Dead isn’t perfect, but it’s a welcome return to form by the zombie master, and far better than a lot of the clones, ie. Rec, being produced today.

GUN CROWS 16




Haslet was one of the Big C hire-ons, a grizzled, hardened mercenary. But he and his boys were looking to get out. He knew when the odds were against him, that was part of the reason he'd lasted so long in his line of work. And the odds in the contested town tonight were with a very strange and dangerous crew. This despite the Big C being one hundred plus against, at most, twenty five odd (very odd) individuals.

He and his fellow gun hands had seen things tonight that they could barely believe.

Now the four of them stood in the clear night a mile out of town, before the leader of this faction of the Big C; a fellah named Carcin, in his fifties, barrel chested, running to fat, wearing typical rancher's gear, gun at his left hip on one'a them fancy new drawin' slides. His face, on one side in particular, was a mass of pebbled scarlet and purple eruptions. He looked... diseased, infectious. Tom Haslet didn't like being around Carcin, he liked looking at him even less.

"I don't care if the boss of Big C does have ten thousand dollars a head on 'em," Haslet said reasonably, cigarette moving on his bottom lip with his words. "Me and the guys are gettin' out while the goin's good. This free for all has got too damn weird for a quick man with a gun."

The other three nodded and muttered in agreement.

The sight of that big ole beast chawin' and scoopin' up the man-sludge remnants of the Gatlin'-mown reinforcements - some sorta creature that could eat a prairie schooner with three bites - that were the last straw.

Haslet threw the self-rolled smoke stub aside. "We was eight when we came in here. An' I cain't even tell ya how those other four died, even though I saw it."

Carcin spoke then, his voice like something slowly snaking through gravel. "But one of the Crows is already down."

"Yeah," another of the gunmen agreed, with a head nod. "And I saw what was left of the man that killed him, later. I saw what run 'im down and dragged 'im screamin' inter an alley as well, an I couldn't proper call 'em by any name I know."

"He won't be spendin' his ten thou'," muttered another of Haslet's group.

"We weren't told we'd be walkin' inta hell above ground, Carcin," Haslet said. "We're out."

In the silence Carcin took a deep breath, hands on his hips, unsettling, mocking smile on his face.

"Well," he said, sighing the breath out (each man noted the taint that expelled breath brought to the air). "I'm sorry men, but I can't just let you leave like that, we need every gun available."

Haslet bowed his head a little, settled his holstered Army Model Colt low at his right hip, threat implicit in the easy move. "Well, boss, yer just gonna have'ta adjust yer thinkin'." He then looked up at the Big C boss's unhealthy face and infected looking yellow eyes, giving him his 'mess with me and you're dead' look.

But Carcin just smiled, and laughed, and unbuttoned the front of his shirt, chuckling. The four men facing him glanced at each other, stirred, uncertainly.

"Thank you," said Carcin. "But I'd rather adjust yours."

Then, from the bare mass that disfigured his chest in a similar way to his face, four fleshy tendrils unfolded, shot out and struck each man, hard, before they could even cry out. And, having been hit, in the chest or forehead or gut or groin, the four men struggled against the near immobilising connection made by Carcin.

Having penetrated their flimsy defences the creature named Carcin began to tickle and stroke the nodes already planted and so swiftly relocated. To cajole them once again to the invasive wants and wishes of the origin organism.

Even the hardest men were so soft, so easily infiltrated and influenced these...cells, this...meat.

Having finished its work of persuasion it withdrew, from brain, lung, stomach, scrotum.

Carcin of the Big C rebuttoned his shirt.

"So, you're keen to get back into that town and collect those thousands."

Haslet and his men weren't even dazed. "Yep," Haslet replied, with a face firm in its vicious resolve. The others nodded. A couple even smiling.

Carcin nodded back.

The four hired guns mounted up and spurred away at the gallop, back into Community. Later, one or two might briefly wonder at the holes in their clothing.

Carcin's face was expressionless as it watched them go, taking their own small parts of the grand growth's plan with them.



http://www.youtube.com/watch?v=N48pqpyyeHA&feature=related

Sunday, February 15, 2009

News: Café Poet Program

The Australian Poetry Centre is seeking poets, in each Australian State or Territory, interested to sit as ‘poet-in-residence’ in a cafĂ© in their capital city for a period of six months, getting free tea or coffee while you write!

Please apply by emailing admin@australianpoetrycentre.org.au with an expression of interest stating the following:

  • all your contact details
  • what you would get out of being the poet in residence
  • a clear personal objective focusing on what you would like to achieve with your poetry in the six months
  • a measurable public objective to benefit others, such as being prepared to give a reading at the end of it, or providing the cafe with a poem to display.

Deadlines for applications are Feb 20th, 2009.

For more details see the Australian Poetry Centre website or call the office on (03) 9527 4063.

Source: Paul Kooperman, Australian Poetry Centre

Movie Review: Outpost


Dir. Steve Barker, 2008

In present-day war-torn Eastern Europe, a group of mercenaries are hired to safely escort their client to a long-forgotten WWII bunker. Amid much talk of Nazi gold, the group quickly locate and unseal the bunker – where they are forced to take refuge after being fired upon from the surrounding forest. Once inside, however, things quickly go from bad to worse. Crumbling film spools reveal details of a Nazi experiment to create super-soldiers. Shadowy figures are glimpsed flitting about the darkened corridors. Ghosts? Zombies? Or some time-bending effect produced by the strange machine being investigated by the client? And then the deaths begin.
This is a terrific little horror film, high on tension and fright, low on SFX (although there’s a fair amount of realistic gore). The script is simple and engrossing, and the acting is simply superb, with each and every character portrayed with gritty realism (no clichĂ©d Hollywood soldiers-of-fortune, here). The greatest compliment I can give this production is that, while watching the DVD in the reassuring comfort of my own home, I actually had to walk out of the room during one particular scene in order to steady my nerves.

This is a definite must-see; one of the better horror flicks I’ve seen in the past few years.

Friday, February 13, 2009

News: Australian Shadows Award finalists

This Black Friday, the Australian Horror Writers Association (AHWA) has selected five of the best and scariest works of Australian horror fiction from 2008 as the finalists in the annual Australian Shadows Award.

The Australian Shadows Award is an annual jury-judged literary award issued by the AHWA that honours the very best works of Australian dark fiction published in the preceding year.

Finalists (in alphabetical order):

• "The Claws of Native Ghosts" by Lee Battersby (The Beast Within, ed. Matt Hults, Graveside Tales)
• "This Way To The Exit" by Sara Douglass (Dreaming Again, ed. Jack Dann, HarperCollins/Voyager)
• "Rick Gets a Job" by Jason Fischer (Andromeda Spaceways Inflight Magazine #37)
• "Lakeside" by Christopher Green (Dreaming Again, ed. Jack Dann, HarperCollins/Voyager)
• "Her Collection of Intimacy" by Paul Haines (Black: Australian Dark Culture Magazine #2)

This year's shortlist is notable for the inclusion of Christopher Green, whose first published short story earned him this award nomination, and Paul Haines and best-selling fantasy author Sara Douglass, who are both battling cancer but still producing genre-defining work. Finalist Lee Battersby won the inaugural Australian Shadows Award in 2005. Lee is also notable as the author who has been nominated for the Australian Shadows Award the most number of times. This is his fourth nomination.

The winner of the 2008 Australian Shadows Award, to be determined by guest judge Sarah Endacott (acclaimed editor of Orb magazine) will be announced on March 13. The judges for this year's awards were Shane Jiraiya Cummings (AHWA Vice President and author of Shards), Brett McBean (author of The Mother), and Chuck McKenzie (author of Confessions of a Pod Person).

The winners' history and further details are available on the AHWA website.


Source: AHWA

Thursday, February 12, 2009

News: Beastly Wonders Double Feature

CineCult return with a double feature of obscure or previously banned European arthouse fare. The theme is sexuality, suppressed and now exploding forth across the screen in the most outre styles that the 1970s could muster! An evening of arthouse horror, fairy tale, and euro-sexploitation madness.

Valerie and Her Week of Wonders
Dir: Jaromil Jires. 1970. (73 minutes)
A beautiful masterwork from the Czechoslovakian surrealist movement, Valerie and Her Week of Wonders is a delightful cocktail of fairytales, provincial romance, art horror and Freudian wet dreams, which is sure to induce feverish imaingings and pinings for lost worlds. Filmed two years after the invasion of Czechoslovakia by the countries of the Warsaw Pact it is considered to be one of the last films to come out of the Prague Spring (a time of artistic liberation and exploration). It is the oft told tale of a young girl's sexual awakening, but as you've never seen it before, and perhaps never told so beautifully. Beguiling and magical, haunting and just a little bit silly, Valerie's adventures through the looking glass won't soon be forgotten.

The Beast
Dir:Walerian Borowczyk. 1975. (94 minutes)
The only film to have ever caused a riot at the usually reserved London Film Festival, Walerian Borowczyk’s certifiably insane 1975 masterpiece is perhaps the most controversial picture ever made, the kind of movie Jane Austen might have directed had she spent more time on Dutch porn sites. Banned for many years, this is possibly the first public screening in Australia of this depraved cult classic, and is bound to make you look at your CineCult hosts in a whole new way, conceivably through steel bars. The plot concerns an eighteenth century mansion, an American heiress contracted to carry a male descendant of a crumbling aristocratic family and, well, a beast with a humongous womb ferret. Keep the nearest exit in plain view watching this one folks, that could very well be your hosts Ben and Tony making strategic exits well before the credits finish rolling…

Tickets cost $5 for both films, a pittance for a night of unbridled depravity, corruption and uncomfortable sideways glances.There will be a brief intermission between the films, drinks available at the bar, and maybe even popcorn again if the machine hasn't exploded and burnt someone's house down.

CineCult@303
Tuesday, February 17, 7:00pm
Bar 303, 303 High St, Northcote

Source: Tony Mcmahon

News: Trudi Canavan's The Magician’s Apprentice

Orbit are proud to announce the brand new novel of high fantasy adventure from Trudi Canavan. A standalone prequel to the best-selling Black Magician Trilogy set hundreds of years before the events of The Magicians’ Guild, The Magician’s Apprentice is the perfect introduction to the world of Trudi Canavan’s internationally bestselling Black Magician Trilogy.

In the remote village of Mandryn, Tessia serves as assistant to her father, the village Healer - much to the frustration of her mother, who would rather she found a husband. But her life is about to take a very unexpected turn. When treating a patient at the residence of the local magician, Lord Dakon, Tessia is forced to fight off the advances of a visiting Sachakan mage - and instinctively uses magic. She now finds herself facing an entirely different future as Lord Dakon’s apprentice. But along with the excitement and privilege, Tessia is about to discover that her magical gifts bring with them a great deal of responsibility. Events are brewing that will lead nations into war, rival magicians into conflict, and spark an act of sorcery so brutal that its effects will be felt for centuries…


AUS Publication Date:
February 2009

AUS Availability:

Large Paperback $29.99
Hardback $49.99

Source:

Wednesday, February 11, 2009

GUN CROWS 15




All in black, including his old top hat, 'Killer' Kennett waited in the dark.

He was a solidly built man with a lightly stubbled face. He carried a Mauser auto-loading pistol in a shoulder holster beneath his coal coloured jacket, but he liked to test himself on jobs sometimes; to see if he could get away with not firing a shot whilst still fulfilling his obligation.

Some fighters liked to stand in the middle of the street, guns blazing, meeting trouble head on, full strength. Others favoured small face-to-face battles, picking off the opposition.

He, like a number of other Crows in this group, preferred to operate from shadowed places. He'd always felt more comfortable in shadows.

He waited till the small group of gunfighters were perhaps a half dozen yards away before stepping out into the street in front of them, hat in hands.

"Good evening," he intoned richly.

"He's one a them!" one shouted. All were an instant away from clearing leather, or, if cleared already, firing, when he cast his hat through the air to fall onto the ground between himself and his would-be murderers.

It was as if he had thrown a snake down there. They all froze, stared at the medium top hat.

"Please, gentlemen, no bullets. All I have to offer you is this." Open handed he gestured to the hat, resting on its side, black interior open to them.

The killers frowned, peered more intensely, some cocked their heads. They'd all heard about the bunch they were up against; their tricks, their magic, their fearful abilities. Like most they had doubted, or plainly disbelieved the more outlandish things that they had heard.

But, now, some of them heard things from that hat's black mouth. Others thought they saw things in dark motion within it.

One man heard his twelve years dead mother's plaintive voice.

Another glimpsed the pale face of a child he'd killed.

Another heard a whining that made him recall a dog that he had tortured, long ago.

"W-w-what's in there?" one young man stuttered out, not really, not truly, wanting to know.

"Why, just ghosts and shaders, gents," said 'Killer' Kennett with a small smile. "Ghosts and shaders."

One man heard a whip crack.

One man heard a laugh.

They trembled, and they paled. And they turned tail and ran.

In the moonlight the shadows from the overturned hat rolled out slowly, like an ink spill or oozing spread of oil. . .

He watched as things emerged from that growing, increasing shadow, and went after the men, unhurried. For they would never lose track of their origins. They would follow now, till each rejoined their source and there finalized matters. They were linked by an invisible umbilicus, and they were more determined than bloodhounds on a scent.

A few things turned and glanced at him, with gleaming, dead or gaping eyes, and he felt the chill that he always did at such times. But all the shapes moved on, always outwards, after the fleeing ones who had called them up, who had conjured them.

And they always caught up.

He walked forward slowly to the hat, knelt, and set it upright. The flow stopped, as always. As he watched a dribble of shadow on the brim lip, a drooling of ebony, reversed into the topper's interior with a hissing of fading whispers. Now there really was only a moon shadow of the hat there upon the ground, owning nothing but dust.

With that he put the hat back upon his head.

Then returned to the shadows.



http://www.youtube.com/watch?v=AGxLS4PqQxw






News: Sherrilyn Kenyon in Australia

Sherrilyn Kenyon is one of the biggest brand name in the paranormal genre, with over 16 million copies of her books in print in twenty-five countries. Her Dark-Hunter novels have an international cult following and have appeared on the New York Times, Publishers Weekly, and USA Today top ten lists. But success didn’t come easily to Sherrilyn, with her once receiving 150 rejections in one year as she tried to find a publisher.

Sherrilyn will be appearing at the Australian Romance Readers Convention, in Melbourne 20-22 February.

She will also be visiting Sydney and doing a book signing at Galaxy book store in 5:30pm on Tuesday 24 February.

Source:

News: Short Sited Is Set To Scream In 2009. New Special Horror Category!

Festival Director, Tom Subjak can confirm that the 2009 installment of the Short Sited Film Festival, the illawarra’s largest and longest running film festival since 1996, is gearing up with full cooperation and funding support from the NSW Film and Television Office.

What does the upcoming festival have in store?

“With 2008’s sci-fi theme a success,” say Subjak “It only makes sense to go in a spookier direction, if only to compliment the distinction of this upcoming festival being its 13th year.”

Subjak continues, “Horror is such a fascinating genre for any filmmaker to tackle. They have to use every trick in the filmmaking book in order to create the unsettling atmosphere that can make an audience members skin crawl. It might be a reaction to an extreme camera angle, a low musical note played, the creepy makeup application, what the lighting is hiding… many of today’s Hollywood directors earned their skills by producing a low budget horror film with their friends in the backyard. I don’t see why that backyard can’t be here in the Illawarra!”

It has actually happened.

Former Short Sited runner up and Illawarra resident Phillip Middleton, currently in development of his $4 million debut old school horror feature The Disappearing, having won film awards in Los Angeles and screenings at Cannes, now has Hollywood agents now knocking at his door with project offers.

As a special treat for local residents and wider exposure for filmmakers, also in the pipeline is a Short Sited the 13th free DVD giveaway in conjunction with Wollongong City Council Cultural Services and the Illawarra Mercury which will be made available a few weeks after the festival.

Currently, anyone can see what’s in store for Short Sited the 13th by going into a participating Video Ezy® store across the Illawarra and South Coast and exclusively rent a copy of the [SHORT_SITED_v12.0] Special Edition DVD, a 2-disc set containing all of the 2008 finalists and a ton of DVD extra bonus features!

Start howling at the moon, Short Sited the 13th is creeping out from the shadows. The festival will scream Friday March 13, 2009 at University Hall UOW. For more information visit www.shortsited.org or call 0420 844 475.

Source: www.shortsited.org

Sunday, February 08, 2009

NAMELESS 13. Rick Kennett.

Leah stared in pain and disbelief at the hands and arms emerging red-wetly from her body - hands and arms she had seen before, thin and grey and old - old though newly born. They stretched out from the bloody mucus of birth, with the head next, following, bobbing like a snake's, all wrinkled. Then the elongating body slithered out of her, swelling and swelling, pushing and squelching out, pushing and pushing toward the dead girl until skeletal hand clasped skeletal hand.

In a surge of tearing pain, Leah felt the thing pulled from her, and far faster than it had come upon her the pain subsided.

They stood, the thing she had birthed and the dead girl junkie, stood either side of her, looking down. Then as one they turned and looked up the street, their arms lengthening to point to what approached.

The dead baby toddled towards her, gurgling and giggling, little fat arms outstretched, unbalanced like a baby's first steps, the dead baby she had killed - No! The Stone had killed. Yes, the Junkie's Stone had killed the baby, she told herself. Not me! Not me!

But the baby came tottering on, smiling now with the gas of inner corruption, gurgling, "Leaaaaah ... Leaaaaah ..."

And like the dead girl junkie and like the not-man she had birthed, the baby's arms began to stretch.

"Leaaaaah," it said, its voice turning suddenly old and creaking, "do you know how badly I want to live?"


(Rick Kennett)

GUN CROWS 14




There was an eerily reverberating, rising roar, oddly mechanical, and then something a little over six feet in height came out of the shadows, from around the far side of the tent.

The gunmen all looked, barrels swivelled to this newly perceived threat.

The thing waddled forth with another roar that creaked like an iron steam shovel jaw opening. It moved a little side to side in an infantile way. It was a dark grey colour, with lumpy scaled skin run with ridges. It had a snarling, roughly reptilian face, jaws full of fangs opening wide. Jagged, tree-like dorsal plates, palely luminous, ran in a spiked forest row down its back.

Four claws on each foot. Thick, powerful legs and tail and lower body tapering up to a somewhat narrower upper torso. Two arms with four claws to each hand.

It stopped, raised its head and bellowed loudly again, shaking its rudimentary eared head from side to side with a type of joyous enthusiasm.

A couple of the gunmen laughed, they were all grinning. "It's some sorta reptail get up," said one. "Yeah, yeah," said another pointing with his free hand. "Big Gila Monsta." One stepped closer, moving to within three or four yards of the thing. The gunmen chuckled.

The monster's jaws opened again. The Big C man closest to it had a brief glimpse of some sort of nozzle opening set back in its throat...

A hard, fast stream of liquid flame shot out from monstrous jaws and engulfed the screaming badman.

As the half consumed man stumbled off the others opened up on the fire belching thing. They poured everything they had into the peculiar shape, which roared and banshee wailed, head raised.

Its cry was answered, briefly, and more legitimately, from somewhere outside of the town limits.

Almost every bullet found its mark. Yet, when hammers fell on empty pistol and rifle chambers the thing still stood. It even jumped springily up and down on its big feet and legs a little, shaking its head as it roared and bounced, in a kind of joyful abandon.

In the following silence there was a long sound, the zip of something being opened.

The top part of the artificial beast, from the waist up, was folded back over. Marty, The Scienteest, was revealed; run with sweat, obviously relieved to be in the open air again, and a gun in each hand. The dark haired occupant of the suit was in a saturated white shirt and black pants with braces.

Before the five remaining men could recover or reload he fired upon them. But these guns merely hissed, sending forth streamlined silver darts into their targets. Crouched on one knee, having drawn a similar armament from a shoulder holster Hood shot the other two men that Marty didn't.

Weapons slipped from jittering hands, the men gasped, looked at the darts attached to them, went into spasms, soon frothing and contorting with restrained groans upon the ground.

Tucking the gun away Hood strolled over to Marty, smiling. "I like that suit," he said.

Slipping the guns into the interior holsters to each side of him, the sweat drenched 'Scienteest' replied "That's why I gave it to you last Christmas. Thanks for the use. Needed to test that flamer."

Rob looked at the folded over upper part of the fake creature. "So, none got through, obviously."

"I felt a few nasty whacks, but, nope, looks like the special lining worked." He was examining the numerous lead slugs lodged deep in the thick material of the monster suit.

"What's the outer surface made of?"

"The veneer? Same stuff they use on the tyres of those new automobile machines. Save mine is a lighter mix, developed from a natural plant substance. I moulded it myself. The bullet resistant layers are a cross ply material I've designed myself. Of course, a force field would be much more effective."

"That being. . . What?"

"No time to explain right now, I haven't invented it yet."

The Big C men were now silent, though their bodies were still in states of strange agitation. They were turning into reptiles.

"That formula looks like it's working," Hood opinioned, watching.

"Yep, sort of. Whew, it's as hot as blazes in this thing, I need to get out."

Two of the not yet fully changed, brackish green reptilians were fighting already, another had scaled one of his fellows and seemed to be proceeding to mate with him.

Hood and Young both laughed at this.

Their chuckles ran down, however, when they saw two men emerge from the nearby alleyway between the jail and the coffin maker's. They were briefly distracted by the tangle of large reptiles. Both men wore cowboy gear, hats and angry faces. One held a Winchester lever action the other a shotgun. "You sons of bitches, get yer hands up!" the lead man yelled.

Hood and Young slowly did so, but they were smiling again, for they felt the familiar vibrations through their feet, and could hear the rapid, thudding approach, like two big flour sacks being pounded into the ground.

The two armed men both started to look to their right, into the alleyway they'd come out of -- And a huge grey leathery, mud brown thing rushed out, scooped both men up in its cow-catcher jaws, rushed on into the night --

Marty winced at the fading screams and the crunching of bones. His own big tail wagged a bit as he moved his monster feet uneasily. "Jesus, I'll never get used ta seein' that."

Rob patted him on his bristling luminous back. "Oh, Rex's alright with us folks. Y've always gotta be careful round the big lizards though. And y'can't have him round livestock."

Chin held between thumb and forefinger he eyed Marty with a frown of consideration. "Also, I wouldn't let him see you in that full suit. It's tempting fate."

"He'd eat me?"

"Or try to mount you."

"Jesus."

"Or both."

"Guess I'd be screwed either way."

Hood produced two open bottles of beer from somewhere and they clinked glass and drank.

The older man grinned and gestured with his bottle to the seething tangle of lizards. "We're drinkin' beer, and they're hiss-faced."

They air toasted each other.

"What's that crap Latin you use?"

Hood shrugged. "Just crap Latin." He took a chug, looked about. "Hope we're not done too late this time."

"Why the hurry?"

With a smile. "My Cat's waiting at home for me."

Marty turned and looked up at the tent's sign, reading it aloud.

Hood frowned at the sign. "I wanted to use Monster Emporium, but Stephen said that had already been done."

"Hmm," expressed Marty.

The five new reptiles of an iguana type species, hissing, began to scuttle off in search of cover.

. . .

Much later, a group of eight men with torches came to burn the tent down.

They stopped quite a ways clear, in the still night, as they saw the tent moving oddly, as if billowed and twisted by a raging wind, from inside.

Then, ripping up all its stakes at once, brandishing them like a gauntlet of cruel clubs, the tent flew at the men, covered them, smothering torches and yells as it seemed to contract oddly upon its catch.

With a shriek a charcoal skinned leathery winged creature, with a naked barbed tail and a head that tapered top and bottom to spear-like sharpness, swooped, collected up the tent, and flew off with it into the moon burnished night sky.



http://www.youtube.com/watch?v=zXRkwR9zDRc



Book Review: The Joe Pitt novels: Already Dead, No Dominion, Half the Blood of Brooklyn












Charlie Huston, Orbit Books

If you’ve not read any of Charlie Huston’s Joe Pitt novels, you’re missing out on a treat. Pitt is a Vampyre; infected by a Vyrus that hones sufferers’ predatory instincts in order to attain blood, which the Vyrus needs to survive. Superhuman strength and healing powers are extra benefits of contracting the Vyrus. The down-side is that, if blood isn’t regularly ingested, the Vyrus begins to cannibalise the host body. And then there’s the fatal allergy to sunlight...

Despite this, most Vampyres are not slathering monsters: they’re just regular folk, who keep their less savoury habits under wraps in order to keep Vampyre existence a secret from the general public. That’s not to say they’re nice folk, of course. Pitt himself is a bona fide arsehole, who makes a ‘living’ working as hired muscle (and occasional hit man) for various Vampyre factions, a lifestyle that inevitably makes him dangerously unpopular with pretty-much everyone. In the most recent novel, Half the Blood of Brooklyn, Pitt finds himself coming into deadly conflict with the Mafia-like coalition, the hippie-esque (though no less dangerous) Society, a Gay, Lesbian and Transgender Vampyre group, psychotic Jewish Vampyres, Carney Freakshow Vampyres, Biker Vampyres, and even a religious faction who believe that starving themselves of blood will lead them to the next level of existence, plus a spoilt human teen socialite with access to a zombie-generating bacteria, and who is financing a ‘cure’ for the Vyrus for her own selfish reasons. Throw in Pitt’s terminally-ill HIV-positive girlfriend, who is blissfully ignorant of her boyfriend’s true nature, and you get some idea of how much Joe Pitt’s life tends to suck.

The writing and atmosphere in these books is pure Chandleresque Crime Noir, and the Vampyre element is more science-fictional than supernatural. The action is hard, fast, and prolonged – it takes a lot to put a Vampyre down, after all – with an accompanying level of gleefully realistic violence and gore. The characters are a joy, and the plot of each book twists and turns in delightfully unexpected ways.

With the interest in vampires in the media at an all-time high, this is a series crying out for a TV adaptation. In the meantime, do yourself a favour and pick up a copy of Already dead, the first in this series. It’s a brilliant read, and a worthy introduction to the world of Joe Pitt.

Book Review: Bits of the Dead

Ed. Keith Gouveia, 2008, Coscom Entertainment


‘Flash’ fiction – that is, stories that run to only between 50-500 words – can be a bit of a mixed bag. There’s a real knack to – and not a little difficulty in - presenting a clear central idea, together with bare bones plot and characterisation, plus a strong conclusion, without the luxury of a larger word count in which to develop all these aspects. At worst, flash fiction can be boring and obvious; the presentation only of a concept, without any attempt to dress it up in fictional finery, like reading a 500-word movie synopsis. At best, though, flash fiction delivers a real ‘wow’ – a fully-formed vignette with a single, strong idea that becomes the story itself, and delivers an ending that stays with the reader afterwards, usually a twist or shock conclusion. Australia’s own AntipodeanSF is one example of a publication with a well-deserved reputation for quality flash fiction; and now, too, we have Bits of the Dead.

Bits of the Dead is a quirky little, zombie-themed, flash fiction collection, featuring entries by Piers Anthony, Tim Waggoner, Nancy Kilpatrick, Adam-Troy Castro, Steven Savile, and a host of other authors well known for their genre work. There’s a remarkable breadth of diversity here, given the apparent restrictions of the topic (dead folk walkin'); there are tales terrifying and humorous, prose plain and poetic, and any number of cross-genre offerings, nearly all of which are extremely satisfying to read. The greyscale interior drawings by Sean Simmons also run the gamut from silly to scary (some are really quite disturbing, without being openly horrific), and the production quality of the collection rivals that of some major publishers.

A really fun read. Highly recommended.

Friday, February 06, 2009

GUN CROWS 13




Hood's hands slowly went up in submission. "They needed some sun and sand, so I allowed them a visit in our holiday suite." His head tilted to the tent.

"Then that's where we'll be goin'." The barrel nudged him. "After you, fellah."

"Certainly, certainly." Hood complied, entering through the tent flap first.

The two armed men followed.

From outside the tent Bob Hood pushed the second man from behind. He careered into the first and, to the sound of Hood's "No charge gents," they both fell through a blinding flash of light -

To thud to the ground, without even time to wonder how the circus man could have been in front of them one moment then -

Night. A night not lit by the moon but by numerous flaming torches. Though the vast jungle before them was barely touched by the light. And behind...

Arising from the beaten dirt they turned, to see a huge closed gate and a larger wall, both made up of immense tree timbers, the wall extending to either side for as far as they could see.

"It's some sorta fort," one man said, voice quiet, for something in the air, in the atmosphere, seemed to demand hushed tones from him.

The other man was looking down at the oddly trampled dirt though, at the confusion of big prints there.

They scurried in that dirt for their pistols, retrieved them, blew and brushed dust from them. As they stood, guns in hand before the biggest fort they'd ever seen, they peered above. Up atop the wall were figures, holding flaming torches. Under fuzzy hair and headdresses black faces with white paint upon them peered down. Dozens and dozens of them. One, above the gate there, near a big old dinner gong, was in full regalia, looking like a black injun chief. And a chant was coming from above and, muffled, from the other side of the massive timber wall and gate.

"Black savages!" one man cried and loosed a shot up there. The black men ducked and drew back, but not for long, nor was the chanting long broken. "Don't waste bullets, fool!" hissed the other man.

"I don't like this, Willis."

"Just stay gritty, O'Brien."

Now that he actually listened, the less unnerved of the two Big C members could make out the words of the chant...

The ground was trembling now, in a one, two, leisurely rhythm, a giant's footsteps. . .

The sound of a tree falling, not that far off. . .

Both noises coming from the jungle. . .

And the chanting rose, the voices growing more excited. . .

KONG! KONG! KONG!

Something large snorted, off in the trees.

Something immense moved just beyond the shadowy tree line.

The two men turned to the gate, in their fear intent on scaling it.

The massive beats continued to pound the earth, faster now.

An enormous shadow slowly rose over the men, up the wall, higher, higher.

A roaring bellow!

Neither quaking man wanted to turn from the dead end of the wall, not daring to look behind them.

Alas, not seeing wasn't going to save them.

A forever of blue green ocean by day. No land in sight. The surface of the sea rising and falling in smooth swells.

A bright glint of silvery white light high above in the sky, and a man in a tan duster and a hat, legs pumping, running in air, holding to a rifle with both hands, fell through that blink.

He managed to retain his Winchester as he fell, yelling.

A splash, a few seconds as the body plumbed the cool deeps, then a breaking of the water as he surfaced, sputtering and dog-paddling; rifle more a hindrance to him as was the soaked duster coat.

The voice from nowhere made him quiet his struggles.

"Welcome, to the domain of Carcharodon Megaladon, prehistoric shark, fifty to sixty feet in length - "

"Get me out of here! Please, please just get me out - "

One hundred feet away something blasted up out of the water.

The stunned man looked up as the sun was blocked, saw an immense opening on a red, slaughterhouse slipway gullet that seemed jaggedly ringed by large triangular teeth - and it got bigger and bigger -

Of course, he screamed -

In another place at about the same time, four men dressed like cowboys were running in a panic over what appeared to be acres of sea washed volcanic rock, strewn with green stained, black slimed, seaweed tangled ancient ruins. They stumbled and rushed over the frozen rippled black surface, running with streaming rivulets of water, covered in the dead forms of imploded, unidentifiable, deep sea marine creatures.

As they ran a flailing, seething shadow, vast as a storm cloud, pursued them.

And a voice called out of the air in enthusiastic spruik. "Giganteus Tentacula! Also known as Great Cth- "

Back in Community Hood turned from the tent opening as at least a half dozen Big C bullies came running out of the laneway close by. They skidded to a stop at sight of him. Lever actions were worked, hammers cocked and barrels pointed.

Hood already had his hands up. "Evenin'."

"Don't ya evenin' us, ya damned bushwhacker. Johnnie here saw what ya been doin'," growled the stubble faced, apparent leader of the group. He then levelled his gun, ready to gut shoot the oddly dressed man.

"Oh yes," said Hood quickly, then pointed off to his right. "But did he see this?"


To Be Continued...



http://www.youtube.com/watch?v=Ar2HCSAPsiU

Wednesday, February 04, 2009

News: Trudi Canavan at Dymocks Southland

Bestselling Australian fantasy author Trudi Canavan will be in-store at Dymocks Southland on Saturday 21st February, 12 noon - 1pm - signing copies of her latest book, The Magician's Apprentice. No registration or fee - just turn up on the day.

Dymocks Southland Bestselling Horror Titles for January ‘09

Dymocks Southland is a general bookshop in Cheltenham, Victoria, boasting an extensive range of genre stock. Below are listed the top 10 bestselling horror titles for January 2009.

1. The Night Watch – Sergei Lukyanenko
2. Eclipse Special Edition - Stephanie Meyer
3. Black Magazine
4. American Psycho – Brett Easton Ellis
5. Dangerous Games – Keri Arthur
6. The Birthing House – Chris Ransom
7. The Casebook of Carnacki the Ghostfinder – William Hope Hodgson
8. Dracula – Bram Stoker
9. The Horror Stories of Robert E. Howard
10. The Picture of Dorian Grey – Oscar Wilde

Dymocks Southland also publishes a monthly SF, fantasy and horror newsletter – Dymensions - which can be subscribed to here.

Tuesday, February 03, 2009

GUN CROWS 12




'HOOD'S BIG LATIN NOMENCLATURE EMPORIUM'.

This was the hand painted sign upon the candy striped tent that waited for two gunslingers who'd wandered back behind the coffin shop and jail.

The tent was of a medium sized sideshow type, staked out in the still, clear moonlight.

Guns drawn the two approached with caution.

The entry to the tent, beneath the tri-coloured banner, flapped on darkness, though there was no discernible breeze, at least not outside the tent. The flapping canvas sent a musky, bizarre perfume to the gunmen; a combination of steaming jungles and sulphur and bubbling springs with prehistoric flavours, the scent of strange sweated hides and weird mushrooms under weirder trees.

They looked at each other, hefted the six-guns in their hands, stepped slowly closer.

They abruptly halted as they noted the man shape stepping from the tent's surface. He must have been camouflaged there, for he wore a duster coat of white and barber's pole red striping, a top hat in the same colours, a suit in white and dark blue stripe. He stopped by the entrance, smiling at the two Stetson wearing gunslingers, who both pointed their revolvers directly at him.

'Hoodlum' Bob Hood didn't look like a gunfighter. He was rangy and lean, but there the stereotypical similarities ended. He was pretty much bald under the fancy top hat and, behind his modest spectacles, he had kindly eyes.

A smaller banner under the main sign read: Weird, Frightening, Real.

"Good darktime to ye gen'lemen, ready for a show?"

"Yer one'a them Crows, aint'cha," one of the gunmen challenged with a snarl.

Arms wide Hood replied "Indeed, but can't we entertain, elucidate and educate, even as we try to eradicate each other?"

Thumbs clicked back hammers.

Hood held his coat open on his blue and white striped suit and pants, and a vest of iridescent shimmer. "Gen'lemen, I'm not even armed."

The two pistoleers looked at each other, grinned wickedly, aimed carefully at the lurid loudmouth.

"Oh dear," 'Hoodlum' said, but he was grinning too.

Then, he disappeared through the tent opening, so fast it was as if he'd been inhaled in there, shot into the interior.

The killers fired six rounds between them, through the canvas. Looking at each other again they then strode through their own gun smoke, threw the entry flap back and rushed inside -

They were momentarily dazzled by a flash of white light of some sort -

Then, they were standing ankle deep in hot sand, in a desert, nothing but miles of loose granuled, tan coloured sand under a white, baking sky. Two distance dim orbs of shifting silver up there sent down the killing heat. The pair of gunfighters had instantly sprung sweat out of every pore.

Boots twisting nervously in the extremely dry sand they turned back to the tent opening - to find that it wasn't there anymore, nor any sign of a tent - just an unbroken vista of sandy desert stretching off to the distant horizon where it met blank, bleached sky in shimmering, rippling contrast.

All they could do was turn all about and look, though there was damned all to look at. So much so that it hurt the eyes and the head to see it. Then they started to curse, knowing they were fools in a trap. The swearing ceased abruptly at the disembodied sound of the showman's voice.

"Gen'lemen, for your edification and ec-stat-i-cation - "

The sand before and around them began to stir, to whirl in a clockwise motion -

"Ingens Harena Scorpio!"

"That's not injuns!" shouted one man. Both of them tried backing away from the deep swirling motion of the sand, but it was all around them.

"Five hundred feet long, two hundred wide, thick black carapace, fighting mandibles, front and back, a quarter of its total length, able to flatten and curl to a disc shape that spins beneath the sand to snare its prey. Somewhat like a super ant-lion," Hood's voice continued, from somewhere.

The men stumbled, fell, the sand was briefly pulled away from them, like a wave being dragged back into the sea from the shore. They glimpsed, in the collapsing rifts revealed by the drawn back tide of sand, hundreds, thousands, of bones: animal, human, and shapes that were neither nor; meldings of both or nothing like either. And, sliding past and through bone and sand, an alarming background to both, was a ridged jet black something, run with rivers of sand, pouring along -

The sweat upon the two men turned cold. They yelled, struggled harder as they realized that they were now on the face of a sand wave that had nowhere else to go but down.

"Multiple mouths upon its body and capture funnels that lead to its stomach and the powerful acidic digestive juices therein, numerous sets of teeth, countless fangs - "

Hood's voice was extinguished by screams and gunshots as sand and the unknown life form beneath it took the men down.

Standing outside the tent in the moon serene night, Hood faced the canvas. "Forty-four cals against that four foot thick carapace? I don't think they will help, but, you can try."

The gun muzzle poked the back of Hood's hat and he heard the hammer click back.

"Where's Herb and Frank?" rasped a voice.


To Be Continued...



http://au.youtube.com/watch?v=G5fhixV9c9M&feature=related

Monday, February 02, 2009

NAMELESS 12. Robert Hood.

Streetlights flickered and coughed as she passed. For a while, hope was a euphoric drug that changed her subtly, slowly - the rhythms of breathing, the flow of blood in her veins falling into a pattern that was in harmony with the world's. For the first time in her life Leah was beginning to feel as though she belonged in the world - and in herself. Was this the transmutation she'd hoped for?

Yet hope is a fragile thing.

The girl was younger even than Leah had been the first time the chemical highs had pooled and congealed into venom in her veins, causing her to collapse in the street under the self-righteous stares of the virtuous. She'd been exposed as a pariah. She'd wept. This one had crawled against a wall, hugging its concrete coldness like a lover. Her sluttish dress was torn and smeared with puke.

Leah skirted around her, wanting to pity the girl but finding that any hope she'd been given was too fragile to allow for compassion. Dead eyes glared up at her. She frowned and looked away, but not quickly enough to avoid seeing the nasty, deliberate, rictus grin that twisted itself over the junkie's lips.

: What can you offer me? :

Her rhythms broke, shuddering into discordance.

"Leave me alone!" she snarled.

Something moved in her belly. It kicked against her. Afraid, she clutched at her suddenly bulging gut. The Junkie's Stone, the unliving thing inside her, was no longer unliving.

: How much life can you give me? :

This wasn't the transmutation she'd wanted. This wasn't what the hope she'd felt had promised her. The Stone drank her, licked the corners of her womb, grew on the shattered detritus of her soul.

No innocence. Without life, innocence can't exist. And once you have lived, innocence is dead.

She doubled up, agonised by a rhythm of pain that had begun to wash over her. It felt as though the Stone were scratching at her uterus.

Leah sank back against the wall that was the junkie's lover. Slid down onto the filthy pavement. Felt her cervix dilate. The dead junkie watched her, still grinning.

Pain erupted as a bloody mucus flow.

Something - she had no intention of branding it a child - began its inexorable crawl into the world. She let it come, desperately turning her pain into a scream that echoed around the buildings. If anyone heard, they didn't emerge to help her. The street remained empty except for ...

The dead junkie's hand reached out, clawing into the cracked cement. That hand dragged the corpse closer. Its cold eyes fixed upon her.

Leah involuntarily spread her legs, allowing the Stone to be born. She felt it come, glanced down the length of her body, past the bloody, torn clothes. What she saw stifled the cries building in her throat.

Unnaturally long arms ... and skeletal fingers reaching toward the dead junkie's extended hand.


(Robert Hood)