Friday, October 31, 2008

NAMELESS 4. Lee Battersby.

Leah dropped to one knee, arm pressed against her stomach to hold in the pain. She recognised the stabbing in her guts, the burn in her throat. But it was impossible. She'd been clean for what, a year and a half? There shouldn't be this sudden need, this rancid fire that threatened to engulf her. Using the brick wall as a lever she found her feet, stumbled down the alleyway looking for a way out. Couldn't go back the way she came: the stretch-armed man would be waiting. Had to get away, deeper into the shadows and refuse. Had to get to the Trashwife.

The Trashwife had saved Leah the last time the need ate her up, found her face down behind a dumpster, shaking and incoherent. She'd nursed her off the junk, fed her, held her hand as she screamed and begged for anything, fucking anything to stop it hurting. When Leah finally gained the strength to walk unaided she'd taken her back onto the streets, to the front of the clinic, and clipped her across the ear.

"Don't go back," she'd said, with a hug and a mother's kiss. Then she'd walked away, and Leah had been clean for eighteen months. Until now. Leah rounded the corner at the end of the alleyway, and began to run.

There's a Trashwife in every big city, if you know where to look. More than one, as many as you care to count - someone who spends so much time at the bottom of the ladder, amongst the trash and the losers and the cast-offs, that all the knowledge that begins pure and unadulterated at the top of the social pyramid trickles down to them, filtered through all the layers of social strata in between, so that they know the same things as everyone else but from the bottom up - they own the underside of knowledge, the dirty, footstep-stained versions of the truths we all take for granted.

By the time Leah fell through the tarpaulin door of her hovel, she was nothing more than sweat and shivers, without the strength to beg for help or explain her panic. The Trashwife looked at her over the edge of the ripped magazine she was reading, and curled her nose.

"First the English princess dies and now this," she said, dropping the magazine. "What did I tell you about going back?"

Leah had no strength with which to speak. It was all she could do to raise her hand. The Trashwife saw what it contained and gasped. She knelt next to Leah and prised the stone from her fingers. As soon as it left her grasp, the burning ceased. Leah sobbed, and curled into a ball, huddling against the sudden chill inside.

"Where did you get this?" the Trashwife asked, staring at Leah with amazement. "Jesus, girl, don't you know what this is?"

"What is it?"

"Death," the Trashwife said, placing it carefully on a pile of books. "Bad death."


(Lee Battersby)

GUN CROWS 1






Sums of bitches were gonna raise Hades in the old town tonight.


The old-timer thought this as he quietly snuck out of said town.


It was barely past three p.m. of the clock now an' it was already startin' up.


Community was shadowed by murder crows.


All of the residents of Community had moved out and on to the next town, or even the town after thet. They'd done so at the gentle advisin' of the motley group of seven who'd rode in on an old Fargo coach around noon.


The townies had all taken the advice, leavin' in the expectation of trouble.


The old-timer was the last one out; dawdlin', 'cause he use ta be a part of a buncha shootists too, in the old days. But leavin' all the same, 'cause he'd recognized some'a this crew. An' he knewd they was just the scoutin' party. He knewd.


They was some new blood come in, 'The Gun Crows'. But he knew of 'em, word travels quick 'cross the range.


He'd seen Fancy Felicity alight from the coach first, all gussied up; hat an' fancy dress an' blonde hair. But she had Derringers an' knives an' Christ knew what else concealed on 'er. She lifted skirts to avoid pools of blood like other Eastern ladies avoided mud in the street. They said she'd killed a man with her parasol once. And there'd been talk of some kinda big cats followin' 'er around like pets. Remains of bastard desperadoes found with bits missin'. Hideouts turned inta slaughter houses. Wherever she went fuckers died.


He'd spotted 'Slaughter Simon', young Petrie outta Andromedaville. Stone cold killer. No other gang woulda had thet white waste of lunatic save these often black clad killer crows.


An' there was thet Jiraiya feller, used ta hang with the Japanese an' Chinee rail gangs an' do 'is trainin' - some sorta fightin' style - in Chinee Town. They said he was from further East than East. Which was odd for a whitey. Used no guns. Just his hands an' feet be'damned, and bastards died by the score anyways.


He'd also seen the one they called The Scienteest. Feller named Young. Rumour was he had a hundred ways ta kill a person, an' none of 'em natral. Why he'd created some sorta abomination - folks called it The Sheep Eater - thet was still roamin' the south prairies. Godarn menace 'e were.


An' Widder's Peak, he'd seen Widder's Peak Helene. He'd thought she was just a legend till today. But thar she were, purty woman. Musician from Orleans way. Injuns called her Horse Hair or Horse Heart. Carried a bow strung with odd gut or wire she could play a toon on. That's when she weren't loadin' it wi' arrers. He'd seen her fire arrers off thet bow faster than a reb could fire a stolen Henry Repeater. Murder in leather pants that'un.


He'd also seen, saints preserve him, The Crimson Queen, Curst'n be damned. They'd named 'er The Crimson Cut Queen, but she wore all black an' 'er proper name were McDermott. 'Nother fine lookin' woman. But a friend o' his had seen her take down a Mexican bandit with one a them samurai swords she was packin' cross 'er back. An' it were a messy business by all accounts. She cut, an' cut, an' cut, fast an' wicked like she were born ta it. When she'd got outta thet coach today and looked 'er steely green eyes round the town she seemed ready an' fixin' ta do some more cuttin' fer sure.


And he'd seen Steve Stoodark too. Waftin' an' a ghostin' round town.


At the outskirts now the old-timer frowned in remembrance, spat the tobaccie cud he'd been chawin', eyes darting all about.


Stoodark had been the coach driver. Thet old bastard oughta know better. He'd used ta run with Stoodark in the old days, plumb loco. He'd been livin' out in the wilderness fer years with who knew what, doin' Hell only knew. Now he was back causin' trouble.


The Big C gang had taken over the territory, by sheer force of numbers, killin' folks all over. But this new crew thet had appeared were set on stoppin' 'em, at least in this town. An' 'e'd never seen the likes of this bunch. Made up of old an' new guns. The weirdest set of desperate hombres, mad dogs, killers an' she-wulfs from purgatory, put together like rattlers in a bag by a head case who had more crazy than sense.


Like a shadow in that afternoon the old-timer slipped out of Community. It was gonna be a devil's pitchfork party here soon, and he'd quit that lunacy long ago. Truth be told, he just didn't have the heart for it no more.


He'd once seen a head an' shoulders of oily, drippin' blackness rise up next'er 'is bed. E'd seen a Frenchman turn inter a wulf. But there was gonna be things gettin' an' happenin' round 'ere thet no one normal sees an' walks away from unchanged.


So old 'Red Hands' Radburn left that place to the sinking sun and those gunslingers, bastards and demons who had staked their claim, made a challenge or come to meet it.



http://au.youtube.com/watch?v=fxKT23PNL8s




















News: Publication of Midnight Echo: The Magazine of the AHWA, Issue 1

The AHWA is extremely proud to announce the publication of the inaugural issue of Midnight Echo: The Magazine of the Australian Horror Writers' Association.


Edited by Kirstyn McDermott and Ian Mond, Midnight Echo Issue 1 showcases the talents of 16 fantastic Australian
writers:

  • Stephen Dedman
  • George Ivanoff
  • Felicity Dowker
  • Brendan Duffy
  • Andrew Macrae
  • Stephen Studach
  • David Conyers
  • Natalie J.E. Potts
  • Matthew Chrulew
  • Marty Young
  • Rachel Holkner
  • Dave Hoskin
  • Alice Godwin
  • Paul Haines
  • Deborah Biancotti
  • Martin Livings

We're also very excited to include a new short story from UK writer and World Fantasy nominee, Robert Shearman.


In addition, Midnight Echo Issue 1 features what we hope to be a long running series of interviews with new Australian horror writers. In the first of this "New Blood" series, Stephen Studach interviews Dave Hoskin.

Midnight Echo Issue 1 is available to purchase online from Lulu.com in two formats:

Electronic PDF Download (ISSN 1836-3873)
Cover Price: US$3.50

Paperback Edition (ISSN 1836-3865)

Cover Price: US$12.95 (plus shipping)


Australian Horror Writers' Association members please note:


All AHWA members may download the PDF edition of Midnight Echo for FREE, and may also purchase the paperback
edition at a special discounted member's price of US$8.95 (normally US$12.95). To download your FREE PDF edition, please log into the AHWA website and click on "ME Issue One" in the left sidebar menu or visit: http://midnightecho.australianhorror.com


Source:
Kirstyn McDermott, co-editor Midnight Echo

Tuesday, October 28, 2008

News: Earth 2100 Speculative Project


To change our future, first we must imagine it.

In an unprecedented television and internet event, ABC News is asking you to help answer perhaps the most important question of our time — What could our world look like over the next one hundred years if we don’t act now to save our troubled planet?

The world’s brightest minds agree that the “perfect storm” of population growth, resource depletion and climate change could converge with catastrophic results.

We need you to bring this story to life — to use your imagination to create short videos about what it would be like to live through the next century if we stay on our current path. Using predictions from top experts, we will feed you detailed briefings from the years 2015, 2050 and 2100 — and you will report back about the dangers that are unfolding before your eyes.

Your videos will be combined with the projections of top scientists, historians, and economists to form a powerful web–based narrative about the perils of our future. We will also select the most compelling reports to form the backbone of our two–hour primetime ABC News broadcast: Earth 2100.

For more information, visit the website.

Source: earth2100.tv

Review: Dead as a Doornail by Charlaine Harris


Dead as a Doornail is the fifth book in Charlaine Harris' successful Southern Vampire Mysteries series, now adapted for television as True Blood.

Sookie Stackhouse is a barmaid working in her home town of Bon Temps. She is also a telepath, a rare talent in a world where the supernatural is almost ordinary. Vampires have “come out of the coffin”, while weres and shapeshifters remain hidden in secrecy.

For those familiar to the series, this book follows the same lines as the earlier books – there is a mystery to be solved (in this case a sniper who is hunting the shifter population), but a great deal of the plot deals with Sookie's personal life, in this case her entanglement with the were Alcide.

Harris' conversational style of writing captures Sookie's voice well, and if the writing seems over simplistic at times, it only makes for an easier read. If you're looking for something challenging and eye opening to read, then this might not be the series for you. But if you're looking for an easy and entertaining series, then you might get a lot out of the Southern Vampire books.

Monday, October 27, 2008

NAMELESS 3

"You mean this?" Leah flipped him the finger.

The man stopped and regarded her with his cold, black eyes. He cocked his head to one side and the skin sagged as though it were too loose for his face.

Leah tried to look away but those dead eyes threatened to swallow her. As she felt herself falling, sinking into the footpath, the rock in her hand burned with cold. The spell broken, she involuntarily opened her palm and gazed down, expecting her skin to be red raw. Instead, the six symbols on the stone danced a merry jig; her skin, unscathed.

"Yes, that's it." The sagging-faced man practically purred with delight.

Leah took her time to pocket the stone, studying the man as she did so. "You're one of them, aren't you? Like the guy last night."

The man tilted his head to the other side. Leah sensed his gaze sliding around her face, attempting to lock onto her eyes again. She wouldn't give him that satisfaction twice.

"Yes, yes. Whatever," the man snapped. "Give me what is mine."

Her temples throbbed in time with her heartbeat. She slid her hand back into her pocket, fingering the ice-cold stone.

"Here!" she shouted, tossing a cloud of Minties wrappers and something more substantial from her pocket.

The man flailed two spindly arms but the object fell short, landing amid the wrappers at his feet before being swept away by the breeze. By the time he recognized it as an empty condom packet, Leah had already bolted down the street.

She made it only a dozen metres before her headache intensified into a skull-splitting pain and a sharp, coppery smell filled her nose. She collapsed to her knees, wiping at the blood that streamed from her nose.

Within moments, the ancient man was standing behind her. The wind changed, carrying his awful yet familiar stench, evident even through the gush of blood. His stench overpowered the smell coming from the sewer grate just a step away.

"You will do something for me, before the end," the man hissed. "But before you do, how badly do you ..."

"Want to live?" Leah spat, glaring up at the man. "I'm tired of playing that game."

She wiped her nose again. The flow was abating. So too was the pain in her head.

"Let's start a new game." Leah withdrew the stone from her pocket and dangled it over the drain. "How badly do you want this stone?"
(Shane Jiraiya Cummings)

The man took a backwards step - involuntarily, she would make book on that. "You won't," he said. "It holds as much importance for you as it does us." But his voice quavered slightly and Leah grinned.

"Don't bet on it, old man."

She opened her fist. A splash echoed back up from the bottom of the drain and the man let out a sound that was part moan, part snarl. In less than two beats he was on top of the grate but Leah had already rolled out of his reach, was up and running again, with the briefest of backward glances to see the man reaching down through the bars with arms impossibly elongated and stretching further still.

She ran faster.

Ran until her lungs burned and her legs threatened to give way beneath her, dodging startled pedestrians and bicycle couriers, putting several blocks between her and the man-who-wasn't before turning into an alleyway, taking refuge beside an overflowing skip. Food scraps littered the ground where she crouched, their rancid stench making her gag.

Leah opened her hand, gazed at the smooth grey stone that nestled there.

"Fool you twice, shame on you," she whispered, wondering if he'd found the chunk of broken glass she'd dropped into the drain yet. One of her smoothest switches ever, but then a hell of a lot more had been riding on it than simply slipping punters an inferior grade of merch than what they'd sampled. Leah allowed herself a moment of pride. It'd be magic tricks with David-fucking-Copperfield next.

It holds as much importance for you as it does us.

She shivered, remembering the abnormal way the thing's arms had stretched. If these men-not-men were no longer confined to her dreams ...then this was a whole new type of bad she needed to deal with. Leah put the stone back into the jacket's hidden pocket and zipped it up. Only one person she knew who might be able to help, and no time like the present. Shakily, she rose to her feet.

And it was then the pain began.
(Kirstyn McDermott)

News: Blood Lite Released


Just released from Pocket Books -- a new anthology of horror stories in a humorous vein with maestro Kevin J Anderson at the helm. Conceived and edited as project for the US Horror Writers Association, this is an eclectic gathering of tales that make you shudder and giggle at the same time.

Twenty-one stories from some of the best known authors in the horror field: Charlaine Harris, Sherrilyn Kenyon, Jim Butcher (an all-new "Dresden Files" story), Kelley Armstrong, Joe Lansdale, Sharyn McCrumb, J.A. Konrath and F. Paul Wilson, Mike Resnick, Nancy Holder, and twelve others.

Kevin J Anderson has edited four previous anthologies -- War of the Worlds: Global Dispatches and the three Star Wars anthologies, Tales from the Mos Eisley Cantina, Tales from Jabba's Palace, and Tales of the Bounty Hunters (the three best-selling science fiction anthologies of all time). Although a long time between drinks since Kevin has worn the editor’s hat, the anthology seems as if it is well worth the wait …

Blood Lite can be ordered from this website.

Source: Kevin Anderson, Scott Nicholson

News: Halloween with Keri Arthur and the AHWA

Keri Arthur, author of the internationally best selling Riley Jenson Paranormal Romance series, will be joined by fellow members of the Australian Horror Writers' Association at Dymocks Southland for a casual Halloween Gathering this Friday evening. Get dressed up in a Halloween costume and come in store and meet the authors, have your books signed, and enjoy drinks, conversation, and maybe a little spooky fun!

About Keri Arthur

Keri Arthur first started writing when she was twelve years old, and to date, she’s finished fifteen novels. Her books have received many nominations and prizes including a nomination in the Best Contemporary Paranormal category of the Romantic Times Reviewers Choice Awards, received a ‘perfect 10’ from Romance Reviews Today, as well as being nominated for Best Shapeshifter in PNR’s PEARL Awards. She’s a dessert and function cook by trade, and married to a wonderful man who not only supports her writing, but who also does the majority of the housework. They have one daughter, and live in Melbourne, Australia.

About the Riley Jenson series

A rare hybrid of vampire and werewolf, Riley Jenson and her twin brother, Rhoan, work for Melbourne's Directorate of Other Races, an organisation created to police the supernatural races-and protect humans from their depredations. While Rhoan is an exalted guardian, a.k.a. assassin, Riley is merely an office worker-until her brother goes missing on one of his missions. But, more werewolf than vampire, Riley is vulnerable to the moon heat, the weeklong period before the full moon, when her need to mate becomes all-consuming. Luckily Riley has two willing partners to satisfy her every need. But she will have to control her urges if she's going to find her brother. Riley is confronted with a very powerful - and delectably naked - vamp who raises her temperature like never before. In matters carnal, Riley has met her match. But in matters criminal, she must follow her instincts not only to find her brother but to stop an unholy harvest. For someone is doing some illegal cloning in an attempt to produce the ultimate warrior - by tapping into the genome of nonhumans like Rhoan. Riley knows just how dangerous the world is for her kind - and just how much it needs her.


Friday 31st October, 2008 Dymocks Southland, Shop 3067,
Westfield Shopping Centre, Cheltenham VIC
5.00pm - 9.00 pm Price: FREE!

Register Attendance: Chuck McKenzie, (03) 9584 1245

Costumes encouraged but not obligatory.

Source: Chuck McKenzie, and Dymocks Online

News: Eclecticism #6

Issue Six (October 2008) of the quarterly Electicism - The e-Zine for Creative Minds is out now! Featuring seven short stories, three works of poetry, and four wonderful artworks - including that of Featured Artist Dave Burke. At 65 pages, the rest of your weekend is now booked in. Enjoy!

Contributors for Issue Six are: Julia Brannigan, Dave Burke (Featured Artist), Lousia Davin, Dianne Dean, Clyde Grauke, Kate Gordon, Simon James, Myra King, Talulah Belle Lautrec-Nunes, Ilona Nelson, Keith Nunes, Ian C Smith, Les Wicks, & Tyson Young.

Source: Craig Bezant, Eclecticism Editor

News: Carmilla Hyde

Dark Mirror Pictures are proud to announce new Australian horror movie Carmilla Hyde.


Millie Jackson, a nerdish introverted virgin, shares an old crumbling mansion with fellow uni student Sara. Sara's friend Britt, desperate to move in, hatches a cruel and cunning plot to push Millie out. Party drugged, Millie is seduced by Sara's boyfriend Nathan, to awake, naked and confused, with no memory of the night before. Deep in denial, Millie is confronted by startling images of her night of passion, filmed and mailed through the internet.

Distraught, confused and plagued by conflicting emotions, Millie seeks help from her family psychiatrist Dr Charles Webster. During hypnosis, Dr Webster unwittingly awakes Millie's repressed alter ego, unleashing the wild, sexy Carmilla Hyde. Armed by a post-hypnotic trigger, Millie now has the perfect vehicle to take her revenge... to beat her tormentors at their own game of cruel deception.

But the battle is with more than just her housemates. Plagued by childhood memories, and with her alter ego Carmilla slowly taking over, she returns to Dr Webster in a desperate bid to regain control.

Sneak Preview Screening of Carmilla Hyde - 15th November

The Dark Mirror Pictures team are taking over the Mercury Cinema on Saturday night, the 15th of November for an exclusive sneak preview screening of Carmilla Hyde. This special event includes nibbles and drinks, guest speakers, and Q & A with key Cast and Crew.

Doors open 8pm for drinks and nibbles, feature screens from 8.45 pm. Please pay for tickets at the website using the PayPal link.

Source: Dark Mirror Pictures, via David Carroll

News: Dia de los Muertos en Melbourne - Exhibition

HOLA MEXICO FILM FESTIVAL 2008 Presents 101 Ways Day of the Dead Exhibition, curated by Michael P Fikaris. An installation of hand-painted skulls by over 100 artists for 'Dia de los Muertos en Melbourne', on show from 1–16 November.

We know that not everyone has had the pleasure of being in Mexico to witness the awesome cultural spectacle that is 'Dia de los Muertos' -- the 'Day of the Dead'. But no need to board a plane for a trip across the Pacific, because we're bringing the celebration to you!

The Hola Mexico Film Festival is presenting a unique exhibition – 101 Ways – curated by Michael Fikaris. 100 Melburnians have adopted a plaster skull for one month and returned it with their interpretation of the Day of the Dead theme. Installed on walls at Michael Koro
Gallery, the shrine to the dead will be documented for future release. It's off the shelf for styles in so many ways and ready for your viewing on Saturday November the 1st from 6-9pm.

Together with complimentary drinks, mariachi band, projections of all the skulls photographed and more!

We invite the very few fortunate to come and see this one-day event and celebrate with us all things alive and undead!

Starring skulls by... Acorn, Aeon, Amac, Boon, David Campbell, Michelle Chilton, Tom Civil, Lachlan Conn, Ben Constantine, Cut, Wes Denick, Dabs and Myla, Richard De Carvalho, Deviate, Doyle, Drew, Daniel Fikaris, Michael Fikaris, Cecilia Fogelberg, Cougar Flashy, Ness Fleet, Ghostpatrol, Rachel Garbott, Ha-Ha, John Hall, Happy, Andrew Harper, Jake Harvey, Jason Heller, Michael Hawkins, Jesse Hogan, Gwen Holmeberg-Gilchrist, Jesse Ipkandez, James James, Simon James, Tristan Jellah, Rachel Jesse-Rae, Junior, Ash Keating, Adam Kinsman, Amber Ma, Suzie Morris-Ashton, Marc Martin, Macatron, Kirsty Madden, Kieran Mangan, ManMan, Dave McDonald, Elijah McDonald, Meggs, Mr.Lester, Miso, Mutch, Tim Molloy, Alice Mrongovios, Linda Morris, Petite Mort, Neanderthalblood, Nuroc, Mandy Ord, Aaron O'Donnell, Tom O'Hern, Joe oh!dwyer, Nick Paice, Phebe Parisia, Phibs, Post, Nick Potter, Michael Prior, Prizm, Psalm, Lucrecia Quintinella, Qray, Qui, Reka, Ben Ross, Ben Rowett, Scale, SideProject, Dan Sibley, Al Stark, Lou Smith, Zoe Scoglio, Tai Snaith, Ronnit Sternfein, Grace Taylor, the Tooth, Tom1, Twoone, Vexta, Carl Von Bamberger, Jo Waite, Ed Wakeham, Alison Weaver, Raquel Welch, Carol Wood and Xero.


What's that, you can't come on Saturday? Too swept up in the hype that is little men whipping horses, eh? We won't hold it against you. Come pay your respects during shrine opening hours from Thursday the 6th - Sunday the 16th November, Thursdays to Sundays 10-6pm.


Source: Catherine Cullen, Melbourne Festival Manager
, via David Carroll

News: Halloween Night Walk in Brisbane

Take a tour of the bush at night - a slight rustle in the bushes, flapping of unseen wings and a pair of large glowing eyes staring down at you. Enjoy damper and a cuppa around the fire while finding out some creepy facts about creatures of the night. Then head out with a ranger on this easy-paced guided spotlight walk.

Bring the children along to show them these nocturnal creatures in their own habitat. Children must be accompanied by a paying adult.

The Halloween Night Walk is to be held at the Bellbird Grove day use area at Brisbane Forest Park.

Bookings essential, please contact the operator for further details.

CONTACT DETAILS

Tollfree: 1300 723 684

ENTRY INFORMATION

Open Times:
Please contact the operator for further details.
Date: 31 Oct 08

Venue: Bellbird Grove day use area
Mt Nebo Road
Brisbane Forest Park
The Gap,Brisbane City
Queensland, Australia
4061

ENTRY COSTS

EntryCostValid From
Adult$12.85 31 Oct 08
Child$8.20 31 Oct 08
Family$34.15 31 Oct 08

Source: www.queenslandholidays.com.au

News: Halloween Ghost Train - Yarra Valley Railway

Where will you be this Halloween? On Friday 31st October and Saturday 1st November, prepare to be terrified!! Yarra Valley Railway invites you to a ghostly encounter into the Haunted Heritage of the Healesville Railway.

Cost: $38 per person (dinner and ride) or $22 per person (ride only).

Venue: Healesville Railway Station, Healesville-Kinglake Rd HEALESVILLE

Time: Trolley ride only leaves 10pm and 11pm, Dinner and Trolley ride leaves at 8pm Friday 31st, and 7pm and 8pm Saturday 1st November.

Bookings Essential: Phone Patricia on 0400 171 657, or visit www.yarravalleyrailway.org.au

The Yarra Valley Railway is runs by a non-profit organisation dependent on the work and contributions of dedicated volunteers. The railway is currently running trolley trains from Healesville to Tunnel Hill, crossing the Watts River, under the Donovan's Road overbridge and through the historic tunnel (built in 1889) at Tarrawarra Winery, to behind the Tarawarra Museum of Art.

Source: Yarra Valley Railway

News: Luna Dark - Halloween at Melbourne's Luna Park!

The carnival is being overrun by witches, skeletons, zombies or creepy clowns on Friday October 31st for Luna Park's eerie Halloween celebration - Luna Dark!

This is your chance to ride the Ghost Train on the scariest night of the year, watch from the top of the Enterprise or Spider ride as the park crawls with goblins and ghouls below! People will be dying to get into the park, so don't miss out! And make sure you bring your appetite for blood-curdling carnival food...

LUNA DARK!
Friday 31st October from 7pm to 11pm
Trick or Treaters in full costume* ride for FREE!

* Full costume means head to toe!

For more information on Luna Park go to lunapark.com.au

Source: Luna Park

News: Halloween Family Fun at Warner Bros. Movie World

From Wednesday 29th through to Friday 31st October, from 5:45pm to 9:00pm, Warner Bros. Movie World will showcase three spectacular spine-tingling spooky Halloween Family Fun night-time events. There'll be a host of spooky special guests including Scooby-Doo and Shaggy who will be enjoying all the mystery and intrigue associated with a night of ghoulish fun and scary antics.

Main Street will be drenched in a ghostly atmosfear that will come alive with spine tingling thrills and chills on the Big Screen, spooky scenarios throughout the park including the ever popular Fright Zone, the all-new Scary Maze and the Zombie Laser Hunt. All this, plus the fun of Scooby-Doo Spooky Coaster, Shrek 4-D Adventure, SUPERMAN Escape, BATWING Spaceshot and more!

Win prizes for the best Halloween fancy dress plus every guest receives a free Treat, presented by Streets Ice Cream.

Cost is $99.00 for a family of four (any combination of adults, children aged 3 – 13 yrs incl. or pensioners). Or $40.00 for adults, $25.00 for children (3 – 13 yrs incl.) and pensioners.

More details at the website.

Warner Bros. Movie World is located on Australia's Gold Coast, just a 20 minute drive north of Surfers Paradise and 45 minutes south of Brisbane.

Source: Warner Bros. Movie World

News: Dying Breed Poster Banned

It has been reported on various online sources (Daily Telegraph, Bloody Disgusting.com), and on the Dying Breed forum, that the poster for Australian horror film Dying Breed has been banned from being displayed as advertising on bus shelters.

Poster banned from display on bus shelters, designed by the LaB Sydney.


Dying Breed will premier in Sydney on October 30th, and opens to general release in Australia on November 6. For more information, visit the official website.

Source: Dying Breed forum

News: Dying Breed Sydney Premier & All-Star Q&A

Don't miss A Night of Horror's special DYING BREED screening - this Thursday October 30, 7:00pm at Dendy Newtown. Just in time to get your blood curdling for Halloween!

SPECIAL GUESTS: Leigh Whannell (SAW) and Nathan Phillips (WOLF CREEK), the stars of DYING BREED – along with co-stars Mirrah Foulkes and Melanie Vallejo - and director Jody Dwyer will be at the screening to introduce their film!

DYING BREED was a hit at the Fantasia and Tribeca Film Festivals. Now you can be one of the first people in Australia to see this terrifying new Aussie horror feature film.

Horror DVDs and other giveaways - including fantastic CRUMPLER bags - on the night!

Dendy Cinema, 261-263 King Street, Newtown
7:00pm - 9:00pm
Tickets: $15/$12 concession.

Phone bookings from Dendy Newtown (02) 9550 5699, or at the door.

More details: www.anightofhorror.com

Source: Dr Dean Bertram

Sunday, October 26, 2008

News: Halloween Ghast Fest 2008

Trick or treat! It's time for Halloween Ghast Fest 2008! A program of spooky broadcasts proudly presented by the Australian Horror Writers' Association, in association with The Writing Show,

October 27th Marty Young

October 28th Alison Pearce

October 29th Chuck McKenzie

October 30th David Conyers

October 31st Rick Kennett (with story read by Alan Chaney)

Master of ceremonies: Stephen Studach

ABOUT THE HALLOWEEN SPECIAL

The Halloween Special was the brainchild of Paula B., host and founder of the The Writing Show. Catch Members of the AHWA reading their own horror stories, one author a day up until Halloween, with the podcasts made freely available from The Writing Show's website from October 27. Some of the stories also feature sound effects like the radio shows of old, guaranteed to give you chills...

Source: Marty Young, President AHWA

NAMELESS

Leah threshed, and threshed herself awake. The broken cadence of nightmare gave way to weak dawn gleaming around drawn blinds. Beside her, a sleeping body. Around her, a tangle of grey sheets. Negotiating the snarl of hangover pounding at her temples, and welcoming the simplicity of it, she slipped from the bed.

The cheap room boasted mismatched furnishings; a lumpy bed, a single chair, a dresser with a mottled bevelled mirror, tilted so as to catch her reflection in retreat - her dyed red hair fading to a far more beautiful honey blonde, her eyes smudged with the remnants of last night's kohl and carelessness. She scooped her clothes off the floor, wriggled into them. Sparing a glance for the boy in the bed, she considered his leather jacket slung over the chair. Lifted it. Shrugged into it. Carrying her boots, she padded silently to the door, and let herself out.

The hall was cast in a jumble of light and shadow by art deco sconces that had seen better days. She wandered down the hall that zagged like a snake to accommodate too many rooms with small windows facing onto brick walls and neon. Behind closed doors old men hacked wetly with emphysema and pneumonia, waiting for Jack The Dancer to slip across the boards and tip his hat. A communal bathroom at the end of the landing offered urinals that vaguely tapered off to an open shower, a grimy sink, and another scaly mirror. A splash of water took the grit off her face - drinking from the tap, the cool metallic tang rinsed her wine sour mouth. Her hands steadied. The black panic of remembrance was fading - the shifting tide of her unconscious could submerge the worst, and for the peaks there was always another bar, a club, a rave, an arcane flyer slipped into her hand to save her from morbid introspection.

Back to the landing, she sat on the stairs to pull her boots on. She riffled through the jacket pockets as she wandered down four flights. A wad of twenties. A deal bag of shitty small-time ecstasy tablets stamped with a Mitsubishi logo. A slip of paper with a phone number and name - Lucy. That was the barmaid's number from last night; the boy was chatting her up when he thought Leah was in the toilet. With half admiration she muttered, "Sleazy cunt." The rest was a trash of Minties wrappers, lint, and out of date condoms.

Past a bored clerk at a reception desk that doubled as a bottle shop. She shouldered open the swinging door, and stepped into a morning of chill promise. A bristle-nosed street-cleaner chugged past, blasting the cobbles back to the pretence of civilization that isn't falling. She paused to consider turning uptown or down... and when the wind gusted against her, Leah pulled the stolen jacket around her, and went with it.
(Talie Helene)

She felt the weight beneath her breast.

The wind was cold, a real bitter bitch that snuck down past her collar to finger her spine. It made her want to walk into the first pub she found and ignore the day altogether. Not that the day had started all that badly but from past experiences she knew it would only head down from here. And the mood she was in, she wasn't sure she was up for more of the same just yet.

There was bound to be somewhere open even at this hour. Far too many sins needed constant attention for the streets to fall dormant for long.

And that was why she stayed here. Some days, like today, her sins were too loud to bear, and only the screams of the city could drown them out.

But then she registered the weight. A slight knocking against the underside of her breast as she walked, in rhythm to her step.

Leah patted down the jacket and found a pocket she had missed in her initial search. No wonder, it was in an odd position. Inside and more on the side than the front.

There was a zip, too. Hidden.

Nice, she thought as she unzipped the secret pocket. You'd never notice this if you were riffling through the pockets.

Inside was a stone. Smooth, the size of an egg, but disc-like. On the top were symbols of some kind. Swirling designs that danced in the light, an impossible motion that made her feel sick.

Leah squeezed the bridge of her nose and scrunched her eyes closed.

She must've gone right along the road to damnation last night to still be seeing things now-

How badly do you want to live?

Obviously though, it hadn't done much fucking good this time.

With the dregs of last night's attempted escape throbbing at her temples, Leah opened her eyes again and stared at the rock. The symbols had settled into a single line. Taking a closer look, she counted six of them, each depicting a figure not quite human.

Her headache flared again when she turned the rock over. The underside was concaved and filled with a grey mist that swirled gently with the trembling of her hand. She tilted the rock, the mist moved within the hollow but never spilled over. She turned the rock over again and gave it a shake but the mist didn't flow out.

"Oh that's just bull-"

"Lady! Hey!"

She looked up, quickly hiding the rock in her hands.

A man approached her. He looked ancient, like he'd had far more days than anyone was entitled. But for all his years, the man moved with the purpose of someone her age, not his. Once he was close he said, "You have something of mine and I'd dearly like it back, please." His black eyes gleamed.
(Marty Young)

NAMELESS

"How badly do you want to live?"

Leah could feel the man's hot breath on her neck, rancid with the stench of onions and sour milk. His voice was an oozing thing, bubbling up from the putrescent depths of his innards. Every now and then he let out a shrill giggle, and she felt his body twitching behind her as blasts of air chuffed against her crawling skin.

"I don't know," she replied, knowing it was not the answer he had anticipated.
(Felicity Dowker)

As abrupt as nightmare - an arm was locked about her; crushing her breasts, clamping her own arms to her sides -

A sharp, cold pain slid into her neck - A needle!

The stinking breath close to her ear, snake whisper -

"Now," he said, his arm iron against her struggles, "we're both going to find out."
(S.S.)

Whatever had been in the syringe, it stung. She heard the hypodermic's fallen clatter. The sound lacked clarity, seemed unaccountably distant. Other noises - the grunt of his breath, the strains of their scuffle - were similarly cocooned.

His grip was ruthless.

She willed her resistance to slacken, began to slump into his fetid embrace. He'd be expecting that. Let him think the dose was working. But how long should she wait, before she acted?
(Simon Petrie)




Saturday, October 25, 2008

News: The Challenge

IMAGINATION AS A BULLET
The Paul Haines Posse




All you prize guns, I’m a standin’ in the dusty main street with my six-shooters, one chamber empty, and I’m a callin’ you out!

The (Blastin’) Battersby’s, Lyn and Lee; Nathan (Barrage) Burrage; Jack (Dandy) Dann; Stephen (Doctor Deadshot) Dedman; Will (Eagle Eye) Elliott; Robert (Monster aka Hoodlum aka Bob) Hood; Rick (Killer) Kennett; Margo (Lash) Lanagan; Rosaleen (Loveless) Love; Brett (McDeath) McBean; Cameron (Doc) Rogers; (Lucky) Lucy Sussex; Kaaron (Whirlwind) Warren; Kim (Wildcat) Wilkins; Sean (The Kid) Williams.

Those hellions from the Big C are comin’ ta town.

Are we gunna let ‘em burn the whole place to the ground, or are you gunna step out?

All I’m askin’ is one shot from each of you, that’ll do it.


So, come on, don’t leave your shootin’ irons in boxes and drawers or hangin’ on hooks.


Signed: Stephen (No-nicknames-left-but-I’m-sure-you-can-think-of-one) Studach.




Rules Of Engagement

The opening of a story, under the working title Nameless will soon appear on HorrorScope - The Australian Dark Fiction Weblog. The above mentioned writers (for the most part, in that sequential order) are invited to each contribute 50 to 500 words to the story’s progression. Each new piece will be added to the tale on HorrorScope, along with the writer’s name.

At the penultimate point in the story the last, end section will be held open. Those who wish to try their hand at writing the ending, within the word limits quoted above, can submit their version with an entry fee of 10 dollars. Payment details will, of course, also be available at that time. Everyone and anyone from anywhere can enter the competition.

At a designated cut-off date the six best endings will be featured on HorrorScope where the three finalists will be decided by votes. The winner will then be judged by a yet-to-be-announced individual.

The prizes for the writer whose ending is chosen (aside from the rewards of collaborating on a unique work with some local legends of speculative fiction) will be:
  • The honour of giving the story a title.
  • A manuscript version of the story signed by all of the writers involved.
  • A copy of The Australian Writer’s Marketplace 2009/2010.
  • A copy of The Year’s Best Fantasy & Horror 19th annual collection (edited by Datlow, Link & Grant.)
  • Free 1-year membership, or 12-month renewal, to the Australian Horror Writers Association.
  • Books: Signed limited editions of – Dark Harvest by Norman Partridge, Wild Things by Douglas Clegg, and Prodigal Blues by Gary A. Braunbeck.
  • As well as – Development Hell by Mick Garris; Heart-Shaped Box by Joe Hill; Infected by Scott Sigler; The Nature of Balance by Tim Lebbon; The Dark Descent edited by David G. Hartwell; a pre-loved copy of The Books of Blood (vols 1-3) from Marty Young’s own collection.
  • A copy of The Last Days of Kali Yuga, the second collection of Paul Haines’ stories. This one is from Brimstone Press, and due to be released in December of this year. Kindly donated by Angela Challis.


Thanks to Marty Young and Shane Jiraiya Cummings for their generosity and for allowing their respective sites to play host to this project. Major thanks also, to Felicity Dowker. Felicity innocently started the story on her blog ‘Here There Be Tygers’ and then kindly allowed me to hijack it for this concept. And last, but far from least, a thank you to Talie (Widow’s Peak) Helene for her cooperation and positive comments.

This is a chance to directly use one’s imagination to add just a little extra to an excellent cause.

All proceeds from this round-robin (or flight of crows) will go to Paul Haines to use in whatever manner that he and his family see fit.

So, get ready, read each shot, and, if you think your calibre is up to it, fire away when the next-to-last part appears and the comp is pronounced open.

Happy conjuring.

S.S.


Sources:
Text - Stephen Studach.
Gun Bore Photograph courtesy of Nick Atkins Photography © Creative Commons License.

Friday, October 24, 2008

News: Midnight Echo

The AHWA is pleased to announce the impending launch Midnight Echo: The Magazine of the Australian Horror Writers' Association, Issue 1.

Our inaugural issue showcases the talents of 16 fantastic Australian writers, including:

Stephen Dedman
George Ivanoff
Felicity Dowker
Brendan Duffy
Andrew Macrae
Stephen Studach
David Conyers
Natalie J.E. Potts
Matthew Chrulew
Marty Young
Rachel Holkner
Dave Hoskin
Alice Godwin
Paul Haines
Deborah Biancotti
Martin Livings

We're also excited to include a new short story from UK writer and World Fantasy nominee, Robert Shearman.

Midnight Echo Issue 1 also features what we hope to be a long running series of interviews with new Australian horror writers. The first of this "New Blood" series will see Stephen Studach interview the Dave Hoskin.

On Halloween, 31 October 2008, members of the AHWA will be able to download a free copy Midnight Echo in its PDF publication format. For non members, the cost of the download will be $4.95.

Please visit the AHWA website on Halloween to grab your copy hot off the virtual press!


Thursday, October 23, 2008

Review: L – Change the World (Japan, 2007)

L – Change the World is the third film in the Death Note series. It was written by Takeshi Obata (Death Note 1 and 2) and directed by J-horror master Hideo Nakata (Ring, Dark Water). The film is released in Australia through Madman Entertainment.

The third film in the Death Note series is a spin-off of sorts which follows the final case of the brilliantly peculiar detective L. Set during the same time as the original Death Note film, this epidemic thriller follows a more linear storyline than the previous films with L charged with stopping a rogue environmentalist group determined to cleanse the earth with a devastatingly potent Ebola virus strain.

While far from a `by name only’ sequel, the film is a far departure from the Death Note structure with a clear focus on a Hollywood style international market. This time around, dialogue is split between Japanese and English and the action is much free flowing. The intricate cat and mouse games are missing, but the story is much more accessible to a wider audience.

The end result is a surprisingly good thriller with some moments of real tension. Whether it belongs to the Death Note franchise is debateable, but it’s much better than a lot of the stuff to make it out of the J-Horror empire recently.

Wednesday, October 22, 2008

News: PhD Student Unearths Australian Horror Films

While the rest of the Australian film industry is languishing, horror movies are alive and thriving and reaping in the big bucks according to a Queensland University of Technology researcher.

PhD student Mark David Ryan is undertaking the first in-depth study into the re-emergence of horror films and the reasons why horror hungry fans can't get enough of our Aussie schlock.

Mr Ryan said while the rest of the Australian film industry had experienced a contraction in the sales of films to overseas markets, the demand for Aussie horror films had never been stronger.

"Like the undead from beyond the grave, Australian horror films are alive and well,'' he said.

"Throughout the 2000's, Australian horror production has enjoyed a period of growth that is unequaled throughout the past three and half decades of Australian film history.

Mr Ryan said that in the last eight years, the production of Australian horror had trebled, with more than 60 titles produced or in development, including several breakout successes attracting strong international profiles.

"In 2004, Saw, which was created by Australian filmmakers but produced in the US for US$1.2 million, returned over US$100 million at the global box office, '' he said.

"It subsequently became the most successful international horror franchises in almost two decades, with Saw I, II, III and IV grossing over US$450 million at the global box office alone.

"Wolf Creek, produced in 2005 for A$1.4 million, returned over A$50 million in worldwide revenue, while other films such as Undead, Feed, Storm Warning, and Cut have connected with cult and horror audiences in DVD markets around the globe.

"Another recent success was the film Black Water which sold into 76 countries to become one of the most widely distributed Australian films in the last year. ''

Mr Ryan said the global appetite for fright was in many ways a reflection of the age in which we live.

"Historically horror films have reflected social and cultural fears of a specific era and some suggest we're living in an era of paranoia as a result of global terrorism, '' he said.

"Some suggest the rise of zombie horror films is a result of 9/11, the Iraq and Afghanistan wars and the social anxiety emanating from this, similar to the explosion in 1950s mutant and outer space creature horrors in response to the fear of nuclear holocaust, the Cold War and space exploration.

He said factors driving contemporary horror production included growing worldwide demand for horror films combined with an inflow of international finance and the rise in digital video.

"In recent years there has been a strong market demand for horror movies across the globe, as the genre has steadily become more mainstream, '' he said.

"Horror and genre films have long been marginalised by government funding agencies in Australia; however with the emergence of cheap digital video, filmmakers are taking their careers into their own hands.

"In terms of return on investment, horror films are usually made on low budgets but with the potential to earn considerable profits, making them one of the most profitable movie genres for producers.

"This has enabled mainstream producers to bypass public funding models, targeting international markets lured by the potential of strong returns of low-budget horror films.''

Source: Amanda Vine, Queensland University of Technology Media Officer -via David Carroll

News: Continuum Relit - a Continuum Foundation Social Event

Come along for an evening of socialising, free nibbles, and one or two special announcements in celebration of the upcoming Continuum 5 - Galaxies by Gaslight.

Continuum Members past, present and future, and other interested parties, are all invited to attend.

Saturday, November 22, 2008
6:30pm - 9:30pm

Elephant & Wheelbarrow
94-96 Bourke Street
Melbourne, Australia


Please RSVP by commenting at the Facebook Event page.

Source: Danny Oz

News: Movie Noise On Wolf Creek

Brian Matus from the Kryptographik podcast makes a guest appearance on the Halloween episode of the Movie Noise podcast, to discuss the Australian horror film Wolf Creek and what's wrong with "modern horror".

The plot structure, characterization, and inspirations for the film are discussed in depth, from real Australian serial killers to Aboriginal Legends, so it's safe to say that if you don't want the film spoiled, watch Wolf Creek first.

Available by direct download, via the podcast subscription link, or at www.movienoise.com
.

Source:
Brian Matus

News: Andromeda Spaceways Inflight Magazine #37

Can you afford to miss this bumper fiction issue of Andromeda Spaceways Inflight Magazine? With 120 pages (free bonus of 24 extra pages!) stuffed full of fiction, ASIM 37 is receiving rave reviews from readers and reviewers alike. Packed with work from some of the best authors currently writing speculative fiction around the globe, Andromeda Spaceways Inflight Magazine #37 has everything you could want in your spec fic – horror, fantasy, sci-fi, romance, humour, history and more – bundled together in a gorgeously packaged magazine. Artwork by the illustrious Dan Skinner accentuates stories that are intriguing, insightful, elegant and exciting in themselves.

CONTENTS

  • This Is Not My Story Dirk Flinthart
  • Dominion Christine Lucas
  • Drowning in the Air Penny-Anne Beaudoin
  • Love the Tattoo Leith Daniel
  • Amygdala My Love Lee Battersby
  • Under Waves and Over Grant Stone
  • Map Adam Bales
  • The Unicorn in the Tower Eilis O'Neal
  • Rick Gets a Job Jason Fischer
  • The Better To... Eugie Foster
  • Terraformer David Conyers
  • Night Heron's Curse Thoraiya Dyer
  • Failed Experiments from the Frontier: The Pumpkin Paul Haines
…all [stories in ASIM #37], no matter how strange or unusual, should
resonate deeply in the mind of the reader. These narratives will pluck that
string in your heart that has felt that there is something missing,
something that you once had that should not be gone.
John Ottinger III - thefix-online.com
Andromeda Spaceways Issue #37, Edited by Tehani Wessely. Available in selected Australian bookstores and online in print and PDF – see the website for details of how to purchase.

Source: Tehani Wessely

News: Brett McBean's Tales of Sin and Madness

US horror small press Thunderstorm Books has commissioned a new cover for Brett McBean's upcoming short story collection Tales of Sin and Madness. And along with the new cover (by Deena Warner) there's a new deal: people have until November 15 to pre-order the hardcover. After that date, all orders cease and however many orders have been taken is how many hardcover editions Thunderstorm will publish. So get your orders in before time runs out!

A trade paperback edition will be available at a later date.

For more information, visit www.thunderstormbooks.com

In this, his first-ever collection, Aurealis and Ditmar award nominated horror author Brett McBean (The Last Motel, The Familiar Stranger, The Mother) continues his exploration of the dark side of the human character by bringing you fifteen tales of sin and madness. From zombies roaming the Australian outback, to psychopaths roaming New York City, McBean plunges the depths of human depravity, and delves into a sick and sordid world of serial killers, Manson-like cults, even road kill and cheap souls.

So pull up a seat in front of the campfire, grab a marshmallow or two, and come and take a journey into the heart of darkness with one of Australia's leading voices in dark fiction.

Included in this collection are eleven reprints, and four previously unpublished stories, as well as story notes accompanying each tale.

Available to pre-order either direct from the publisher, or from HorrorMall and Camelot Books.

Source: Brett McBean

News: Arts and Disability CMC Discussion Paper

The Cultural Ministers’ Council’s working group is developing the National Arts and Disability Strategy and is calling for public submissions. Download a copy of the discussion paper here.

Comments and submissions are requested by 3 November 2008, via the contacts listed on page 4.

Source: Arts Law Centre of Australia

News: Maximising Opportunities

The SA Writers’ Centre and the Australian Society of Authors present Maximising Opportunities, a 4-day intensive course for emerging professional writers, 24-27 November 2008 9am to 5pm.

DAY ONE - Monday November 24

  • Nudge, nudge, wink, wink: how to use writers’ networking with Christine Harris
  • Talking Down the Demons with Phil Cummings
  • Survival, not Ego: Promoting Yourself and Your Work as a Creator with Hazel Edwards

DAY TWO - Tuesday November 25

  • Voice and Performance Skills with Helen Tiller
  • Effective use of the Internet with Ian Bone

DAY THREE - Wednesday November 26

  • Handling the Media with Tony Love, The Advertiser
  • Workshops, School Visits and Residencies with Elizabeth Mansutti

DAY FOUR - Thursday November 27

  • Taxation, Accounting and Effective Record Keeping with accountant Simon Graetz and author Sean Williams
  • Your book has been published - now what! with Stephanie Johnston, Wakefield Press
  • Rights and Writing with Jeremy Fisher, ASA
  • What can your agent do for you? with Pippa Masson, Curtis Brown

Cost is $240 for SA Writers’ Centre or Australian Society of Authors members, $360 for non-members. Costs includes lunches, morning and afternoon tea. Event is held at the SA Writers’ Centre, SA Writers’ Centre, 2nd Floor, 187 Rundle Street , Adelaide SA 5000. Wheelchair/lift access is available at 26 York Street rear entrance. Alternatively, come in from Rundle Street via Caffe Brunelli to reach the lift.

How To Apply

You must be a writer with professional publishing credentials or performance work. Send two pages detailing your writing background and experience, including your contact details. Successful applicants will be notified by 4 November 2008. Further details please contact. For further details please contact the SA Writers’ Centre on (08) 8223 7662 or sawriters@sawc.org.au

The SA Writers’ Centre is assisted by the Australian Government through the Australia Council, its arts funding and advisory body.


Source: David Conyers

News: Raiders Of The Lost Arc & Karen Allen Q&A

To celebrate the Blu-Ray and DVD release of INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL, Popcorn Taxi is proud to take you back to where the adventure all began with an exclusive screening of RAIDERS OF THE LOST ARK, not seen in Australian cinemas for 20 years!

A new 35mm print will be shipped from the UK to give audiences a chance to experience Steven Spielberg's classic homage to the adventure serial in all its big screen glory.

Following the screening, there will be an exclusive Q&A session with ‘Raiders’ and ‘Crystal Skull’ star KAREN ALLEN, live on-stage.

As if this wasn’t enough, Popcorn Taxi will also be showing 20 minutes of unseen and behind- the-scenes footage from Indiana Jones and The Kingdom of the Crystal Skull as a treat for those eagerly awaiting the DVD and Blu-ray release. So dust off the fedora hat, and grab that bullwhip!

‘RAIDERS OF THE LOST ARK’ in 35mm + live Q&A

Wednesday, October 29th 2008 – 7:00pm
Greater Union, Bondi Junction

See the original big screen adventure, plus meet star KAREN ALLEN at this exclusive Q&A!

All tickets are available online now at www.popcorntaxi.com.au. Limited tickets on sale at the door; book online to avoid disappointment.

Source: Popcorn Taxi

News: New Dark Voices II

Delirium’s annual anthology-series spotlighting the talents of tomorrow continues with New Dark Voices II. Edited by Brian Keene, NDVII features three brand-new, terrifying, genre-bending novellas by underground favorite Ronald Damien Malfi, the critically acclaimed Nick Mamatas, and hot Australian writer Brett McBean.

Sins Of The Father by Brett McBean

When Tony Christopher returns home after a few months away, he expects to find his family and friends waiting, his beloved farming town of Gainesville unchanged. What he finds is quiet streets and empty houses. A strange metallic smell in the air. An ominous storm building. And Tony will uncover the shocking truth of the missing townsfolk.

Eliminate the Improbable by Nick Mamatas

Ever watch a detective show on TV? The sleuth hefts a flashlight and shines it into the camera. He peers into the swirling fog or the dark. But he’s not looking for some criminal, he’s not looking at a murder victim. He’s looking at you. And you are about to disappear. The people of Manhattan are vanishing — and just maybe being replaced by exact doubles and its up to two amateur detectives, both high out of their minds and one of them nameless, to solve the mystery. The only problem is that when you eliminate the improbable…only the impossible remains.

Borealis by Ronald Damien Malfi

On a routine crabbing expedition in the Bering Sea, Charlie Mears and the rest of the men aboard the trawler Borealis discover something unbelievable: a young woman running naked along the ridge of a passing iceberg. Just as the trawler pulls alongside the floe, the woman collapses into the snow, unconscious. The girl is rescued and brought aboard the boat, where she is cared for by the crew…only to infect them with a poison that brings about unimaginable ruination.

New Dark Voices II
Edited by Brian Keene
Delirium Books
Trade paperback, $14.95

Now available for pre-order at HorrorMall.

Source: Brett McBean

Tuesday, October 21, 2008

Book Review: Flood

Stephen Baxter, 2008, Orion Books


2016: The rain won't stop. Sea levels keep rising, and rising. And with increasing swiftness, human civilization begins to vanish beneath the water.

What do you do when there's nowhere left to run?

Stephen Baxter once again successfully melds hard science with a gripping plot and engaging characters to create a wonderfully dark SF novel in the style of his 1998 disaster tale, Moonseed. As with all of Baxter’s work, the prose in Flood is refreshingly easy to read; accessible without compromising the quality of the writing. Fans of Baxter will enjoy more of the good stuff in Flood. Non-fans should definitely give it a go. Before the water starts rising.

News: LEIGH WHANNEL (SAW) introducing Sydney DYING BREED premiere!

Leigh Whannel and Nathan Phillips at Sydney DYING BREED premiere – TICKETS SELLING FAST!

A Night of Horror International Film Festival presents the Sydney premiere of DYING BREED - just in time to get your blood curdling for Halloween!

SPECIAL GUESTS: Leigh Whannell (SAW) and Nathan Phillips (WOLF CREEK) the stars of DYING BREED will be at the screening to introduce the film!

DYING BREED was a hit at the Fantasia and Tribeca Film Festivals. Now you can be one of the first people in Australia to see this hot new Aussie horror feature film.

*PLUS*: Horror DVDs and other giveaways - including cool CRUMPLER bags!

Tickets: $15/$12. AVAILABLE NOW (but selling FAST) from Dendy Newtown. PHONE BOOKINGS on: (02) 9550 5699

Date: Thursday October 30
Time: 7:00pm
Venue: Dendy Newtown, 261 King Street

Sunday, October 12, 2008

News: Robert Hood's Creeping In Reptile Flesh

Creeping in Reptile Flesh is a new collection of stories from Robert Hood, gathered around a loose theme dictated by the title story — a 20,000 word novella.

'Savage murders that leave no one dead. Politicians intent on ontological genocide. Feral creatures at home in the wilds of Sydney and the Scrub. In “Creeping in Reptile Flesh” one man embarks on an investigation into a maverick Member of Parliament whose eccentric exterior may hide the seeds of apocalypse.'

Hood provides the following insights into the story concept in the preface -

'Creeping in Reptile Flesh” has been a long time in the writing. Its original impetus came from the years I spent as research assistant to a well-known historian, fascinated by the divergent realities I found to exist in the old newspapers I was given to scour. I should point out that the connection between the real-world historian and the one depicted in the story is remote, and neither should be confused with the other in any detail. By the same token, the politicians, political parties and feral creatures depicted in the title story (and in the other stories as well) are fictional creations and are not meant to bear any resemblance to persons or creatures living or dead. Even the story ‘Casual Visitors’, which was inspired by real incidents involving a Sydney-based scifi convention, Harlan Ellison and a flying saucer, is otherwise totally fictitious.'

The anthology includes many stories that have been almost unobtainable in print since their first publication. Several were published in US magazines, one — “Dreams of Death” — in Alfred Hitchcock’s Mystery Magazine back in 1990. Some were published in small magazines that had a minor profile. A few first appeared years ago in Aurealis or Eidolon — once Australia’s two premier genre markets. Creeping in Reptile Flesh, Unravelling and Getting Rid of Mother are new stories, published for the first time in this collection. The book boasts a cover design by Cat Sparks.

Creeping in Reptile Flesh is published by Altair Australia Books, and available for order directly from the publisher's website. A gala launch was held at Conflux 5, presided over by author and Conflux 5 convention Guest-of-Honour, Jack Dann.

Source: Undead Backbrain

News: Leigh Blackmore's Calling Water Hits Airwaves

Calling Water, a short radio play from noted Australian horror writer Leigh Blackmore, will air on ABC's Radio National on Sunday 19th of October from 3pm on the Airplay program (also available via streaming online). The broadcast is part of the Illawara Water Stories two-part special, featuring students from the Creative Writing course at the University of Wollongong.

Source: Leigh Blackmore

News: Kryptographik #27

Kryptographik is a trans-continental podcast featuring Brian (in the U.S.) and Damian (in Australia), providing news, reviews, commentary and interviews covering horror, dark fantasy and science-fiction.

In this 27th episode, the guys are joined by Bob Bretall, co-host of the Comic Book Page Podcast, who makes a return visit to discuss the latest Hellblazer Trade Paperback: The Laughing Magician. Opinions are aired on various comic artists, art theory, storytelling, Vertigo comics past and present, Pigeons from Hell, Roadkill Zoo, and the conclusion of Joe Hill's Locke & Key.

Listen to streaming audio online , by direct download (iPod not required), or visit the homepage for show notes, links and iTunes/Zune/Podcatcher feeds.


Source: Brian Matus

News: Eclecticism Issue 6 Update

Dave Burke has been announced as Featured Artist in Eclecticism Issue 6, which will be out in 2 weeks (24 October 2008). Dave Burke has a solo exhibition of new work starting 11 October
(Copro Nason Gallery, Santa Monica). You can view some of his wonderful art online at www.monsterfetish.com

The issue will also contain seven short stories, three works of poetry, and four works from artists, with the theme of ‘Getting Away With It’. It’s a huge one!


Source: Craig Bezant, Eclecticism Editor

News: Infinitas Newsletter October 2008

The Infinitas Newsletter - published by Infinitas Bookshop - is now available for October 2008 at www.infinitas.com.au. This months edition features a short story by Daniel Cotton, some readers' book reviews, genre news, and lots of new release books. Scan through for your favourite authors and series and be tempted.

Readers are invited to join in online discussions at: www.infinitas.com.au/forums

Source: Tim, Infinitas Bookshop

Friday, October 10, 2008

News: The IF Top 10 People to Watch?

Here's your chance to champion Australian horror film auteurs or B-Gods - INSIDEFILM magazine wants you to tell them who to watch out for in 2009.

Whether it’s someone devising a groundbreaking idea or setting the trend in some way, tell IF who this person behind the screens is and why he/she will be so watchable in 2009. Anyone in the film, television, documentary, animation, music video, and digital media industries can be nominated, from any technical or creative profession.

Recommend a name on the nomination form, and outline in less than 50 words why this person deserves the limelight. You may submit as many nominees as you like, but only 10 people will be short-listed by the IF team, and profiled in the Dec 08/Jan 09 issue of INSIDEFILM.


Click here to nominate now!

Source: INSIDEFILM

News: A Night of Horror in Melbourne Tonight!

A Night of Horror and the Melbourne Underground Film Festival wish to remind Melbourne horror fans about the festival's special (and first time ever) Melbourne screening - TONIGHT only!

Friday 10th October 9:00pm
at The George, 135 Fitzroy street
Tel: (03) 9534 6922

A Night of Horror is proud to bring a selection of the world’s best and bloodiest short films to MUFF! The program features a cornucopia of terrifying Melbourne premieres, including: THE DEMONOLOGY OF DESIRE, a pulse-charger about teenage love gone disturbingly wrong from Rodrigo Gudino (founder of RUE MORGUE, the world's top horror magazine). Some other highlights are: DARA, a stylish and action-packed exercise in torture porn by Indonesia's Mo Brothers; and THE ANCIENT RITE OF COREY MCGILLIS, Australian auteur Dalibor Backovic’s breathtaking tale of terror from beyond the grave.

Whatever your taste in horror, your appetite will be fully satiated with this blood-soaked cinematic buffet!

More details at www.muff.com.au

Source: Dr Dean Bertram

News: PublishYourself Horror Contest Extended

WorldWide Alliance of Writers has announced an extended deadline for their horror writing contest - facilitated through the website www.publishyourself.com. The new extended deadline is October 30th.

Stories will be eligible to win the $250 first prize. The rules are simple:

PublishYourself.com is running a FREE Halloween writing contest. There is no charge to enter, and you can submit as many stories and poems as you like.

  • All Entries must be between 1,500 and 6,000 words (or about 5-20 pages)
  • Submit only Word or Text Formats (no scans or PDFs)
  • Keep it "clean" - nothing obscene will be considered [If in doubt, it is recommend prospective entrants contact the contest administrators via the website, to find out what obscene content means in this context. - AHWA News Ed.]
  • The top winner will receive a grand prize of $250. The top 10 stories (by vote count) will be included in a compilation book that will be published on WWAOW.com.
  • Top 10 winners will receive a complimentary copy of the compilation book.

Submitting is easy. Just create a FREE ACCOUNT HERE, then follow the step by step instructions to upload your work.

Source: Mark Lister, Web Marketing - Peleman Industries Inc

Review: Kaidan (Japan, 2007)


Ring director Hideo Nakata makes a semi-successful return to the horror genre with this slow-moving traditional Japanese ghost story. The film follows the story of young samurai Shinkichi whose family is cursed after his father murders a moneylender to whom he is debt. The curse, which begins when Shinkichi falls in love with the moneylender’s daughter, sees every woman he loves fall victim to a mysterious illness driving the young samurai closer and closer to despair.


Played out more as a melodrama than an actual horror, Kaidan is hindered by a sluggish pace and impassive characters that leave the audience with very little to connect them to. When the ghostly scares do kick in – about an hour into the film – they are too sporadic and predictable, lacking the intensity of Nakata’s early films.

Romantics will appreciate the tragic love story at the heart of the film, but those expecting a moody fright-fest will be sorely disappointed. Not terrible by any stretch, but hardly inspiring either.

Kaidan is released in Australia through Madman Entertainment. DVD extras include a making of documentary, original trailers and stills gallery.

Thursday, October 09, 2008

Book Review: Zombie Movies: The Ultimate Guide

Glenn Kay, Chicago Review Press, 2008


Zombie Movies: The Ultimate Guide is a fun little tome for any zombie enthusiast. While ‘ultimate’ may not be quite on the mark (there have been several similar publications in the recent past that offer a little more substance overall), at least the description of ‘guide’ is accurate; a fairly casual dip into the sub-genre, with emphasis on fun rather than serious discussion. The guide gives good general synopses and reviews for most of the chronologically-listed movies, and is certainly up-to-date, the final major review being for George A. Romero’s Diary of the Dead, released earlier in 2008. Also included are a number of interviews with ‘names’ from the world of zombie flicks, lists for Highest-Grossing and Greatest-Ever movies, and – intriguingly – a list of ‘Zombieless Zombie Movies’, plus a forward by Stuart Gordon. The author consistently personalises the content with humorous comments and asides, as well as observations drawn from his own experiences as a ‘zombie movie extra’, all of which – for me - added to the enjoyment (although those preferring more serious discussion may find the authorial input intrusive). Definitely worth buying to complement, not replace, your existing zombie movie references.

Tuesday, October 07, 2008

Review: One Foot Wrong by Sophie Laguna

With the beginning like a slow opening of an exotic flower, One Foot Wrong reveals the life of Hester, a child bound to an insular world by her reclusive religious parents.

Told from Hester’s point of view in simple yet powerful phrasings that don’t readily reveal to the reader the true ugliness of the life she’s forced to lead, this metronomic tale very slowly draws the reader into a child’s abusive life.

Through her isolation, her imagination flourishes, filled with characters such as Cat, Spoon, and the infamous Handle – it is this last incorrigible creature who urges her to turn him and seek the wonders of the great outside.

Many have used the Alice-in-Wonderland comparison here, but it’s better than that. It’s not some trumped up little brat relating a story of fantasy born from her boredom on a sleepy afternoon, this is an abused child’s life, told to an adult audience in very simple childlike terms. It is her discovering more and relayed through a child’s imagination with simple, yet powerful images.

Imagine your only knowledge of the world coming from a child’s picture bible and a window looking out onto a small and bleak backyard where you can watch your mother, who you refer to as Sack, hang out the washing.

This is a dark tale told through the lightness and wonderful imaginings of a child. Sofie Laguna has written a remarkable novel as her first venture into books for grown-ups.

Thursday, October 02, 2008

Review: The Dirty Little Secrets Club by Meg Gardiner

· Hardcover: 368 pages
· Publisher: Dutton Adult (June 12, 2008)
· Language: English
· ISBN-10: 0525950664
· ISBN-13: 978-0525950660


An interesting premise, fast paced, full of action, shifting sub-plots, and extremely well written. A little predictable in places and a very strong female main character who suddenly becomes weak part way through, before gathering her feet under her again, were the only real down sides.

Jo Beckett is a forensic psychiatrist still coming to grips with the loss of her husband, two years after he died in a tragic Angel Flight mishap – one she survived. This is apparently an ongoing series in which the character of Johanna Beckett stars. I haven’t read any of the other books in this series at this point although I would consider reading future books on the strength of this one.

In San Francisco, a trail of death leads our heroine into an A-list sub-culture of one-upmanship where the stakes are deadly. Secrets can be powerful, thrilling, and life-shortening.

From the very beginning Gardiner sets out at a break neck pace with the first four or so chapters full of action and vividly described detail. Her ability to set a scene and draw the reader in is remarkable. Although the tale has an edge, it lacked a killer punch to give it true grit. In scenes where gore abounds, or the opportunity to convey spine-chilling titbits is evident, she seems to shy away a little.

The book slows a little from the frenetic opening, which isn’t surprising, and I occasionally lost track of the timeline – sometimes thinking it was night when it wasn’t or that more time had passed than the author had considered necessary – which was a little jarring.

The ending was, or at least the character behind it all was predictable, as was the way the police and the main character got the last bits of information to put everything together, but I guess most readers like to have a nicely wrapped up story in this crime/thriller genre as it seems to be the norm.

All in all, a good female lead, a very good idea, and well told without being great would be my summation of “The Dirty Little Secrets Club”.

Enjoy!

News: The National Young Writers' Festival

The National Young Writers' Festival is Australia's premier event for emerging writers, publishers, performers and trouble-makers. Several thousand of the country's most challenging and original young minds will descend upon Newcastle for a five day creative bender. Far from the seas of white hair, book signings and celebrity author worship you might expect, the NYWF is a DIY, hands-on conversation between equals.

In 2008, The National Young Writers' Festival turns 10! Join the celebration with bogan stubby-holder poetry, radical new forms of decentred publishing, hyper-nerdy discussion of plot and character development, passionate debates the cultural and political futures of the country, and some of the best parties you've stumbled across in a long while. Check the full program of entirely free events here.

The NYWF takes place as part of the This Is Not Art (TiNA) festival, which adds independent musicians, journalists, artists, performers, activists, nerds and lovers-of-ginger-beer to the mix. It's a combination of cutting-edge performances, panels, collaborations, experiments, workshops and parties. It's unique. It's free. You should come and be part of it.

Source: NYWF

Wednesday, October 01, 2008

News: Dymocks Southland Bestselling Horror Titles for September ‘08

Dymocks Southland is a general bookshop in Cheltenham, Victoria, boasting a fairly extensive range of genre stock. Below are listed the top 10 bestselling horror titles for September 2008.

1. Twilight Special Edition – Stephanie Meyer
2. Eclipse Special Edition (Twilight #3) – Stephanie Meyer
3. New Moon Special Edition (Twilight #2) – Stephanie Meyer
4. The Zombie Survival Guide – Max Brooks
5. Black: Australian Dark Culture Issue #2 – ed. Angela Challis
6. From Dead to Worse (Sookie Stackhouse #8) – Charlaine Harris
7. World War Z – Max Brooks
8. Storm Front (Dresden Files #1) – Jim Butcher
9. Salem’s Lot Illustrated Edition – Stephen King
10. Zombie CSU: The Forensics of the Living Dead – Jonathan Maberry

Dymocks Southland also publishes a monthly SF, fantasy and horror newsletter – Dymensions - which can be subscribed to here.