Wednesday, December 31, 2008

GUN CROWS 9




Two of the Gun Crows were temporarily sheltered inside the general store. They'd been in trouble, till Paul 'Triggernometry' Haines had turned up.

"You've got to get yourself at least one gun." Bare blades of her Masamune crafted katana and shorter wakizashi still run with deep red, the 'Crimson Queen' made this comment as she reverently wiped the swords clean with a cloth then resheathed them in her back and belly scabbards and turned her attention to the empty revolver, still warm from use, that she had set upon the floor. With her short black hair and pale skin she looked fetching in a suit of black Japanese silk piped with red.

Wearing only dusty, bloody coolie pants the one known as Jiraiya, a short, broad bladed sword of oriental design in each hand, and each also bearing traces of violence, gave her a quick glance. "And you should get yourself at least two more."

She flashed him a dangerous look. "Hey, I ran out, so kill me."

He nodded outside. "I won't have to."

Checking the Colt Frontier Model's action, to the sounds of constant booming outside, she said "Nah, Paul's got it under control."

"WHAT!?"

She looked at him. "I said, did you use all two dozen of your shurikens?"

"Yep."

"So they're all out there?"

"Yep, but they're all stuck in bad guys."

"Still, you're empty."

" 'One who knows when he can fight, and when he cannot fight, will be victorious'."

" 'One who, fully prepared, awaits the unprepared, will be victorious'."

Both shrugging they said, simultaneously "We read the same book," and smiled briefly at each other.

Through bullet shattered glass they saw him, standing out there in the middle of the street firing non-stop.

"Jesus," said one Crow.

"He's a bullet factory," said the other.

Gunslingers from the Big C just kept coming up the moonlit street at him and 'Triggernometry', carrying at least three pistols, just kept loading and firing, loading and firing, like his life depended on it, which, of course, it did.

"None of those fuckers have hit him yet."

"Yes they have, can't you see the blood?"

"But he's still standing, still fighting."

"That he is," said the other, taking in 'Triggernometry's' face, focused in an almost savage concentration. "What other options has he got?"

"He could retreat, he could lie down," in mock seriousness.

"Could he?"

"Shuriken."

She winced and glanced at her grinning comrade.

Haines paused only long enough to brush damp hair out of his sweat-run face. Click another fully loaded cylinder piece from his belt into a revolver frame housing.

Crow guns roared on with their bullet salvation.

"Can't go on forever," said the Cut Queen, finishing the loading of her own gun.

"Nope."

"Gotta end soon." This was nearly drowned out by the constant thunder of shots.

"Yep," Jiraiya said, more loudly. The speaker took in the literal mounds of bodies in the street. The Big C was not so Big anymore. "But I know who my money's on."

A few moments later the pair burst out of the store to back the bet and gamble with hot lead and flashing steel.



http://au.youtube.com/watch?v=g_E9vFLw-R0

Review: The Man from Hong Kong (Australia, 1975)


The Man from Hong Kong is English-born Australian director Brian Trenchard-Smith’s first and most successful film of the Ozploytation era. A box office smash on release, this hammy action-packed kung fu co-production was set in Sydney and starred The One Armed Swordsman’s Yu Wang and Australia’s own James Bond George Lazenby. It told the story of a highly-skilled Hong Kong cop (Wang) who brought down an international drug baron (Lazenby).

Packed with non-stop martial arts, car chases and explosions the film rises above its wooden dialogue and laughable love montages to create a loveable and very watchable action film. Unlike Australian films of today, the story doesn’t see itself restrained from the confines of a modest Aussie budget. The ambitious story is equal to any big-budget action film of its era and the fight and chase sequences are top-notch.

Sure you’ll cringe at Wang’s horribly delivered James Bond style pick up lines and the larrikin charactures that pass for the Australian Police’s drug squad are laughable but with its b-grade style and flair its easy to see why this has become such a cult favourite.

The Man From Hong Kong is released in Australia through Madman Entertainment in an extra’s drenched two-disc set that includes two of Trenchard-Smith’s earlier films including the documentary Kung Fu Killers.

Rating: Four stars

Tuesday, December 30, 2008

News: A Night Of Horror NYE Deadline!

Horror filmmakers and screenplay writers take note: This is the last chance to enter your film or screenplay to the Third Annual A Night of Horror International Film Festival.

This final deadline is only open to entries submitted through Withoutabox!

FINAL WITHOUTABOX DEADLINE: December 31, 2008.

For more details simply visit the official A Night of Horror International Film Festival website, or enter online at www.withoutabox.com.

Source: Dr. Dean Bertram

News: Australian Writers’ Guild National Conference

The Australian Writers' Guild National Screenwriters Conference will be held in the Barossa Valley, South Australia from Wednesday 25 to Friday 27 February 2009.

Presented with the generous support of Arts SA, the NSC aims to develop creative, professional and commercial partnerships; foster creativity and innovation; discuss current industry trends and developments; and consider the creative processes and market realities for writers.

Early bird rates will be available so be ready to book your place. Visit the AWG website to register.

Source: Australian Writers' Guild

News: ASAL 2009: Call For Papers

ASAL 2009: Common Readers and Cultural Critics

8-11 July 2009
University House, Australian National University, Canberra

12 July 2009
Public symposium: ‘Writers, Readers and Critics’

National Library of Australia, Canberra.

Conference Website: asal2009.anu.edu.au

Call For Papers

Australian literature is not just a collection of texts: it is a diverse set of formal and informal cultures—from school curricula to bestseller lists, from university courses to writers’ festivals—that all have their own ways of talking about texts and their own forms of cultural expertise. This conference seeks to explore the diversity of readers and modes of reading that make up Australian literary culture. How do ‘everyday’ readers form judgements about what they read and what they like? What are the relationships between everyday readers and ‘specialist’ readers in industries such as publishing and marketing, print and electronic media, and in institutions such as schools and universities, libraries and archives? How much influence do critics, reviewers and cultural commentators have on readers’ tastes and habits—and vice versa? Who ultimately decides what books get published, what books win prizes, what books are taught in schools, and what books make up the Australian literary canon? Literary cultures are characterised by tensions between tradition and innovation, reading privately and reading professionally, reading for knowledge and reading for pleasure.

We invite proposals for 20-minute papers and for 90-minute panel discussions (3 or 4 speakers) that address any aspect of literary cultures, such as the following:

  • Everyday readers and the history of the popular / literary cultural divide
  • The role of reviewers and critics in influencing tastes and making careers
  • The roles of publishers, marketers, booksellers and bestseller lists
  • Literary festivals and writers as performers and promoters of their own work
  • The role and influence of literary prizes
  • Reading communities such as book clubs, blogs, community education
  • Histories and analyses of Australian literary criticism
  • School and university curricula and the Australian literary canon
  • Revisions and re-evaluations of canonical and non-canonical Australian writers and texts
  • Adaptations of Australian literary texts for film and other media
  • The transnational boundaries of Australian literature
  • Australian children’s and young adult literature: publishing and readerships
  • Libraries, archives and cultural heritage
  • Creative writing programs
  • Little magazines, grassroots publishing, zines
  • Reading facebook and other social networking programs
  • The new empiricism, distant reading, resourceful reading
  • The ongoing impact of the ‘culture wars’

Please send 200-word abstracts of papers or panel proposals, with a brief biographical note, to Russell.Smith@anu.edu.au by Friday 27 February 2009.

We welcome proposals from postgraduate students. Copyright Agency Limited (CAL) has generously provided ten postgraduate scholarships, covering costs of travel and accommodation, available to postgraduate students whose own institutions are unable to support their attendance. To enquire about postgraduate scholarships, please contact Julieanne.Lamond@anu.edu.au by 27 February 2009.

ASAL 2009 organising committee: Julieanne Lamond, Lucy Neave, Monique Rooney and Russell Smith (School of Humanities, Australian National University).

ASAL 2009 is generously supported by the Copyright Agency Limited’s Cultural Fund, Arts ACT, the Australian National University and ASAL.


Source: Association for the Study of Australian Literature

News: Film Victoria Fiction Development Deadlines Are Approaching!

Please note Film Victoria's Fiction Development deadlines are fast approaching!

Information on Fiction - Feature Film Funding.

Information on Fiction - Television Funding.

The deadline for Fiction - Feature Film and Television funding is Friday 9 January.

Source: Film Victoria

News: Euchronia

Euchronia is a steampunk / neo-Victorian Year's End Ball taking place in Melbourne, Victoria, Australia on the last day of the calendar year of 2008. The event officially opens for general admission at 9pm and proceedings will continue 'til the early hours of the following morning. The venue is the fabulous and anachronistic Victorian Trades Hall, an historic Victorian Era building at the edge of the Melbourne CBD which features a perfect blend of history and realism to delight the neo-Victorian and Vintage enthusiast. Victorian Trades Hall is a licensed venue with full bar facilities and as such, Euchronia is an 18+ event.

"Euchronia" is a play on words, in this form taken from the Greek "eu", meaning "good", and "chronos", "time". Time is a central theme of the event, and you may notice things not quite as they should appear in a twenty-first century ball. If you look carefully at the details, you may see evidence of some rather astounding happenings occurring during the evening. The pronunciation of Euchronia is identical to "Uchronia" [which means "no time"], but the event should not be confused with the fantastic art structure by that name created at Burning Man in 2006.

Euchronia will feature three separate sound-spaces, each with a different musical focus. The New Ballroom will feature a mix of new romantic, gothic fusion, industrial, retro, futuristic, electro and EBM music. The Bella Union Bar will host several live cabaret-style acts as well as DJs spinning a mix of steampunk, rockabilly, swing, world and alternative music. Finally, our third sound space The Annex is a designated relaxation space with a more ambient and laid-back soundscape. Our performers, bands and djs lineup is filled to the brim with amazing performers, talented musicians and skilled Phonographic Operators!

Dress Code: neoVictorian, steampunk, formal black tie/white tie/ballgown, pirate punk, Edwardian, vintage 20's & 30's, goth! We're pretty easy going to be honest - but if you turn up in jeans & a tshirt you'll just feel out of place :P See here for more costume ideas - you don't have to go crazy/all out, but it's so much more fun for everyone if we all make an effort!

Membership to the Antipodean League of Temporal Voyagers (our Society for anachronistic pursuits) is also offered to attendees of Euchronia, including a Premium package including custom engraved pocketwatch, horse & carriage ride, and special members-only event at the commencement of the evening. Please see the League page for more information.

Source: Euchronia.com.au

News: AntipodeanSF #127

AntipodeanSF Issue 127 is available for your enjoyment on the net! AntiSF appears at its new home URL, with redesigned interactive pages. While the URL for AntiSF has changed, one thing that hasn't changed is that AntiSF is devoted to bringing you ten of the best flash SF stories from the antipodes and podes.

This month's crop of stories includes:

  • Teamwork by David McVeigh
  • Saving The Planet by Richard Kerslake
  • Save The Last Dance by Mark Farrugia
  • In Development by Mark Tremble
  • The Fire That Flows Downstream by Marian Stone
  • When In Rome by Shaun A. Saunders
  • Cure by Anna Potts
  • Car For Sale by KJ Hannah Greenberg
  • The Hunt by David Such
  • Guy Walks Into a Bar... (Theme and Variations) by Simon Petrie

At the new AntiSF you'll also find the usual review columns, plus a new system that allows you to rate each story. You'll need to register if you want to use the rating system. Please note that the
subscription list is not linked with the ability to rate or leave comments, and is managed via the usual mailing list software that can be accessed using the "Subscription" link at the site.

Source: Ion, Editor AntipodeanSF

News: Ticon4

TiconderogaOnline is back! Now called ticon4, located at ticon4.com, the site features reviews, original fiction - starting with 3 cracking stories by Sue Isle, Patty Jansen and Matt Tighe, non-fiction by Jennifer Lusk, and opinions!

Source: Russell B. Farr, Editor ticon4

News: The writer's guide to making a digital living: choose your own adventure

Just when you thought it was time to pack away the quill and kick back for the holidays, here's an end-of-year surprise to get you in the writing mood!

In 2006, the Australia Council for the Arts launched 'story of the future' to support writers to develop new media writing and business skills, and to create new work for commercial take-up.

Now, the Australia Council for the Arts is delighted to announce the launch of The writer's guide to making a digital living: choose your own adventure -- your guide to the craft and business of writing in the digital era.

The writer's guide includes chapters, resources and rich media on the new media industry, craft, marketing and distribution, business models and more. It also features case studies from Australia 's rising generation of poets, novelists, screenwriters, ewriters, games writers and producers who are embracing new media.

For a taste of what you will find in the guide visit-
au.youtube.com/watch?v=tRueQ1Q6NGA

Explore the New Writing Universe -
www.australiacouncil.gov.au/writersguide/newwritinguniverse/

View and download the guide -
www.australiacouncil.gov.au/writersguide

The guide is published under a non-commercial, remix, share-alike Creative Commons license, so we encourage you to embed, download, distribute, remix, share alike and above all enjoy!


Source: Marty Young, AHWA President

News: P'rea Press publishes S.T. Joshi's Emperors of Dreams: Some Notes on Weird Poetry

P'rea Press in Sydney is fast becoming an important publisher of horror and weird material including verse, bibliographies and criticism. Their new book has just hit print - EMPERORS OF DREAMS: SOME NOTES ON WEIRD POETRY by eminent critic and scholar S.T. Joshi.

This handsome volume of 100 pages includes essays on the weird verse of George Sterling, Clark Ashton Smith, H.P. Lovecraft, Samuel Loveman, Donald Wandrei, Frank Belknap Long, and 'Some Contemporaries' (and yes, Charles Lovecraft, Phillip A. Ellis, and some non-entity called Leigh Blackmore get a brief mention). The essays have been published previously with the exception of that on F.B. Long, which is original to this volume.

"For those with a fascination for fantastic poetry this key work is an essential addition to the bookshelf, and a clue unlocking portals to an untold dimension of song."

The paperback printrun is limited to 500 copies, at Aust @$22 each plus postage. There is also a limited edition of 25 hardcover copies at $70 each, signed by S.T. Joshi. There is an effectively atmospheric cover illustration by Gavin L. O'Keefe, one of Australia's most consistent and talented illustrators of the fantastique.

Highly recommended as one of the only studies of weird poetry as a genre in existence. For purchase, contact-

P'rea Press
c/- 34 Osborne Rd,
Lane Cove NSW 2066
Australia

email: Danny Lovecraft - DannyL58@hotmail.com

Source: sswftapa.blogspot.com
, via Leigh Blackmore

News: Eldritch Horrors: Dark Tales


Eldritch Horrors: Dark Tales is a new anthology of Lovecraftian horror stories, edited by Henrik Sandbeck Harksen, and available by POD from www.lulu.com.


Lovecraftian horrors & Cthulhu Mythos monsters of insanity. New tales of the gruesomely weird. Innsmouth, Sesqua Valley and other areas are tainted, countries as far apart as Australia and Denmark are tainted, and on continents like Asia you can't escape it either - no place is safe from the ultimate fear. From the deepest oceans to shadowy woods, dark cities, across wars and unspeakable realms of the unknown - to forbidden books, strange cultists, dread lore & mad, ancient Gods from beyond time & space. The world is not safe; no one is safe.


Stories by Paul S. Kemp (of Forgotten Realms fame), W. H. Pugmire (with new Sesqua Valley tale!), Gary Hill, Thomas Strømsholt, Paul Mackintosh, Leigh Blackmore, Don Webb, Henrik Sandbeck Harksen, Dan Clore, Blake Wilson, Linda Navroth, Ron Shiflet, Simon Bleaken, Benjamin Szumskyj.

Cover and 14 interior b/w illustrations by Internationally acclaimed artist, Jørgen Mahler Elbang.

To purchase visit the Eldritch Horrors: Dark Tales order page.


Source: Leigh Blackmore

News: Aussiecon 4 T-Shirts

Desperate to wear your pride in attending or supporting or loving Aussiecon 4 for all the world to see? Why then, you need to get yourself an Aussiecon 4 tshirt!

Available in a range of colours and sizes, there's no reason you can't have the Aussiecon 4 rocket emblazoned across your chest!

Available to purchase from Fo'Paws Productions.

Source: Nicole Murphy

News: MUFF 2008 Winners

The Melbourne Underground Film Festival recently announced the winners of The MUFF Awards. The results are as follows:

AUSTRALIAN CATEGORY

BEST AUSTRALIAN FILM
Acolytes – Jon Hewitt / The Horseman – Steven Kastrissios
RUNNER UP BEST AUSTRALIAN FILM
No Through Road – Sam Barret

BEST AUSTRALIAN DIRECTOR
Steven Kastrissios – The Horseman

BEST AUSTRALIAN MALE ACTOR
Joel Edgerton - Acolytes

BEST AUSTRALIAN FEMALE ACTOR
Alexandra Weaver – The Run

BEST SUPPORTING MALE ACTOR
Michael Piccirilli – Devils Gateway

BEST SUPPORTING FEMALE ACTOR
Megan Palinkas – No Through Road

MIXED CATEGORY

SPECIAL JURY PRIZE
Gates Of Hell - Directed Kel Dolen

BEST GUERRILLA FILM
Cannibal Suburbia - Jean Luc Synikas and D.A Jackson

BEST DOCUMENTARY
Xaviera Hollander – Producer John Patti

BEST CINEMATOGRAPHY
Mark Pugh - Acolytes

BEST SCREENPLAY
Dead Girl – Trent Haaga


SHORT FILMS (Combined Australian and International Category)

BEST SHORT
Sin Shoes – Raul Palomar/ Garden of Earthly Delights Stuart Simpson
RUNNER-UP BEST SHORT
Jumping Jack – Julian Costanzo


FOREIGN FEATURE CATEGORY

BEST FOREIGN FILM
Tin Can Man

BEST FOREIGN DIRECTOR
Ivan Kavanagh Tin Can Man and Thomas Clay – Soi Cowboy

BEST FOREIGN MALE ACTOR
Michael Parle – Tin Can Man

BEST FOREIGN FEMALE ACTOR
Pimwalee Thampanyasan – Soi Cowboy


Source: Melbourne Underground Film Festival

News: MUFF 2009 Call for Entries

Entries are now open for the 2009 Melbourne Underground Film Festival.

The management has issued the following statement:

"We have moved MUFF forward... so the final deadline is May 15 for 2009. Get those entries in quick.

MUFF X will be our biggest and best festival yet, and mark a historical landmark... Be sure to be a part of it.

The general fee is $45.00. There are discounts on Withoutabox... register to save dollars in these times of economic collapse."


Entry form for 2009 is available now at www.muff.com.au.

Source: Melbourne Underground Film Festival

News: 2009 Bluecat Screenplay Contest

The 2009 BLUECAT SCREENPLAY COMPETITION is accepting submissions of feature length screenplays!

Winner receives $10,00. Four finalists receive $1500. Every writer who submits to BlueCat receives a written script analysis of their screenplay. Entry fee $50.00.

EARLY BIRD SCRIPT ANALYSIS: EARLY DEADLINE: January 2, 2009.
Screenplays submitted by Jan 2 will receive their analysis by Feb 1.

SUBMIT YOUR SCREENPLAY

Source: Bluecat Screenplay Competition

Sunday, December 28, 2008

Editorial: Australian Dark fiction in 2008

2008 was a bumper year for Australian horror, with more local novels and short stories published than ever before. 2008 also saw the introduction of two vibrant new dark fiction magazines: the Australian Horror Writers Association's Midnight Echo zine and Brimstone Press' Black: Australian Dark Culture magazine.

Midnight Echo, co-edited by Kirstyn McDermott and Ian Mond for its debut issue, launched a solid lineup of predominantly local talent, with small press regulars such as Deborah Biancotti, Paul Haines, Martin Livings, David Conyers, Brendan Duffy, and Stephen Dedman. The first issue also included recent World Fantasy Award winner Robert Shearman.

Black: Australian Dark Culture magazine published good quality fiction from Robert Hood, Paul Haines, Miranda Siemienowicz, Liam Rands, and Kathryn Gossow in it's first three issues, plus a treasure trove of features and interviews with George A. Romero, M. Night Shyamalan, Alice Cooper, Jared Padalecki, Jensen Ackles, Fiona Horne, Marty Young, Robert Hood, Paul Haines, Nathan Burrage, and Lothian's Dark Suspense authors.

Contributors to HorrorScope's dark fiction recommended reading list (below) were HorrorScope's Craig Bezant, Shane Jiraiya Cummings, AD John, and Chuck McKenzie, Tom Bicknell (journalist), Steve Clark (Tasmaniac Publications), David Conyers (author), Kirstyn McDermott (AHWA committee member and Midnight Echo editor), Amanda Pillar (Morrigan Books), and Rocky Wood (author/Stephen King expert).

One of our panel praised the ongoing efforts of the Australian Horror Writers Association, saying: "The AHWA is doing an excellent job at promoting dark fiction, with competitions, awards, mentor programs, online forums, international guests and now its own official dark fiction magazine with Midnight Echo. It's a shame there isn’t as an equally dynamic society for Australian science fiction and fantasy writers. Similarly, Black magazine has probably done more to promote dark speculative fiction in Australia, getting the word out to the mass market."

Brimstone Press' Black Box e-anthology (sequel to 2005's Shadow Box), edited by Shane Jiraiya Cummings, was described by a panellist as "the Australian anthology of the year, if for no other reason than the talent in visual art, music, illustration and short stories that Cummings brought together to forge one very entertaining and creepy multimedia experience."

Morrigan Books' first anthology, Voices, co-edited by Aussie Amanda Pillar (and Sweden's Mark S. Deniz) had "a brilliant premise of horror confined in twelve hotel rooms. Stand out tales from Gary McMahon, Shane Jiraiya Cummings, Pete Kemshall, Rodney J. Smith, and Paul Kane. Robert Hood writes some excellent flash fiction to tie the setting to time and place."

Other notable publications in 2008 included Robert Hood's latest collection, Creeping in Reptile Flesh, James Doig's second classic weird fiction reprint anthology Australian Nightmares, Jack Dann's Dreaming Again anthology (for a selection of several quality dark stories amongst the SF/F), Leigh Blackmore's poetry collection Spores from Sharnoth and Other Madnesses, debut novels Fivefold by Nathan Burrage, Daughters of Moab by Kim Westwood, and The Opposite of Life by Narelle M. Harris, and The Seance, John Harwood's follow up to his award-winning novel The Ghost Writer.


HORRORSCOPE'S 2008 DARK FICTION RECOMMENDED READING LIST

Australian novels

  • Darkest Kiss, by Keri Arthur (Piatkus/Hachette Livre)
  • Fivefold, by Nathan Burrage (Random House)
  • Ghostlines, by Nick Gadd (Scribe Publications)
  • The Opposite of Life, by Narelle M. Harris (Pulp Fiction Press)
  • The Seance, by John Harwood (Jonathan Cape/Random House)
  • Daughters of Moab, by Kim Westwood (HarperVoyager)

Australian anthologies/collections/magazines

  • Spores from Sharnoth and Other Madnesses, by Leigh Blackmore (P'rea Press)
  • Australian Dark Fantasy & Horror 2007 Edition, edited by Angela Challis (Brimstone Press)
  • Black: Australian Dark Culture magazine #1-#3, edited by Angela Challis and Shane Jiraiya Cummings (Brimstone Press)
  • Black Box, edited by Shane Jiraiya Cummings (Brimstone Press)
  • Dreaming Again, edited by Jack Dann (HarperVoyager)
  • Australian Nightmares, edited by James Doig (Equilibrium Books)
  • Creeping in Reptile Flesh, by Robert Hood (Altair Australia Books)
  • Midnight Echo #1, edited by Kirstyn McDermott and Ian Mond (AHWA)
  • 2012, edited by Alisa Krasnostein and Ben Payne (Twelfth Planet Press)
  • Voices, edited by Mark S. Deniz and Amanda Pillar (Morrigan Books)

Australian short stories

  • "The Last Great House of Isla Tortuga" by Peter M. Ball (Dreaming Again)
  • "The Claws of Native Ghosts" by Lee Battersby (The Beast Within)
  • "Pale Dark Soldier" by Deborah Biancotti (Midnight Echo #1)
  • "Heere Be Monsters" by John Birmingham (Dreaming Again)
  • "Smoke" by Matthew Chrulew (Midnight Echo #1)
  • "Soft Viscosity" by David Conyers (2012)
  • "A Picture of Death" by Shane Jiraiya Cummings (Voices)
  • "Teeth" by Stephen Dedman (Clarkesworld Magazine)
  • "This Way to the Exit" by Sara Douglass (Dreaming Again)
  • "Honeytime" by Brendan Duffy and Andrew Macrae (Midnight Echo #1)
  • "They Live Under the House" by Felicity Dowker (Midnight Echo #1)
  • "Undead Camels Ate Their Flesh" by Jason Fischer (Dreaming Again)
  • "Lakeside" by Christopher Green (Dreaming Again)
  • "Her Collection of Intimacy" by Paul Haines (Black magazine #2)
  • "Tanihwa, Swim with Me" by Paul Haines (Midnight Echo #1)
  • "A Guided Tour in the Kingdom of the Dead" by Richard Harland (Dreaming Again)
  • "Moments of Dying" by Robert Hood (Black magazine #1)
  • "Remainders" by Robert Hood (Voices)
  • "Accidents" by Dave Hoskin (Midnight Echo #1)
  • "The New Deal" by Trent Jamieson (Dreaming Again)
  • "Just Us" by Pete Kempshall (Voices)
  • "Bitter Elsie Mae" by Tessa Kum (ASIM #34)
  • "The Goosle" by Margo Lanagan (Del Rey Book of SF/F)
  • "Skinsongs" by Martin Livings (2012)
  • "Painlessness" by Kirstyn McDermott (GUD #2)
  • "Smoking, Waiting For the Dawn" by Jason Nahrung (Dreaming Again)
  • "Fleshy" by Tansy Rayner Roberts (2012)
  • "The Casting Out" by Miranda Siemienowicz (Black magazine #2)

International novels

  • The Painted Man, by Peter V. Brett (HarperVoyager)
  • Stone Cold Calling/The Calling and Other Wraiths, by Simon Clark (Tasmaniac Publications)
  • The House of Lost Souls, by F. G. Cottam (Hachette Livre)
  • Meat, by Joseph D'Lacey (Bloody Books)
  • The Gone-Away World, by Nick Harkaway (Random House)
  • Duma Key, by Stephen King (Hodder)
  • Miranda, by John R Little (Bad Moon Books)
  • Bad Moon Rising, by Jonathan Maberry (Pinnacle)
  • Flesh House, by Stuart MacBride (HarperCollins)
  • Eden, by Tony Monchinski (Bloodletting Books)

International anthologies/collections/magazines

  • Wastelands: Stories of the Apocalypse, edited by John Joseph Adams (Night Shade Books)
  • Just After Sunset, by Stephen King (Hodder)

International non-fiction

  • Zombie CSU: The Forensics of the Living Dead, by Jonathan Maberry (Citadel Press)

International short stories

  • "N" by Stephen King (Just After Sunset)
  • "Stationery Bike" by Stephen King (Just After Sunset)
  • "The Things They Left Behind" by Stephen King (Just After Sunset)

News: Tasmaniac's Festive Fear

Festive FearTasmaniac Publications are launching an annual series, Festive Fear. Australian writers are invited to submit horror stories based on a ‘Christmas Down Under’ theme.

The guidelines are:

  • No reprints.
  • Word count from 100 but not to exceed 5000.

  • No simultaneous submissions allowed unless a member of the AHWA.

  • Publication will be directed towards a mature audience so allow your darkest thoughts to seep onto the page. Only send pieces you’re extremely proud of, "because if they don’t impress you then why would they stir us?"

  • Reading period from January 1st to June 30th, 2009 with the release December 1st.

  • Send your work as either an MS Word doc or RTF attachment to: tasmaniacpublications@gmail.com

Published authors will receive a contributor’s copy and a crisp fifty-dollar note ($50), regardless of story length. Tasmaniac seeks exclusive worldwide rights to your work for 12 months after publication. To those unsuccessful, better luck next year!

Note: Launch issue will only accept stories from Australians.




Source: Tasmaniac Publications

Wednesday, December 24, 2008

NAMELESS 10. Paul Haines.

Siekan woke as the girl left the room. He glanced at the chair, empty of its prize, and grinned. He lay back, luxuriating in the young muscle that encased this body, and stretched his limbs, enjoying the strain of flesh on ligament, the smell of his seed lingering in the air, thickening between the thighs of the girl who he had recently lain with.

He got up slowly, crossed to the window and drew back the blind. Below on the street, the girl wrapped the jacket tight around her and crossed the path of the street-cleaner, walking into the dark of the new morn. He opened the window, sucked in the air, tasting her upon his tongue, drawing her essence down into the back of his throat and filling his lungs.

The girl had it all wrong. It wasn't how badly she wanted to live. It was how good she wanted to die.

Siekan passed a message to The Old One : She draws near, if she doesn't find the stone, help her to :

: I hear you : came the reply. : I see her :

: Good. Misdirect her with it :

As Siekan left the room, he rearranged it with a deft sweep of his hand, the bed and sheets, the chair, the decor, swirling into a shadow of dust. By the time he hit the street, he felt the Karolin, the ancient crone known as The Trashwife, clambering at the edges of his mind. And with it her hunger.


(Paul Haines)

GUN CROWS 8




At one stage three men came out onto a wooden balcony to their left, lever actions poised.

With a lever pull of his own Will swung the gun, canted up, still firing, as the whole housing, including his seating, hydraulically lifted, allowing peripheral swing, to range in. Another pedal press and the rate of fire automatically increased to the single unbroken roar of 1000 plus r.p.m. The balcony, the men, were whittled away - sticks and flesh and bones rapidly chopped to confetti - The balcony framework collapsed, the whole top corner of the perforated building worn away and in danger of crumpling before he set the mutilating machine down and back on a forward, horizontal line.

The hordes had taken advantage, remassed and come in at a faster, blasting run. The machine took two, non-fatal hits.

He flicked a switch, the two longest tubes locked, stationary, and spat fireballs that exploded upon the mass of men like dry haystacks match-lit in summer. Then the tubes hosed continuous, 500 foot lines of fire. Numerous men burnt, screamed, died.

Flame stopped, bullet hail returned to primacy.

Towards the end the collection of air and water cooled barrels whirled so fast they were a blur - a mesmerist's fascination, the devil's steaming murder-go-round. Empty casings were ejected to either side in continual streams that whistled off into the night or thudded into a building across the street. Men were, literally, cut into pieces. Through the smoke and the whirling and the dust Talie saw the lower half of someone running, nothing but carnage from the waist up, before the legs simply collapsed. Men crawled along the ground, legless, trailing guts... She thought that even in the war of secession slaughter like this, in such a short time span, would have been a rarity. Mars must be laughing and drunk on blood upon his throne of bones.

Finally, it did end. The smoking turret array slowly stopped turning with a gliding motion and ratcheting sound.

Several Gun Crow voices broke from the tin can - "Whoo Hoo!" "Jee-Zus!" "Daaamn!"

Stoodark's calm voice manifested itself. "Hell won't be full anytime soon, but I think you added a few inches to the top."

Through the gun smoke and dust Will and Widow's Peak saw charnel mounds of smoking, minced badmen in the moonlight.

Talie's eyes were wide. "Shitfire!"

Will smiled widely, removing the ear plugs. He patted the warm housing, proud faced. "I call it Molly." He didn't think anyone would be topping his tally tonight. And he so loved to impress girls.

But Talie was now looking at something just beyond the front of the wagon, back behind them.

She walked back there, then looked up at him. "You see this?"

Hands on the wagon side he leapt off, jogged over to her.

Talie was looking down at the two bodies. "This one's been stabbed in the eyes, they're scored like two crosses or X's, and his mouth; teeth all knocked in, corners slit. Look how the blood's all rubbed around his mouth, and his nose is painted in it. He looks like... Y'know what he looks like?"

Will stared at the body with a pale and frozen face. "Like a clown," he whispered.

Talie stepped to the other corpse. "And this one..."

Will Elliott looked. The man's head was rammed down between his shoulders, as if from the fall of some massive weight. He saw a mental picture of a large, double-concertina-headed circus clown mallet. It would have squeaked on lethal impact.

"One of our lot?"

Will shook his head. "Talie," he said. "If you do see any clowns in the town tonight...keep well clear of them."

She nodded, watched him oddly in silence.

He looked around with uneasy eyes, then seemed to regain his equilibrium. They returned to the back of the wagon, surveying the carnage.

A solitary gunman crept out to take a look, pistol drawn. Will's hand went for his own sidearm but Talie stayed it. She set an arrow across her bow, drew a bead. Then the little finger of her bowstring hand plucked at the taut gut. Several twanging notes, not unlike those a Jew's harp might produce, vibrated through moonlit air...

The gunman turned his head, curiously...

The arrow darted into his right ear - five inches of it tearing out of his left.

They watched the man quietly fold into the ground.

Will slowly shook his head, impressed.

He got on the tin can.

"Hoodlum, best let Rex know, if he doesn't already, chow's up."



http://au.youtube.com/watch?v=Jm3kqis8YGs

Sunday, December 21, 2008

Review: The Stupidest Angel by Christopher Moore



The cynic in me likes a refreshing take on the Christmas theme, particularly if it’s not as cheery as the usual commercial fare (I love a wonderful, happy Christmas, but I don’t need the same old schmaltzy stories every year). So recently I approached Christopher Moore’s ‘The Stupidest Angel: A Heart-warming Tale of Christmas Terror’ with quite a bit of interest. The title says it all. Moore is a witty comedic writer who also puts many dark elements into his novels – the ‘terror’ in this one refers to zombies, including ‘Santa’ zombie!

The story is set in California’s Pine Cove, where Moore has written about previously – many of the characters are also from previous novels. The novel begins with a divorced couple’s heated argument when the ex-husband refuses to put a donation in the Christmas appeal tin. The argument continues in the woods, where the ex-wife decides to get even and steal the man’s Christmas trees to give to poorer families. The argument ends with the ex-husband, dressed as Santa, tripping and falling on the woman’s spade; which of course results in the man’s death.

At the same time, seven year-old Joshua Barker is dashing home, worried that Santa won’t bring him a present because he’s being playing video games with his friend instead of returning home when asked. He passes the woodland and… yep, sees Santa take that shovel to the head. He runs home with a prayer to help Santa come back from the dead.

Meanwhile, the ex-wife meets an interesting stranger who immediately helps her bury Santa’s body. The story shifts between the repercussions of this, particularly the efforts of the local lawman to find out what happened (he isn’t the brightest policeman, and is given as much credit); and the story of Archangel Raziel, who comes to earth to grant the boy his miraculous Christmas wish. Only, Raziel is rather stupid too and doesn’t quite know the precise location that Santa is buried. With a well-intended chant, he brings an entire cemetery to life, telling them they must rise to enjoy their Christmas feast. And with the reanimated dead, AKA zombies, that means brains. So begins the hilarious battle between the town members, who are inside the town church for a dateless Christmas party, and the zombies in the grounds outside.

Sound crazy? Of course it is. That’s the point, and that’s what makes this so enjoyable.

There are so many clever twists of wordplay in this novel – there were many times I found myself uncontrollably laughing out loud (to which I received many strange looks from my wife). Sure, the zombies in this novel won’t rival a Max Brooks’ creature, but they’re not meant to. The funniest part is that they come back in various stages of decay, which isn’t that useful for hunting humans, and their biggest weapon for a while is to reveal the secrets they’d heard six feet below, from people above who’d visited the cemetery. The real element of this novel is characterisation – there are so many strange characters in this novel that you never really know what they are going to do next. The policeman’s wife is hilarious – she’s forgotten her medication and thinks she is the Xena-type female warrior that she played as a character on TV. Of course, that just helps give her a reason to slash away at the zombies…
So if the hilarious combination of Christmas, a small town, weird characters, crazy plotlines, and zombies is your cup of tea, I recommend reading this book during the festive season. Have a Merry Christmas, all.

[Orbit have recently published the paperback version of this novel.]

Friday, December 19, 2008

GUN CROWS 7




A bullet whanged off a hinge on the wagon.

Will drew and fired from the hip. A man cried out, stumbled down an alleyway between two clapboard buildings.

"Not bad shootin'." From Talie.

"I'm getting better, gradually," Will replied.

He moved around the back of the wagon, looked at the sheeted object, a good few feet taller than he.

"I'm ready to roll."

With that, smiling, he reached with both hands and threw back the canvas with a quick, dramatic flourish!

What looked like a silvery metal pipe organ, made up of pipes only, stood there, gleaming in moonlight. It sat upon a heavy looking circular, black cast-iron pedestal or base. The tubes all had ventilated ribs running along them. Talie looked on, puzzled. She'd never seen the like.

"What're you fixin' to do with that?"

He grinned as he inspected the peculiar apparatus. "Cause a fuss."

He then took a rectangular, flat black box with two round holes in its face, top and bottom, out of an inside jacket pocket. Raising it to his own face he spoke into the bottom hole. "Steve, Will, I'm ready an' waitin'. But they're comin' in on a lot of horses. I'd rather not involve them."

Stoodark's voice, clear as crystal, came out of the top most hole. "That's fine, Will, I'm with you on that. Robert, did you hear that, can you maybe send Rex out to give 'em a scare?"

They both heard the Monster Hoodlum's voice then. "Okie Dokie boys, I'll do that."

Will held the box up to Talie's view, before putting it away. "Marty made 'em. In collaboration with Berinstein Communications out East. Steve calls 'em tin cans without the string but Marty wants them known as Walking Talkers. Magic in situations like this."

From out near the cloud of dust a huge, echoing roar tore the night apart. The kind of unearthly sound that informed a hackles-raised listener that they did not want to meet the originator of such a noise.

"I'm tippin' when their horses get out of hand most of the gang will come in fast on foot. They're not that far away now. Rex will take a token few. Give 'em incentive to come to town."

The Widow's Peak eyed the machine. "Is that another one of Marty's?"

Will had taken a seat on a padded stool connected to what she was realizing must be the back of the - whatever it was. "Nuh, we got it made for us by 'Gordon & West Munitions & Devices' out of Washington. They're two ex Secret Service guys, the company owners. On completion of tests they named it 'The Reaper'.

"Costly?"

"Free. Steve's got connections. But we had to take an oath to only use it on bad guys."

A roar of male voices now, close to the town, multiples of gunshots too. You could see the wave of raiders coming in.

From out of Will's jacket - Monster Hood's voice. "Fifty to sixty mean hombres, comin' at ya."

Will grinned. "Huh, they're doin' a rebel yell charge, straight up the middle. Ideal."

Talie briefly perused the array of differently lengthed cylinders, around thirty or more set in a concentric circular pattern.

"Looks like you could play a tune on it."

The attack party, at the charge, were clearly visible now.

Will patted the odd machine. "Oh, I can play a concerto, a whole opera, on this."

He pulled a polished wooden lever at the back there, and the main frame of the machine, the device, slowly, smoothly tilted downwards. Talie noted the raised, thin luminous metal spikes atop some of the barrels. She recognized that the spikes had been coated with the stuff that Marty called radium paint, which he sometimes used himself for various purposes. Will checked the angle, adjusted the height of the stool he sat upon, stopped the main frame when all the cylinders were pointing at the yelling mass, close to two hundred yards away now.

"Though it's more like fireworks," Will added as he plugged his ears with two wax pellets. He tossed Talie a fresh ball of wax.

His hands curled around walnut pistol grips stemming from the back end of the machine before him. He glanced at her. "You might wanta step back and block your ears."

The charging, firing horde could obviously see them now. All Big C killers, all armed, all with blood in their eyes.

Bullets kicked up dirt twenty feet from the wagon -

'Eagle Eye' Elliott licked his lips,

ten feet -

took a deep breath...

Talie stepped towards the front of the wagon, arrow ready, but feeling she wouldn't need it for a while.

Dirt exploded upwards around the wagon now - lead sliced through the air nearby them -

Five seconds later Will pulled both triggers -

All the barrels blazed simultaneously and kept blazing as the whole array rotated briskly in a clock-wise direction.

The noise was thunderous, drowning the yells and the shots of the attackers. Foot long bottles of red and yellow flame constantly flared from each of the multiple of sleek tubes, as a veritable horizontal hail of .45 calibre projectiles sprayed from each barrel in murderous synchronicity towards the charge.

Empty shell casings were spat out hot in continuous velocity from vents in each side of the machine's body, flung clear, twenty yards or more. The concealed spiral ammunition belt, housed under the machine, was slowly turning like the coils of an oiled serpent.

Not one member of the Big C charge got within fifty yards of the wagon. Men dropped in waves, many roars converted to screams by high velocity lead. They were physically pushed back, chipped to bloody pieces by the non-stop mutilating .45 swarm. Men at the back, spattered and blinded by the violent blow-back of their predecessors' annihilations, didn't even have time to flee. Will tapped a foot pedal with one boot and the rate of fire accelerated; the barrels whirling like a hellish Catherine wheel, the whole sounding like one continuous, bellowing shot. Void cartridges lay in the dirt by the thousands.

Talie saw now that the metal spikes atop some of the barrels were sight markers, to help home the flood of shots in on targets.

When portions of the gang split and broke to either side, running, Will would smoothly rake the gun left or right on its turret mount, and it would continue nattering away - 300 rounds per winnowing minute chasing and catching and chewing men to mincemeat.

Fascinated, Talie had wandered forward a little. A spent cartridge case struck her hard in the temple and she flinched back, rubbing at the small, quick brand she'd been given.

Will stopped the gun, looked at her, kill passion big and alive in his face. "Was I not clear enough? Get Back!"

She bridled. "I-"

The gun stuttered into action again, drowning her out.

She got back.

Neither Will, nor she, noted the two Big C men creeping up from behind.


To Be Continued...



http://au.youtube.com/watch?v=QUhUAa3y4rE






Wednesday, December 17, 2008

GUN CROWS 6




In the long standing tradition of invading forces, vandals and bastards, a faction of the Big C attackers had decided to torch the infrastructure. So far this had only resulted in close to a dozen Big C men prone in the dirt with blackened headed torches as dead as they were and an outer lying old barn ablaze. A good distance from the main buildings of Community, the conflagration gave young Will Elliott plenty of light to work by this night.

There had been some horses hitched in that barn however. Steve and a few of the others had gotten them all out safely though. Talie even managing to get a stubborn jackass into a small lean-to.

He'd driven his own flat-bed wagon in that afternoon, before all the ruckus started up. At a lull in the gunplay, twenty some minutes ago he'd brought the wagon and its white canvas covered contents up to the end of the main street. He'd unhitched the horse team, Widow's Peak and Jiraiya taking them back to the stables. He'd then anchored the wagon's tongue in the ground, climbed aboard, partly uncovered the rear of the wagon's cargo, towards the driver's seat, and had been working on it ever since.

The representatives of the Big C, initially strong in numbers and fierce in attack, had fallen back after various groups of them succumbed, rather conclusively, to certain of the Gun Crows. They had then taken cover throughout the town, watching for what they considered easy marks, some even retreating.

But a little while back a bare chested 'Slaughter Simon' Petrie, hair all crazy, covered in blood, eyes like a mad wolf and havin' a great old time, had drawn the attention of the Crows to the distant rise of dust off the plain, visible in the moonlight. Then he'd gone back to collecting faces and other trinkets and hanging them off his belt. 'Dandy' Dann, on his way out of the territory, with a good dozen kills to his credit, had alerted Stephen that a fifty to sixty strong reinforcement of Big C guns were on their way.

That was when Will was given the nod.

Now, as he tinkered, Talie 'Widow's Peak' Helene was his guard. In tan leather pants, moccasins (made out of the skin of deadly water moccasins), and a fringed leather jacket, she held a bow in both hands and carried a back and a hip quiver stocked with arrows.

He glanced at her occasionally as he worked with tools and small oil can. She seemed to have more dark pourings of hair than a head should own, and that bow - it looked to be made of some sort of flexible bone and ligaments. It almost looked...alive.

He thumped his head on the machine as he stood up. He wore an Easterner type dark suit and a holster filled with a hand-tooled Colt.

"So," Widow's Peak said a few moments later, " 'Eagle Eye', huh? "

He looked at her a moment, then smiled. "Actually my eyesight's not that good."

She glanced at him, blank faced. "No kiddin'."

He coughed. "What is it with the nick-names?"

Her intense eyes were focused on the street, the town, all about again, vision prowling. "I think some of them, obviously, are meant to be ironic."

"Yours is Widow's Peak."

"Yeah." She frowned. "My widow's peak isn't that noticeable is it?"

"I guess not. It's evident though."

She frowned at him.

"But ... not overly so." He gave her a wink, smile and nod, which unfortunately looked, in combination, a little like a leer. "Your ass doesn't look big in that neither." He glanced, perhaps a little too casually, at the distant lean-to.

She just stared.

He cleared his throat, tightened a few more nuts with a spanner.

"That's an unusual bow, where'd you get it?"

Eyes still prowling. "Blackfeet graveyard."

He paused in his work. "Oh."

Prowling. "It's not what you think. I pay my way."

He'd heard that Talie was well known in a number of the Indian Nation tribes. She looked like the type of woman whose ensemble only needed a belt of scalps to compliment it. He looked warily at a woven hair pouch set at her waist.

The prowling eyes saw. Her usually serious, pale face cracked into a brief smile. "This is horse hair," she said, tapping the pouch. "Made for me by a Mescalero."

He pointed at the .38 Peacemaker low on her hip. "You carry a revolver too I see."

She pointed back without looking. "As do you."

He shrugged.

"They do call us 'Gun Crows' I guess," she said. "As you know, Stephen wants everyone to be able to use guns. Even the more... unnaturally gifted among us."

There was no denying that guns had fluent currency in their present environment.

"Why is that?"

"What?"

"Why 'Gun Crows'?"

Her turn to shrug. "It may be because crows are carrion eaters, they live off misfortune and death."

He thought about that for a moment.

"Steve says that crows are beautiful, intelligent creatures," he stated.

"Yeah," disinterested. "That too."

A movement up on a section of roof across the street, a gunman drawing a bead with a rifle.

Talie seemed to pluck from her hip quiver, nock the arrow, draw and fire in one smooth movement that took not much more than one second.

It was a difficult shot, by moonlight and fire flicker, she had to skip the arrow off the roof iron to meet the required upward trajectory. A brief spark as at-speed arrowhead met sheet iron roofing.

The rooftop sniper groaned once, died with six inches of the owl feathered shaft in his head. None the wiser. Score another for Widow's Peak.

She nocked another obsidian headed arrow, ready.

"That cloud of dust is gettin' mighty close now," she said.

"Did Indians teach you to shoot?"

"A Japanese woman. Cook on a wagon train."

He'd noticed that her grip on the actual bow was much lower than one would normally see.

Something glinted, moving slowly high above in the sky. It looked like a bright silver bird with unmoving wings, there was a faint, continuous roaring sound from somewhere up there too.

Still looking up he asked, "What was that?"

She glanced up, at the same time she let loose the arrow - which sank into the chest of a two-gunned man who burst out from the open telegraph office door just back from where they were. The man fell and twisted in the dirt for a short time.

Another shaft sped low through the glass of a curtained window. A man screamed, the scream sounding like it was working around a vibrating sliver of timber. She'd heard the thump of a rifle dropped behind the curtains as well.

Re-nocked, slightly squatted, she continued to eye the town as she spoke.

"Whenever Bob Hood and Lucky Lucy are in the same place you'll get the odd glimpse of some weird shit." She paused, eyes slit in concentration, appraising the street. "Once, when they were around, the time we had to get Fort Baynton back from those copyright bounty hunters, we were in Lawson Town and I thought I saw a big glass window, with rows of smooth black and grey boxes with single glass eyes apiece and coloured images moving on them. And they had price tags, with astronomical numbers on 'em."

A shot!



To Be Continued...



http://au.youtube.com/watch?v=pYCgq8q9Ofw&feature=related

Tuesday, December 16, 2008

Review: Monkey Magic (Japan, 2007)

Japan’s much loved kung-fu larrikin gets the 21st century make over in this brand-new feature film adventure that captures the fun and over-the-top flare of original 1970s series.

The film reintroduces the monkey king Son Goku as an ambitious and vain character who signs up his team of misfits for a quest to retrieve a mythical orb so he can impress a beautiful woman.
But when demon brothers threaten to send the world into eternal darkness Goku is forced to unwillingly fight for the fate of the earth.

Full of colour and grandeur the film immerses itself in the absurdist humour and comical martial arts of the 1970s TV show in a mostly enjoyable reimagining of the monkey king myth. The film also benefits from the invention of CGI, with Goku and his pals battling sea monsters, giant wheels and bolts of magic against a back drop of stunning exotic locations and larger than life sets.

Monkey Magic is absurdist cinema at its Japanese peak. Some might be put off by the hammy acting and silly nature – but Monkey fans will appreciate it for what it is - a loving tongue in cheek tribute to a wonderful show.

Monkey Magic is released through Madman Entertainment.

Review: Frontier(s) (France 2007)


France continues to build its reputation as horror’s new frontrunner for confrontational films with this savagely brutal but derivative Texas Chainsaw Massacre clone.

When a pair of on-the-run thieves stop in at an out of the way motel they encounter a sadistically deranged family of Neo-Nazi hell bent on carnage and social cleansing.

As one of the original films picked up at the After Dark festival – a string of original horror films pooled from across the world for a broader audience – this should have been a wonderful horror film.

Sadly, when you strip away the gore – much of which is done off camera – all that’s left is a barely-conceived poorer cousin of the Hewitt family tree.

While Texas introduced us to a horrific but sympathetic family unit that operated within a twisted moral code and warped sense of belonging – writer/director Xavier Gens has only managed to throw together an eccentric bunch of caricatures that possess the tools to carve people up but none of the bonds that made the Hewitt’s so disturbing.

Dad’s neo-Nazi rants – which are riddled with unnecessary exposition – become quickly repetitive while dinner scenes and a out-house butchery are directly ripped from the Texas films.

Only an impressive band saw scene distinguishes this from any of the other torture films.

Frontier(s) will find a home with the gore hounds, but you’ll find it hard to really care who lives and dies.

It’s a film that should have been great, but never really arises above the clichés to present anything truly memorable.

Frontier(s) is released through Madman Entertainment.

Sunday, December 14, 2008

NAMELESS 9. Will Elliott.

She stared at it, stuck in the end of her hand like it was now a part of her. She willed her fingers to release it. She could set the stone in her pocket, but she couldn't drop it on the ground. She stood, her feet carrying her away from the healthy people walking by, into a seedy alleyway, the kind of place she'd often gone before in desperation, craving poison to shoot into her arm.

She pressed her back into the brick wall and shut her eyes.

A familiar voice spoke: "Once you've been here, the stink lingers on you. Isn't that right?" Startled, she wheeled around and saw him, the foul old man-who-wasn't. He waited at the street end of the alley, just calmly waiting: You won't run, this time. The street's bustle behind him seemed to halt to an eerie quiet.

"You stink, Leah. It's a stink you spread around." The voice rustled soft laughter from a wheezing throat. His sagging skin barely hung to the skull beneath. He said, "I know what you were trying to do. But there's another kind of innocence. The dead are innocent."

Her hand gripped tighter around the stone. Suddenly the feel of it was no comfort at all; so heavy, it would anchor her here if she tried to run. His eyes sparkled. "How it weighs you down, Leah. And now you need my help to be rid of it." He extended a palm, his arm lengthening a metre beyond what was natural. "I'll ease your burden. But first, what have you to sell me?"

There was an escape route behind her, the fence top lined with curls of barbed wire. He saw her eye it off and smiled. "It's a sickness we like to spread, no?"

You killed the child, Leah...

Suddenly, she didn't care about running. She felt sick beyond any craving, the feeling like waves of heat from the hateful weight in her hand. She held the stone high, thinking only of breaking his sagging face and its fragile old skull into pieces.

She ran at him, screamed in rage and hurled it, except it didn't leave her fist. There was a pulling sensation, horrible pain. The flesh of her hand stretched through the air a short distance like elastic tied to the rock, shreds of skin ripping open and spattering her blood against the old non-man's face. The rock's huge weight pulled her forward to the ground, her head spinning.

The non-man took slow steps towards her but she hardly noticed for the searing white-hot pain in her arm. The skin about it was loose, torn and bleeding pools onto the filthy concrete. Before she blacked out, she thought she saw the glint of a needle's tip, but couldn't tell if it was in his hand or littering the ground she'd collapsed on. His voice rasped the words, "How badly do you want to live?" Then her eyes shut.


(Will Elliott)

Friday, December 12, 2008

Book Review: Demon Apocalypse by Darren Shan

ISBN 9780007231416
Published in Australia: August 2008
Publisher: Harper Collins Children’s Books Australia

“A demon shaped like a giant scorpion digs its stinger into a woman’s eyes.” - is the first line of a frantic opening in Darren Shan’s Demon Apocalypse, the 6th book in Demonata, a YA horror series.

Demon Apocalypse is told from Grubbs Grady’s point of view and reintroduces his friends Beranabus, Dervish, Bill-E and Juni. On the side of evil are Lord Loss and his minions of evil: Spine, Artery, and the acid spitting bunny Femur.

It’s an easy read and filled with all the cool and disgusting demons that would give unwary youngsters nightmares. It has plenty of back-story for those new to the tale, but reading the previous books is recommended because important details leading to this book are glossed over.

Downfalls include some strange logic like Grubbs being taught to fly, but then told he would have to walk through a desert to leave the place to which he just flew. What?

Shan also paints himself into a corner in the plot and uses time travel to fix it – so nothing I just read actually happened – I hate that.

Still fans of the series will enjoy this addition but hardened horror lovers probably not so much. Would make a good stocking filler for young teens horror fans.

Book Review: Sadistic Killers by Carol Anne Davis

ISBN 9781862547711
Published in Australia: August 2007
Publisher: Wakefield Press
Review first published in Black Issue #3 November 2008

For a non-fiction work on some of the worst individuals who unfortunately have graced this planet, Carol Anne Davis has put together a comprehensive collection detailing many gruesome cases in this one, easy to read volume.

Covering killers in Britain, the United States, and Australia, and using her knowledge in criminology and past experience as a true crime novelist, she presents case files with short and brutal clarity. I was disappointed with the way she painted many of these people with generalised comments which crept into her explanations, and there seems to be occasional missing facts that are covered by assumptions. As this was put together from factual reports, biographies, autobiographies, and other records, I would have assumed many of those details were revealable through more diligent research.

Beyond the case files from the three main countries, the book contains interesting sections on the rare female sadistic killer and notable killers from other parts of the world. To give a well rounded presentation of the topic we are privy to an intimate and revealing interview with a consensual practitioner of BDSM, and a report into one doctor’s efforts in treating the killers who display sadistic tendencies.

An extremely interesting and informative reference book about some truly horrific individuals.

Book Review: 13 Bullets by David Wellington

ISBN: 9781741755923
Published in Australia: September 2008
Publisher: Allen & Unwin
Review first published in Black Issue #3 November 2008

In the 1980’s, the world is aware of vampires as real creatures, but twenty years later society has come to think them extinct. Of course this isn’t true. And whose fault is it? Lawyers!

One very old and weak female is kept alive on a trickle of blood from enthralled doctors in an abandoned hospital, because nobody can prove she has actually committed a crime. Indeed, the courts rule it to be a crime if she were killed!

A random stop at a roadside breathalyser introduces us to Laura Caxton, and starts a bloody and vicious trail of events which lead toward the old matriarch, but takes a telegraphed twist on the way.

The tale is carried forward by the strength of the sub-plots, the subtle twists within them, and the subsequent reweaving of the characters lives. Caxton and the intrepid vampire killer and US Marshall, Arkeley, Caxton’s impromptu partner, continue in the face of mounting self-doubt to solve the reasons for the increasing body count.

Definitely a horror novel but could also be classed as a police procedural, as the Trooper and the Fed pursue their quarry.

A good read until an abrupt and clumsy ending, which left this reader a little disappointed. Still very much worth the time to read.

Review: The Successful Novelist by David Morrell





Many writers I know cherish Stephen King’s ‘On Writing’. Personally, it helped reestablish and reinforce my love for the craft. And for many horror writers, the handbook ‘On Writing Horror’ (by The Horror Writers Association) is seen as an invaluable addition to their reference collection. I would like to make writers of every genre aware of the third text that doesn’t leave my sight – David Morrell’s ‘The Successful Novelist: A Lifetime of Lessons about Writing and Publishing’ (Sourcebooks, Inc, 2008).

If you are not sure who David Morrell is, I just need to mutter ‘First Blood’ aka ‘Rambo’. Yeah, that guy. Author of over 20 novels and short story collections (many that border on horror, such as the novel ‘Creepers’), David Morrell is one of the world’s greatest thriller writers. His four-decade career alone warrants the writing of this text, but before he became a full-time writer, Morrell was also an English professor. To put it bluntly, he knows his stuff.

Which could have made for a boring series of lectures on the standards of grammar, point of view, editing techniques, and so on. Instead, Morrell shares a very personal series of writing lessons, which of course makes the text unique. There are so many wonderful tips for writers, such as creating a dialogue between yourself or your character to flesh out the aspects of your story (including a reason for writing it), which writers can use as somewhat of a novel outline to guide them forward. Yes, you’ll have to talk or write to yourself – just point out the long-term advantages to your partner/family before they think you’re crazy.

‘The Successful Novelist’ is the 2008 revision of his earlier work, ‘Lessons from a Lifetime of Writing’. It contains a new section on publicity and marketing, and expanded/revised points in most chapters. Even if you had the earlier edition, I suggest you look at this one.

There are great lessons on: the benefits and disadvantages of each point-of-view; how to create great, succinct dialogue; the psychology of description; the all-important first page to get readers (well, time-starved editors) to read on; methods for dealing with writer’s block; and the shifting role of the author (author as marketer), which is very handy to know. There is a brilliant section on writing for the movies, with a very honest introspective on the different process (from writing novels). Morrell provides stories about successes and failures, and may have you thinking twice about chasing the Hollywood dream.

That is the one word I could use to describe this whole text: honest. Morrell breaks down the writing process and the creative industry by recalling what he himself has gone through. It is not simply saying ‘I’ve written heaps of novels, made lots of money, and now you can too’. It gives a brutally frank look at what he and others have done and gone through. He looks at mistakes made, by himself and others. And so on.

The only bad point about this text is that it is not readily available in bookstores (hence why people should be more aware of it!). I eventually ordered my copy through an online bookstore. I hope you do the same (actually, keep pestering the bookstores), and have it on your reference shelf soon.

Tuesday, December 09, 2008

Book Review: Eden

Tony Monchinski, 2008, Permuted Press


The zombie apocalypse has arrived, civilization has fallen, and in what was once Queens, New York, a small community of survivors stand their ground in a fortified compound they’ve named Eden. And, like its namesake, there are snakes within...
Okay, yes, it’s yet another zombie apocalypse novel, and yes, there are plot elements here that will be extremely familiar to anyone who has ever watched a George Romero movie. However, I’m going to go out on a limb here and say that this is one of the very best apocalyptic novels I have ever read, bar none; and, as with most truly exceptional zombie novels, it’s la difference that sets Eden apart from the pack (if that isn’t too damn obvious a statement). For a start, our main protagonist, a former teacher named Harris, is introduced on page one of the novel having just been bitten by a zombie. He’s dying from the moment we meet him, and we follow his rapid deterioration throughout the remainder of the novel as he attempts to discover just who in Eden set him up (yep, someone let the zombie in deliberately).
Monchinski intersperses the brief chapters detailing Harris’ hunt for justice with ‘snapshots’ describing his experiences of the apocalypse up until the ‘present’ – moments big and small, significant or otherwise - along with occasional peeks at the experiences of other characters, not all of whom figure prominently in the plot. By the time we reach the foregone conclusion of the novel, we have invested emotionally in Harris’ fate because we know him so well. Fascinatingly, though, most of the aforementioned snapshots are delivered out-of-sequence, so that the reader builds up a very particular (and often flawed) view of any given character, which may very well be turned upon its head with the next snapshot (in one such instance, the reader alone is given information on the background of one of the ‘good guys’ of the piece which, I guarantee, will turn the stomach of even the most hardened horror fan!). This serves to keep the reader guessing, adding to the mounting tension of the main story thread.

My one gripe concerning this novel – and it seems to be a ongoing problem with Permuted Press publications – is that the standard of proofing is pretty dreadful; the published version of Eden is replete with typos and grammatical errors that could have been removed with a decent copy edit. It falls to the editors of any publishing company to weed out such errors, and a failure to do so unfairly gives the impression to potential readers that otherwise excellent authors and works are somehow substandard.

Okay, rant over.

Eden is a wonderful, engaging novel that will continue to resonate, emotionally, long after the final page is read. You can order a copy online from Amazon.com, and should do so immediately. I’ll be looking forward to Monchinski’s next offering, hopefully in the not-too-distant future.

Book Review: Bone Song

John Meaney, 2007, Gollancz


Welcome to Tristopolis, a city powered by the bones of the dead (which, rumour has it, do not rest easy); where buildings tower two-hundred storeys above street level, and ancient catacombs lie for miles beneath; where wraiths inhabit the mechanisms of everyday machinery; where law-enforcement sorcerers can pick apart a suspect’s mind with the ease of a computer technician rewiring a PC.

Lieutenant Donal Riordan is a good cop, good enough to get himself assigned to protect a visiting Diva from a shadowy organisation trading in the talent-drenched bones of true artists. When he fails, however, it’s up to Donal – assisted by his high-ranking zombie lover and her team of hardened cops – to chase down a conspiracy that appears to reach the upper echelons of political power in the city, and in doing so protect his own life, and the lives of those around him.

This really is a brilliant dark fantasy novel, which gave me the same sort of thrill I recall getting upon first reading China Mieville’s Perdido Street Station. The world into which Meaney drops the reader is original, enthralling, and tightly put together – an unsettling blend of shiny Retro Sci-Fi, grim dystopia, and gothic horror - giving the city a character all of its own. The plot develops nicely, delivering twists and turns, tension and dizzying action, together with fascinating glimpses into the personal lives of the strange denizens of this strange city.

This is definitely a must-read novel for all fans of horror, fantasy and SF alike; ‘New Weird’ at its very best. A direct sequel to Bone Song Dark Blood – is also currently available in Trade format, to be released in paperback early 2009, and I’m already rubbing my hands together in anticipation of immersing myself in it.

Monday, December 08, 2008

News: Aurealis Award finalists

The finalists have been announced for the 13th Aurealis Awards, representing the best Australian works of science fiction, fantasy, and horror.

The Horror Division nominees are:

Best Horror Novel

  • Jack Dann, The Economy of Light, PS Publishing
  • Nick Gadd, Ghostlines, Scribe Publications
  • John Harwood, The Séance, Jonathan Cape


Best Horror Short Story

  • Lee Battersby, ‘In From the Snow’, Dreaming Again, HarperVoyager
  • Deborah Biancotti, ‘Pale Dark Soldier’, Midnight Echo, #1
  • Trent Jamieson, ‘Day Boy’, Murky Depths, #4
  • Kirstyn McDermott, ‘Painlessness’, Greatest Uncommon Denominator (GUD), #2
  • Ian McHugh, ‘Bitter Dreams’, L Ron Hubbard Presents Writers of the Future, Vol XXIV

The full list of nominated finalists is available at the Aurealis Awards website. Congratulations to all the nominees!

Sunday, December 07, 2008

Review: The Lobby by Christopher A. Durish


Walls Closing in …
Crowded blood soaked recollection …


This is just a small hint of the opening stanza of Christopher A. Durish’s first novel The Lobby. It’s a book that, after a brief skimming, was supposed to put be put down in favor of more pressing titles. But what started out as a quick perusal ended up being the catalyst for reading the entire novel. A sure sign I was dealing with a horror writer with literary merit.

Zachary Bell is an up-and-coming yuppie in the world of advertising. He’s a married father of two daughters with an ideal future living in New York. But his existence resembles nothing that constitutes the American dream or adhering to values. For his nights are spent attending the sordid parties of the wealthy elite and succumbing to infidelity. More distressing is his apathy and utter lack of conscience. So when Zach’s car plunges of a cliff in the aftermath of one of his infamous parties with his mistress at his side, it is little surprise he feels almost no remorse for her resulting death …

From here, we’re treated to a kind of surrealistic Hell as Zachary awakens from a brief coma. He tries to return to the life he lived but has fleeting visions of the afterlife and the creatures of that realm. This is where things crank up, as Christopher paints a mesmerizing picture of the underworld’s environs and those souls whom skate along the peripheral abyss. That said, The Lobby tackles the mythology of Hell. The Bible’s mythology … and those who have found the implausibility of this folklore to be tiresome when trying to get their chills may be a little disappointed. However, an author like Christopher can certainly take the un-believable and make it believable. His prose is like an intricate webbing of the grotesque, maturely handled – and not bogged down with dialogue. This is a story that just begs to be translated into celluloid, and I was eerily reminded – pleasantly so – of novels like Dean Koontz’s Hideaway or perhaps one of the latter (but better) Hellraiser flicks.

At times the horror can be a little clichéd in the details, and certain paragraphs will have the same word repeated numerous times - a pet hate of mine – but overall The Lobby is an excursion worth taking. The strengths of the book are the deft way the domesticity of family are handled and the oddly comforting chaos as Zachary is propelled toward his destiny. The novel is a slowly building crescendo and contains an ending which certainly isn’t tacked on but played out with just the right editorial skill.

Without using any eloquence here, I'll just say I really enjoyed this book. It is one of those novels that feel pulpy but have a sophisticated style at the same time. The Lobby can be ordered from Sense of Wonder Press.

Friday, December 05, 2008

GUN CROWS 5






Night had seemed to fall quick upon the town.

Stephen 'Doctor Deadshot' Dedman looked down at the two .44 pistols in his skintight, black gloved hands.

Bone handled, black iron. They felt reassuringly weighty in his hands.

He'd picked them up from a travelling carnival show. 'Legendary Guns and Gunmen of The Wild West'. He'd seen them on display. Taken a liking to them straight away. Had to have them.

To his surprise the show's operator, tall feller with a pencil mo, name of Price, had let him make an offer: forty dollars. To his further surprise the barker had accepted.

As Dedman, pre his famous nick-name, had admired the brand-free guns balanced upon his palms in the showman's wagon, Price had smiled, toasted him with a thrown back whisky. "They're the pistols that killed Cooper Weir," he'd said, almost proudly.

Dedman had been dubious. "No one knows who killed Cooper Weir."

"Maybe not. But I know what killed him," Price had said in his casual yet sneering voice, just a little the worse for drink, as he tapped one of the guns. "And from whence it came."

"Who killed him? Which man could ever have been fast enough to shade Cooper Weir?"

"Ah, not one man, two. Tarren Quicke and Pale Fleer."

"That's bull," Dedman had argued. "Tarren Quicke was two years in the ground before Weir was dropped."

"That's true," Price had said, pouring another shot. "He was more dead than alive. Two years in the gun. Till Pale let him out."

Price had seemed reluctant to elaborate and Dedman hadn't pursued it. He hadn't needed clarification from a stewed barker - he had the guns, the beautiful guns.

Polished white bone grips that fit the hands so perfectly. Black steel, with spackles of bright pinpoints, like diamond dust or stars in the night sky.

Then he'd noticed that the cylinders were fixed in place. They could turn, but they could not be swung out nor removed from the frame, nor did they have any loading gate or port or extractor mechanism to feed in cartridges and eject spent rounds. You could not reload the pistols.

He had protested.

"Yes," the showman had said. "The guns were fashioned that way. You can still use them."

He'd protested more.

Price had given him twenty dollars back. "How's that?"

He'd accepted reluctantly. Twenty bills was still steep for a novelty. 'Still use them'? Was he supposed to impress his foes to death? "You'll see," Price had lisped, through his feline smirk.

As he'd arisen to leave after tossing back one last whisky, Price had looked up at him. "It's right they should live with you. I won't use 'em. But I'm sure you will." Outside he'd heard the fruity old tent rat laughing behind the canvas flap. "And vice versa," were the parting words of Price.

He'd wondered on the carnival caller's words. But only until he'd used the guns. Only until he'd realized he'd drawn and fired three times faster than normal, and his normal had been fast. Only until an hombre had struggled with him and they'd fallen in the dirt, both grappling for one of Dedman's pistols. And the gun had gone off, and the hombre was gut shot, and the gun's barrel was in the wound, and the hombre died. . .

Dedman stepped out onto the boards in front of the two Big C gunslingers. They both drew, quick as lightning - He drew, quicker than the thought of drawing. Six shots into each man's torso before either could jerk trigger.

He then slowly approached the bodies, knelt on one knee, placed each of the smoking barrels into a ragged, uniquely burnt edged, wound.

Above the sizzle of hot iron upon internal ruin, he heard the familiar clicks - six of them from each pistol, as each chamber received, or took in, its new load. Then, the nudge back, like a silent recoil, and it was all done. He was twelve loads the richer and three times as fast now. With guns that didn't fire bullets.

He walked on, pistols up, four eyes staring, looking for their next meal.



http://www.youtube.com/watch?v=KsskPPgkIe4




GUN CROWS 4





Jack 'Dandy' Dann hadn't entered the town, nor did he intend to. That was not his way.

He was up on a ridge, around two thousand yards above the town of Community, observing the strife that had already started down there through his trusty old field glasses.

He'd seen men die. He'd seen huge slivers of rock fall from the sky. None of it puzzled or alarmed him, for he knew the ways of many of his friends down in that little town.

He was lightly perspiring in his bowler hat, shirt, fancy vest and pinstriped jacket, checked trousers and crocodile skin boots, but nothin' to make him too uncomfortable. He even wore a wide paisley tie, though it was loosely fixed at his throat.

His horse, a grey mottled mare, chuffed and stirred back behind him.

'Dandy' Dann set the glasses down on the square of Indian blanket he sat upon. "Still, Genevieve, won't be long now, darlin'."

He picked up the customised .50 calibre sniper rifle and got set on one knee behind the low rocks, hexagonal barrel positioned, about a foot back from the muzzle bore, in the 'V' forked branch he'd wedged in a rock crevice earlier. Butt of the rifle resting snug in his shoulder he put on his spectacles carefully.

Afternoon shadows would soon be apt to interfere with his targets down in the town, so he'd best get started.

The sniping rifle was one of three he travelled with. He did not use any of them on buff or injun. But he'd made a small fortune as a regulator for whoever paid the best on the correct side of his saddle.

The powerful telescopically lensed rifle sights gave him the situation in the town in microcosm. He sighted in, spotted his first mark. Predictably there were Big C folks up on the rooves. That made his job a whole lot easier.

Clic-BOOM!

The barrel end bucked six inches in the air - a rooftop gunman's chest fled from the man's body like a mallet hit watermelon.

Jack's horse farted.

"Jesus, Gen. Knew I shouldn'a given you those oats so late."

Clic-BOOM!

Just above the Lancaster Wayne saloon a man's head was quick converted to red mist.

As the body flopped lifelessly into the street Jack already had his next opportunity in his sights.

Clic-BOOM!

That feller disappeared from the roof of the livery like he'd been tugged away by a rope with a charging bull on the other end.

To a harpy scream and a leathery beating a huge shadow passed over Jack's little shootin' nest.

Genevieve stirred. Jack glanced up, sun glinting on his specs. Thought he saw something, then - nothing. He smiled. Looked like Bob Hood was still travellin' with his big pets.

"Sssshhhhh, Genevieve, s'alright gal," he quietly reassured his mount. She was well used to the roar of the Fifty, didn't hardly twitch her ears, but that other...was something else.

Clic-BOOM! The victim stumbled around on the storekeep's roof a while with nothin' from the nose up; mouth workin' but issuing only blood rhetoric. Then it fell out of sight.

Genevieve let loose her bladder.

"Oh Jesus, Gen."

It went on for a good minute. Genevieve's urine was clear as water, he had her on a good diet.

When she was done he saw that the tide was flowing down the slight incline through the dirt towards his position. He decided he'd fire until the river was almost at the blanket, then he'd pack up. That'd equal about four more shots, and see his tube magazine empty.

He sight checked through his field binoculars.

He then saw an opportunity too good to let pass. Three Big C gunmen bunched in the main street. Now That was his kinda challenge.

He sighted a tad more carefully, allowed for the slight breeze . . .

Clic-BOOM!

By the time the rifle barrel hopped with recoil the 400 grain bullet was well on its way. By the time anyone in the town heard the distant shot the bullet had already arrived.

He quickly grabbed up his field glasses, focused just in time to see the first man down, the second falling, the third swaying; hit high in the chest, then - down he went.

Now that bullet had fulfilled, to the cent, the whole dollar that it cost him to make it.

He felt no remorse. The Big C gang made the Wild Bunch look like kittens in a basket. He eyed the creeping river of horse pee that had stalled three feet from the blanket. Its temporarily dammed force trembled against the resistance, ready to move on. . .

Hmm, few more shots, maybe?

He saw five Big C riders striking out hard on horseback, bound for his roost. He smiled, and the fun don't stop.

He peered along the barrel through three lenses again, down at the lead horseman. Genevieve snorted. "Don't worry gal, I won't hit those gee-gees."

No remorse. The Big C wasn't composed of men, they weren't human, they were a disease. He knew what the Big 'C' stood for. He knew that it was, eventually, going to be burnt out of existence.

Clic-BOOM!



http://au.youtube.com/watch?v=VFX5X6GBAlw&feature=related






Thursday, December 04, 2008

Book Review: Zombies: A Field Guide to the Walking Dead

Dr. Bob Curran, 2008, Book Man Press


Much as I love my flesh-eaters, it’s refreshing to find a pop-culture zombie guide that deals almost exclusively with the traditional mythology and folk beliefs surrounding the reanimated dead, as opposed to the fairly recent embodiment of the zombie as a mindless cannibal. In this slim, beautifully illustrated volume, the author examines zombie myths from around the world and the ‘evolution’ of these tales from pre-Biblical times up until the present day, as well as the social and cultural phenomena that fed such beliefs.
There’s a great deal of interesting, apparently well-researched material here, although, in the end, I felt that perhaps the term ‘zombie’ had been whacked onto the cover as a marketing tool, as many of the undead entities described therein didn’t seem to fall under that particular banner; then again, the guide presents much information specifically intended to dispel the many misconceptions surrounding zombie mythology (the chapter on the origins of Voodou, in particular, was a real eye-opener), so perhaps I’m more mired in my preconceptions than I’d like to believe. The book also could have done with a decent line-edit before publication; that aside, however, I found this an easy and enjoyable read. Highly recommended.

Wednesday, December 03, 2008

NAMELESS 8. Jack Dann.

The baby twisted around in his mother's lap and waved his arms at Leah. He gurgled, as if trying to talk to the stone, and as he did so, he turned pale, as if his powdered warm flesh was being transformed into dead-grey pewter...or into stone. The baby reached for the stone, which suddenly became hot in Leah's hand. It pulsed, as if suddenly, urgently alive. It became fleshy, soft, obscene, and Leah reflexively let go of it. She felt revulsion, as if she had been holding a tarantula.

The stone should have made a noise when it struck the metal floor, but it didn't.

The baby stopped waving his arms...and stopped breathing.

The young mother screamed.

The bus stopped, and Leah rushed for the door, as if she were a felon.

"What have you done?" the mother screamed.

But Leah was in the street, racing through rush-hour crowds, pushing past the shower-a-day white-collar battlers who were on their way home to their flat-screen televisions and microwaved dinners and would never ever need a fix or a Trashwife. She needed to forget what happened on the bus. She needed to get so stoned that she would never remember again. Stoned, stoned, stoned, and then she realised that she had dropped the stone. She had released it. It wasn't her problem now. Let someone else find it. Let the-

You killed the child, Leah... You...

Although only she could hear it, the voice was loud and insistent. She felt numb, exhausted, hollowed-out, and sat down on the stone steps of a pavilion.

You can't dismiss me or throw me away. I am yours, and you...you are mine...

And Leah suddenly realised that she wasn't in pain any more. Wasn't sweating or shaking. Didn't need a fix. Didn't need anything. She patted her pocket and felt a hard, comforting bulge of stone.

You can't throw me away...

But she had not picked up the stone, had not retrieved it.

It had retrieved her.


(Jack Dann)

Dymocks Southland Bestselling Horror Titles for November ‘08

Dymocks Southland is a general bookshop in Cheltenham, Victoria, boasting an extensive range of genre stock. Below are listed the top 10 bestselling horror titles for November 2008.

1. Eclipse Special Edition (Twilight #3) – Stephanie Meyer
2. New Moon Special Edition (Twilight #2) – Stephanie Meyer
3. Just After Sunset – Stephen King
4. The Zombie Survival Guide – Max Brooks
5. Bitten To Death – Jennifer Rardin
6. Night Watch – Sergei Lukyanenko
7. Embraced By Darkness (Riley Jensen) – Keri Arthur
8. Darkest Kiss (Riley Jensen) – Keri Arthur
9. Duma Key – Stephen King
10. Australian Dark Fantasy & Horror 2007 – ed. Angela Challis

Dymocks Southland also publishes a monthly SF, fantasy and horror newsletter – Dymensions - which can be subscribed to here.

Tuesday, December 02, 2008

Book Review: Ghost Road Blues







The Pine Deep Trilogy: Ghost Road Blues (2006), Dead Man’s Song (2007), Bad Moon Rising (2008), Jonathan Maberry, Pinnacle Books

Pine Deep buried the horrors of its past long ago. Thirty years have elapsed since a serial killer sheared a bloody swath through the quiet Pennsylvania community, and now Pine Deep enjoys a brisk tourist trade built upon the town’s reputation as ‘the most haunted town in America’. But a month before Halloween, the local farms are blighted by disease, a group of brutal criminals have blown into town, and an ancient evil stalks the streets. The Monsters are coming. The Red Wave is coming. And very soon the residents of Pine Deep will find themselves at the very epicentre of the approaching Apocalypse.

Ghost Road Blues – a 2006 Stoker Award-winner - is the first in a trilogy of horror novels, Dead Man’s Song and Bad Moon Rising being the second and third respectively, and tradition would dictate that any trilogy requires reading in a certain order. However, Maberry’s publishers have not labelled the three books numerically as part of a trilogy, in order that readers would be able to pick up and read any given book of the trilogy as a stand-alone tale. From my point-of-view, while both Dead Man’s Song and Bad Moon Rising both contain enough back-story to enable casual readers to make sense of the tale therein, reading the novels in sequence offers a far more rewarding experience, allowing readers to immerse themselves more fully in the plot, atmosphere and characterisation.

The Pine Deep trilogy is one of the most engrossing, frightening and enjoyable works of horror I’ve ever read. The deftly-observed minutiae of daily life in what could be any small community lays a solid foundation upon which Maberry builds a fast-moving plot, supported by an ever-increasing atmosphere of tension and genuine fear, punctuated occasionally by scenes of all-too-realistic gore and violence. Despite having a community-sized cast to deal with, Maberry imbues all of his characters with humanising quirks and flaws that keep the reader invested in their fates. Heroes, antiheroes, bastards and villains are presented from the outset, and with each new twist in the plot, you’ll be hard-pressed to guess which characters make it through to the end in one piece.

In my humble opinion, Maberry’s work should be required reading for anyone who considers themselves ‘serious’ about horror. I’m putting the Pine Deep trilogy up on a pedestal alongside Stephen King’s It, Robert R. McCammon’s Boy’s Life, and Sarah Langan’s The Missing (aka Virus), as an example of just how damned good this genre can get. Read it now. With the lights on.

News: The Bullsheet #81

The Australian Science Fiction Bullsheet #81, December 2008 edition is now available. This issue details various publishing news, and an overview of upcoming writing, speculative fiction and fan events.

Just a reminder - the web version of The Bullsheet is now at www.bullsheet.sf.org.au.

Source: Edwina Harvey