Tuesday, September 30, 2008

News: Anomalous Appetites Tightens Deadline

Due to unprecedented submission numbers, Anomalous Appetites are moving forward the deadline date for submissions to the inaugural issue.

The final deadline date for poetry submissions to AA is midnight Sunday, October 5th (local time). Entries received after this date will be automatically rejected.

Visit the forum and get a sneak preview of the poetry and art that will fill this 200 page anthology.

Source: John Irvine - Editor, Anomalous Appetites

Monday, September 29, 2008

Film Review: Not Quite Hollywood



In the 1970s and 80s there were two film industries in Australia. One produced films like Picnic at Hanging Rock and My Brilliant Career. This industry was like the favourite son that doting parents would boast to their friends about. Then there was the other industry. It produced films like Alvin Purple, Howling III: The Marsupials and Turkey Shoot. This was the son that had been locked in the attic for twenty years and never spoken about because of unspeakable acts that he had visited upon the vicar's daughter. Not Quite Hollywood is the biography of Australia's deranged cinematic child in the attic.


Mark Hartley has directed what amounts to a cinematic love letter to the sadly neglected Aussie exploitation movie. Even if you're not a diehard cinephile, it's quite a ride. Clips from numerous films of the period will have you scouring the DVD shops and possibly rummaging through op shop second hand video racks to find that lost gem. In all fairness, from the evidence of some of the clips, it might be good that some of them stay lost.


The interviewees are generally well-chosen and entertaining with their anecdotes and good humoured reminiscences. Brian Trenchard Smith emerges as an unsung hero of the industry. I guarantee after watching this you'll be looking for a copy of Turkey Shoot or The Man from Hong Kong. Surprisingly for me, Quentin Tarantino is the most entertaining of the talking heads. In some circles, his presence has been denigrated as an example of cultural cringe, but he comes across as a particularly knowledgeable and amusing fan of ozploitation.


Like many of the films on view here, this is a lively, unpretentious way to spend a couple of hours. Go along for the ride.

Book Review: Zombie CSU: The Forensics of the Living Dead

Jonathan Maberry, Citadel Press, 2008


Have you ever seriously wondered what would happen if a zombie outbreak were to actually occur?; what agents might cause the reanimation of the dead?; how law-enforcement authorities might investigate a zombie attack?; how the armed forces, media, and society in general would react if the dead walked? If the answer is yes, then you – like myself – obviously have a serious and disturbing obsession, and should definitely secure yourself a copy of Jonathan Maberry’s Zombie CSU.

Zombie CSU begins with a hypothetical scenario: an attack upon a security guard at a medical facility by what eventually turns out to be a reanimated human corpse. From there, Maberry takes us step by detailed step through the procedures the police would follow in order to secure the crime scene, collect and process evidence, identify and track the perpetrator, and make an arrest. Every aspect of the process is carefully detailed; the hard facts of police and forensic procedure (as they would relate to any relevant real-life crime) explained simply and clearly, with the author then tackling ‘the zombie factor’ as an aside, examining how adding the walking dead into the mix might affect the investigation.

As the hypothetical investigation progresses, Maberry backs up his assertions with testimony and opinions from various experts in the field (most of whom appear also to be zombie fans), and continues to do so as the focus moves from the initial crime investigation to such topics as the psychological and spiritual implications of zombies, the legal ramifications of a zombie plague, and effective ways in which to protect yourself from undead flesheaters.

Despite the serious attention to detail in explaining the ‘facts’ of a zombie-related crime, this book is great fun to read; much of the speculative side of things is delivered with a welcome dash of humour, and the narrative of the ongoing investigation is regularly interjected with examples of zombie artwork, opinions from zombie ‘authorities’ (such as Max Brooks, Kim Paffenroth, Rocky Wood, Brian Keene, and others), lists of ‘best-’ and ‘worst-ever’ zombie movies and books, and a running symposium on the ‘Fast Zombies vs Slow Zombies’ debate.
This book will obviously appeal to zombie fans, but should also appeal to those interested in forensics, crime fiction, sociology, psychology, and media studies. There are plenty of surprises in store for the reader (seems the odds of an actual zombie uprising aren’t quite as unlikely as you might think – or wish), and also more than a few chills (the chapter examining plagues, prions, and other agents that might reanimate human corpses I found particularly horrifying). Zombie CSU is likely to become something of a classic in the ‘horror reference’ subgenre. For me, it’s up there with Stephen King’s Danse Macabre, and is similarly a book any genre reader will no doubt return to again and again.

Zombie CSU: The Forensics of the Living Dead is available from Amazon and selected Australian specialist bookshops.

(Oh, and by the way – the blood-spatter pattern on the book’s cover most likely came from a zombie, not a living person. That’s the sort of invaluable deduction you’ll be able to make after reading Zombie CSU :) )

Saturday, September 27, 2008

News: Leigh Blackmore's Spores From Sharnoth and Other Madnesses

P'Rea Press is proud to announce the release of Leigh Blackmore's Spores From Sharnoth and Other Madnesses.

No stranger to Australian literary fandom and fame, and acclaimed by international literary peers, Leigh Blackmore at last presents his first full foray into the wilds of uncanny expression. In this must have book of forty-five poems of fabulous horror and ghastly fantasy, the ides of the rest of your life might flicker before you. Within, meet Lovecraftian entities and other ghoulish things from Leigh’s own fevered imagination and burning brow. Face the toxic paranoia of mind-blowing fear, finely figured lines of roseate-tinged fantasia, and the stark staring mask of spectral terror itself.


Not for the faint hearted, P’rea Press will launch Spores from Sharnoth and Other Madnesses at Conflux 511am Saturday 4th October. Join us for a reading and refreshments. Everyone is welcome … if you dare …

Spores from Sharnoth is available from P’rea Press: $15. Purchase your copy of this first edition signed by the author during Conflux 5 from Charles (Danny) Lovecraft at the “Fantastic Poetry” panel (10am), the Spores from Sharnoth book launch (11am), the mass book-signing on Saturday (4pm), or Cat Sparks’ Traders Table at Conflux. Alternatively, you may purchase by email.


Source: P'Rea Press

Thursday, September 25, 2008

News: Speculating Fiction

The Victorian Writers' Centre is hosting a special panel discussion with some of Australia's most respected authors of speculative fiction.


Panel: Speculating Fiction

Sean Williams and Lucy Sussex in conversation with Paul Collins


Host and author, Paul Collins taps into the imaginary minds of award-winning writers Sean Williams and Lucy Sussex as they discuss their literary careers and what fuels their inspiration in the world of speculative fiction.


Sean Williams is the author of 25 novels and numerous short stories for readers of all ages, including several set in the Doctor Who and Star Wars franchises, and a seven-book fantasy series set in Australian landscapes.


Lucy Sussex's fiction includes The Penguin Friend (1989), Deersnake (1990), Black Ice, The Revognase and The Scarlet Rider (1996). She has written three short story collections, My Lady Tongue, A Tour Guide in Utopia (2005) and Absolute Uncertainty (2006). She has also compiled three anthologies for younger readers, The Patternmaker, The Lottery (both 1994) and Shadow Alley (1996). She's Fantastical, an anthology of Australian women's non-realist fiction, was shortlisted for the 2005 World Fantasy Award.


Paul Collins is one of Australia's leading fantasy and science fiction authors and has published over 120 books in both the trade and education fields.


When: Friday 3 October, 6.30-8pm

Cost: $20, Members $15/$12 Rating: A


PLACES ARE STILL AVAILABLE. BOOK NOW!


Source: Victorian Writers' Centre

News: A Night Of Horror Regular Deadline

The Regular Deadline for entries to A Night of Horror International Film festival is Friday October 3, 2008 (postmarked). That's just a little over one week away!


The festival is calling for:

  • FEATURES

  • SHORTS

  • MUSIC VIDEOS

  • H. P. LOVECRAFT FILMS

  • SCREENPLAYS


Enter now to save on your submission fee to Australia's premier horror film event!

ATTENTION SCREENWRITERS!!!

In case you missed the last bulletin: A representative from Lionsgate, the world's leading distributor of horror cinema, will be reading the festival's three finalist feature length screenplays! This is your chance to have your script recommended to the industry.

There are categories for both feature length and short screenplays.

For more details visit www.anightofhorror.com, or enter online at www.withoutabox.com

Source: Dr Dean Bertram

Wednesday, September 24, 2008

News: The Bullsheet Is Moving House

The Australian Science Fiction Bullsheet is changing ISP, and so the current email contacts and URLs are about to change.

Service will continue via the Bullsheet's two mirror sites:

Please note: Mirror Sites are Geocities pages which can only handle limited traffic, and so so may go down periodically.

Until a new domain name is sourced and announced, emails to The Bullsheet should be directed to webmaster Ted Scribner.

Source: Ted Scribner - Webmaster, The Australian Science Fiction Bullsheet

News: PublishYourself Halloween writing contest

WorldWide Alliance of Writers, an on-demand self-publishing website, is launching a horror writing contest on www.publishyourself.com. They are seeking some seed stories to get things rolling. Stories will be eligible to win the $250 first prize.

The rules are simple:

PublishYourself.com is running a FREE Halloween writing contest. There is no charge to enter, and you can submit as many stories and poems as you like.

  • Upload as many stories and poems as you like
  • All Entries must be between 1,500 and 6,000 words (or about 5-20 pages)
  • Submit only Word or Text Formats (no scans or PDFs)
  • Keep it "clean" - nothing obscene will be considered [If in doubt, it is recommend prospective entrants contact the contest administrators via the website, to find out what obscene content means in this context. - AHWA News Ed.]
  • The top winner will receive a grand prize of $250. The top 10 stories (by vote count) will be included in a compilation book that will be published on WWAOW.com.
  • Top 10 winners will receive a complimentary copy of the compilation book.

Submitting is easy. Just create a FREE ACCOUNT HERE, then follow the step by step instructions to upload your work.

Source: Mark Lister, Web Marketing - Peleman Industries Inc

Tuesday, September 23, 2008

News: AHWA Horror Stream at Conflux

The Australian Horror Writers' Association is delighted to present a dedicated Horror Stream at Conflux 5: Dreaming.

The Conflux 5 Horror Stream program is as follows:

The Horror of the Apocalypse
Saturday (4 Oct) 1pm

What will bring civilisation to an end? The zombie hordes? A super-virus? Nuclear war? Cthulhu's return? Horror writers speculate on the best of times: the end times.

Panelists: Rob Hood, Deborah Biancotti, Richard Harland

Ghosts of the Past
Saturday (4 Oct) 2pm

Horror researchers discuss the unearthed treasures of Australian colonial ghost stories and gothic fiction, and how 'horror' has changed over the decades.

Panelists: Marty Young, James Doig, Leigh Blackmore

Dreaming or Nightmarish: Australian Horror Goes Bush
Saturday (4 Oct) 3pm

The Dreaming is characterised as something mysterious and wondrous but something dark lurks in our red heart. The outback is a desolate and scary place at times and its primordial inhabitants aren't always benevolent. Horror writers discuss the Australian landscape and Aboriginal myth as the foundation of nightmarish stories.

Panelists: Rob Hood, Deborah Biancotti, Leigh Blackmore, Andrew McKiernan, Jack Dann

From Beneath It Devours: The Resurgence of Australian Horror?
Sunday (4 Oct) 9am

Sales of horror books are up and paranormal fiction is hot, but what do the experts say about current state of Australian horror fiction?


Panelists: Keri Arthur, Rob Hood, Shane Jiraiya Cummings, Leigh Blackmore

Vamps and Tramps
Sunday (4 Oct) 10am

Paranormal fiction has exploded in popularity by using traditional horror tropes (vampires, werewolves) in sexy new ways. Take off your crucifix and strap on your leathers as we take a wild ride through what's infernally hot - and what's not.

Panelists: Keri Arthur, Amanda Pillar, Jason Nahrung, Richard Harland

From the Editor's Desk
Sunday (4 Oct) 11am

Editors discuss their views of the writing world, what trends they see, what works well and what doesn’t, what are some of the common pitfalls writers fall into, how to hook an editor, etc.

Panelists: Shane Jiraiya Cummings, Cat Sparks, Amanda Pillar

Australian Shadows Out Of Time: AHWA's guide to the best and worst of Aussie horror
Sunday (4 Oct) 1pm

Is Dowling's work shades of grey or Basic Black? Does Immaterial have enough under the Hood? Has Dedman had a resurrection? Was Hague the Voice of Evil that killed horror in the 90s? Marvel at AHWA's definitive, entirely subjective, and very contentious guide to the best (and worst) ever Australian dark fiction. The award presentation to the winner’s of the AHWA Flash and Short Story Competition 2008 will be made at the end of this panel.

Panelists: Marty Young, James Doig, Leigh Blackmore, Shane Jiraiya Cummings

AHWA presents: 60 minutes of fear
Sunday (4 Oct) 5pm

Australian Horror Writers' Association members read their darkest work, with the audience voting on who is Australia 's scariest author (prizes will be awarded!). Something fun to end the show with! Nothing serious here at all!!

Panelists: Marty Young (MC), with Rob Hood, Shane Jiraiya Cummings, Leigh Blackmore, Andrew McKiernan

Dread Acquisitions - The AHWA Dealer's Table

To be overlooked at your peril, The AHWA Dealer's Table will operate on Saturday 4th and Sunday 5th of October during Conflux. The table will also act as a meeting point, a place for horror folk and AHWA members to congregate between panels. If you have nowhere to go and/or don't know anyone at the convention, please feel free to meet there. Marty Young, Shane Jiraiya Cummings, and Angela Challis will be regulars at the table, and you're bound to meet other AHWA members throughout the weekend.

If you have any questions, have books you would like to sell on the Dealer's Table, or are just interested in helping out, please contact Marty Young via email - ahwa@australianhorror.com

To find out more about the Australian Horror Writers' Association, visit www.australianhorror.com, and to peruse the Conflux 5 general program visit www.conflux.org.au

Source: Marty Young, President - Australian Horror Writers' Association

News: A Night of Horror at Melbourne Underground Film Festival

A Night of Horror is proud to bring a selection of the world’s best and bloodiest short films to MUFF!

The program features a cornucopia of terrifying Melbourne premieres, including: THE DEMONOLOGY OF DESIRE, a pulse-charger about teenage love gone disturbingly wrong from Rodrigo Gudino (founder of Rue Morgue, the world’s top horror magazine). Some other highlights are: DARA, a stylish and action-packed exercise in torture porn by Indonesia’s Mo Brothers; and THE ANCIENT RITE OF COREY MCGILLIS, Australian auteur Dalibor Backovic’s breathtaking tale of terror from beyond the grave.

SPECIAL SCREENING AT MELBOURNE UNDERGROUND FILM FESTIVAL

Friday 9th October, 9:00pm at The George


Whatever your taste in horror, your appetite will be fully satiated with this blood-soaked cinematic buffet! More details at the MUFF website.

Source: Dr Dean Bertram

News: 4th IPEd National Editors Conference

The Society of Editors (SA) is proud to announce the 4th IPEd National Editors Conference will be held in Adelaide 8-10 October 2009. The conference will take place at the Festival Centre on the banks of the River Torrens, with associated events taking place in and around the city centre.

Information about the conference will be posted as it becomes available.

"So listen, discuss, learn, edit, eat, drink … and join us in Adelaide in 2009!"

Further information at The Society of Editors blog.

Source: The Society of Editors

Sunday, September 21, 2008

News: BFS Awards Winners 2008

The British Fantasy Society is delighted to announce the winners of the British Fantasy Awards for 2008. The presentations were made at the awards banquet of Fantasycon 2008 in Nottingham on 20th September.


BFS Awards Winners 2008

  • The Sydney J. Bounds Best Newcomer Award: Scott Lynch
  • BFS Special Award: 'The Karl Edward Wagner Award': Ray Harryhausen
  • Best Non-Fiction: Peter Tennant WHISPERS OF WICKEDNESS WEBSITE REVIEWS (Whispers of Wickedness)
  • Best Artist: Vincent Chong
  • Best Small Press: Peter Crowther, PS Publishing
  • Best Anthology: Stephen Jones, THE MAMMOTH BOOK OF BEST NEW HORROR 18 (Robinson)
  • Best Collection: Christopher Fowler, OLD DEVIL MOON (Serpents Tail)
  • Best Short Fiction: Joel Lane, MY STONE DESIRE (Black Static #1, TTA Press)
  • Best Novella: Conrad Williams, THE SCALDING ROOMS (PS Publishing)
  • Best Novel: 'The August Derleth Fantasy Award': Ramsey Campbell THE GRIN OF THE DARK (PS Publishing)


Source: Peter Keighrey

Thursday, September 18, 2008

Book Review: Splinter by Michael MacConnell

Milo, son of Hollywood dream couple, Ethan and Rebecca Kane, is found dead in the basement of their luxury mansion. The LAPD are quick to lay the blame on the parents but FBI agent, Sarah Reilly gets involved and soon it's obvious that the reality of the situation is far more complex. A criminal, quickly dubbed 'The Sandman' is targeting children of the rich and famous.


Sarah is one of those old thriller staples, a cop on the edge. Severely traumatized by her previous case, she's prone to becoming emotionally involved in her work. Now before you rush off to telephone the cliche police, I need to add that she's a believable and well-sketched character you empathise with. This is a slick, well written thriller with a couple of nicely executed twists. There are two action set-pieces - a car chase ending in an airport and a pursuit at the U.S./Mexico border that are particularly exciting.


It wouldn't take any great leap of faith to see this turned into a Hollywood blockbuster. Surprising then to see this has been written by an Australian author (though perhaps the presence of an Aussie hitman should have tipped me off).

News: AntipodeanSF #124

AntipodeanSF #124 is available for your enjoyment at www.antisf.com.


AntiSF features the best in flash speculative fiction from around the world.


This month's pick of fabulous stories includes:

  • Follower of the Prophet by Sharif Oerton
  • A Living Room by Richard Ridyard
  • Home For Christmas by Gwyn Gordon
  • The Day The Sky Fell by Stuart Wilson
  • Make Mine A '327 by Shaun A. Saunders
  • Stumblebum Seductions by Wes Parish
  • The Bride by Camille Picott
  • Genesis by David Kernot
  • Booze by David McVeigh
  • Fingertip by Chris Kakris

You'll also find a couple of sweet fifty-worders, and some speculative poetry by PS Cottier. Meanwhile, in Going Critical Jan Napier heads down and personal as she discovers Joe Hill and his 20th Century Ghosts, while Nuke, in Vide gets all monolithic about the latest (and probably last) novel Firstborn by Clarke and Baxter.

Source: Nuke, Editor - AntipodeanSF

News: Conflux 5: Dreaming


Dreaming

The Marque Hotel,

October 3 to 6

www.conflux.org.au

The fifth Conflux science fiction convention is now just over three weeks away. This year, with a theme of Dreaming, the convention will be paying homage to Australia ’s indigenous heritage, as well as looking at the dreams that inevitably unfold the first time you read science fiction, fantasy or in the case of horror, nightmares.

The convention will run over four days and features six guests with great histories in the field of science fiction, fantasy and horror – Liz Gorinsky, Jack Dann, Mark Shireffs, Cat Sparks, Gillian Polack and Bruce Gillespie. A total of 13 workshops, covering aspects from superstition through blogging to using a longsword, and nearly 50 panels will provide a lot of information and inspiration for attendees.

Friday night is the Great Debate – this year’s topic “Is this a dream or is it reality?” and following that, a major event for anticipated anthology Dreaming Again, featuring editor Jack Dann and several of the writers. Saturday afternoon will see a mass book signing, with around 30 authors gathered in the one place. Saturday night is the now famous Conflux dinner, this year with the theme of Prohibition New York. The 1920s was when the term science fiction was coined, and the modern genre was born.

For anyone with an interest in science fiction, fantasy or horror, written or on the screen, Conflux 5 is the place to be. More information at www.conflux.org.au

WHAT: Conflux 5 – Dreaming

WHERE: The Marque Hotel, Northbourne Avenue , Canberra

WHEN: October 3 to 6 2008

COST: Memberships at the door – Adult $240, student $180 (cheaper if bought before hand), day memberships Friday and Monday $50, Saturday and Sunday $100

CONTACT: www.conflux.org.au, info@conflux.org.au


GUEST INFORMATION

Liz Gorinsky is an editor with Tor, one of the largest publishers of science fiction and fantasy in America . She edits a list that includes acclaimed speculative fiction authors Ben Bova, Dave Duncan, A.J. Hartley, George Mann, Cherie Priest, Brian Slattery, and Jeff VanderMeer. She also assists editors Ellen Datlow, Jim Frenkel, and Patrick and Teresa Nielsen Hayden.

Jack Dann is the editor of the only Australian book to win a World Fantasy Award – Dreaming Down Under. He himself is also one of the acknowledged experts in alternate history, with novels such as The Memory Cathedral and The Rebel. Jack has just launched the follow up to Dreaming Down Under – Dreaming Again, which will be a feature of Conflux 5.

Mark Shireffs is a screen writer whose short film The Mysterious Geographical Explorations of Jasper Morello was nominated for an AFI and BAFTA award. He is almost solely responsible for the strong showing of science fiction and fantasy in Australian children’s television, having written Spellbinder, The Girl from Tomorrow and Pig’s Breakfast.

Cat Sparks is a multi-award winning short story writer, editor and illustrator who was the official photographer for two NSW premiers. She has recently won her first Aurealis and Ditmar awards for her own writing, and is now working on her first novel.

Gillian Polack has a doctorate in medieval history, teaches extensively across Canberra and has one novel in print with a small new US press and another forthcoming. Twelve of her short stories have been published. One of these stories won a Victorian Ministry of the Arts award and three more have been listed as recommended reading in the international lists of world's best fantasy and science fiction short stories.

Bruce Gillespie is one of the grand old gentlemen of Australian science fiction fandom, having started attending meetings and conventions in 1967. He has been publishing critical essays on the genre and the industry since 1969. He has won many awards for his work for fandom, including being the past president of the Fan Writers of America. He currently publishes Steam Engine Time, one of the few fanzines still in existence in Australia .


The Australian Horror Writers' Association will be presenting a special program of panels at Conflux 5 - stay tuned to HorrorScope for all the details!

Source: Nicole R Murphy, Programmer, Conflux 5

News: HWA - Now With Rockin' Australian Presence!

Votes have been tallied in the Horror Writers' Association's recent elections - for the first time in a long time (probably ever), there will be an Australian on the HWA Board!

HWA Election Results

Voting for President, Vice President, Secretary and three Trustee positions closed on 9/15, and results were:

  • Deborah LeBlanc was re-elected President;
  • Heather Graham was elected Vice President:
  • Vince Liaguno was elected Secretary;
  • Ellen Datlow was re-elected Trustee;
  • Linda Addison and Rocky Wood were elected as Trustees.

Tally of results -
  • Deborah LeBlanc -89
  • Nick Mamatas - 1
  • Lee Thomas - 1
  • Heather Graham - 49
  • Greg Lamberson - 39
  • No Vote - 1
  • Vince Liaguno - 84
  • No Vote - 3
  • Tina Jens - 1
  • Linda Addison - 57
  • Ellen Datlow - 74
  • Rocky Wood - 45
  • Stephen Dedman - 35
  • F. Brett Cox - 24
  • Michael Brim - 16
  • Gene O'Neill - 1
  • Nick Mamatas - 1
  • Kathy Ptacek - 1

(Votes were counted by Hank Schwaeble, David Niall Wilson and Lisa Morton.)

HorrorScope and the Australian Horror Writers' Association wish to offer hearty congratulations to Rocky Wood! Australian author and editor Dr Stephen Dedman also faired very respectably in the election. All in all, an encouraging result for Australian writers and fans of the beautiful dark stuff!

Tuesday, September 16, 2008

News: Richard M. Vickers releases Woodlife


Richard M. Vickers' new novel Woodlife is now available from Rambrook House.


This fast-paced supernatural thriller follows ex-footballer Nick Wheaton's desperate search for a former lover who has disappeared in mysterious circumstances. Forced into an uneasy alliance with an enigmatic partner, the pair slowly unearth a murderous conspiracy of monumental proportions with sinister links to Britain's ancient past.


WOODLIFE
By Richard M. Vickers
Publisher: Rambrook House
ISBN 978-0-646-47917-0
RRP $23.99

Available directly - email rambrook@optusnet.com.au to place an order.

Source: Richard Vickers

Sunday, September 14, 2008

Review: Bone Song by John Meaney




BONE SONG
John Meaney
Gollancz, April 2008 Reissue


Straight off the bat, I’m going to say the biggest thing this novel, ‘Bone Song’ (the first part in a series), has going for it is its vision. Author John Meaney has created a magnificent world that combines most of the speculative fiction range, from fantasy to sci-fi, with a dash of gothic horror. There are so many nuances here, so many little touches, that you cannot help but become drawn in to the story, which is also somewhat of a hardboiled crime affair.

I’ll try my best to explain. In the city of Tristopolis, where references to God, the afterlife and profanities have been largely reclaimed from Greek mythology (Oh Hades! Thanatos! Death!), where magic is applied to almost everything and concepts such as spirits and the undead have been embraced as scientific rationale to run the world, our hero, Lieutenant Donal Riordan, is on a case that still has the ability to feel bizarre. You see, the city’s power is generated by bones of the deceased (each necroflux generator require the bones of two thousand bodies), but some of these bones have a different use. Those people who showed a unique creative flair in life (such as performers) have a ‘song’ in their bones, which allows a possessor of their remains to escape into realms beyond description. These bones are hunted down on the black market, but someone is being a bit more conspicuous. Four stage performers have died in State capitals, and a legendary diva is about to arrive in Tristopolis. She is believed to be the next target, and Riordan must lead a team to make sure nothing happens to her.

And that’s just the start of the novel. Because Riordan is not meant to succeed. And when all goes wrong, he is left to expose a secret sect, a path of corruption in the police force, and the shady dealings of another country/city, Illurium, where their power is generated by something much worse than bones (think ‘The Matrix’), all in the name of revenge.

I’ll give you a preview of the novel’s many wonderful dark combinations from the speculative realm: Enormous Lycaon werewolves keep sentry over the police tower; bats and dinosaur-like creatures fly over the city and scan it as a means of security surveillance; wraiths are used for almost every slave-like chore imaginable – from opening doors and drawers to taking the place of a lift and carrying passengers to their destination (there’s no reprieve for most of the dead); to vehicles that are powered by spirits and are therefore alive, that mould with their rider, change shape and defend themselves. And let’s not forget zombies – not the Romero kind but corpses reanimated via an internal system that is recharged much like a mobile phone (just plug it in), corpses that are still intelligent and blend in with the rest of society’s fabric, their skin just a little paler. Riordan happens to fall in love with one of these zombies – Commander Laura Steele, who leads the team out for revenge.

There are even tiny details embedded in the text, which feel so natural you just skim over – for example, having purple taxis instead of yellow/white. They’re not needed, but they add to the genuine feel of being in the city of Tristopolis. I could vividly picture many of the dark scenes.

If there were to be any complaints, I would start by saying that at times I felt overloaded with the bizarre concepts in Tristopolis to the point where some passages were a little awkward to read until I understood exactly what was happening (though I must say that I am currently reading the second instalment of the series, ‘Dark Blood’, and the concepts feel a lot more natural). Some of the descriptive prose should have been cut to lead into the tense scenes, which are handled a lot better. I was also disappointed with the cheesy union of Riordan and his zombie love-interest, Commander Steele. It is typical of too many sci-fi laced stories – where man meets woman, falls in love with her because, hey, she’s the only woman who has, to that point, been given enough depth in the story (and didn’t die). They spend one night together and they’re already professing love and, well… I guess this is fiction. The believability of their union does strengthen towards the end of the novel, though, but Steele’s character is just a little too flat for it to matter. And of course, the dialogue… Snappy, basic, reminiscent of bad action movies, comic books and pulp fiction. At times, that’s a good thing – and it certainly fits with the style of story. However, I was often left wanting more natural responses – that’s just my preference.

I recommend this novel to anyone interested in absorbing a highly-imaginative mix of all things speculative, or a crime story with a unique angle. I won’t give the ending away, of course, but the pace becomes frantic, with red herrings aplenty, giving hints that this series will be getting a lot better.

Saturday, September 13, 2008

News: Simon Clarke Special Releases from Tasmaniac


Tasmaniac Publications have just released an E-package to coincide with the release of STONE COLD CALLING, a novella by Simon Clarke.

Simon Clark's THE CALLING & OTHER WRAITHS is a unique concept that contains THE CALLING, a near ten thousand word short story. A distinct work from the novella, The Calling takes us on a tangent with a recognized character. In addition the package includes a non-fiction piece, MAKE ME FRIGHTFUL, where Simon offers tips to the budding horror writer in us all - and a short video entitled THE HAUNTED PAGE.

All this for the handsome sum of 99 cents! Available exclusively from the Tasmaniac Publications website.

Source: Steve Clarke, Publisher - Tasmaniac Publications

Friday, September 12, 2008

The Beast Within




The tall pine tree tops; bristling, waving fingers indicating the fulgent moon. There is a distant howling; picked up again and again in a nearing chorus. The chill air is perfumed with a melded musk of human and beast. The shadows growl...

That's right, you're in the country of the changed. Skinwalker-bound volumes are about to tell you their individual tales, inscribed with spattered blood, steaming gore, gnashing, foaming fangs and sweeping claws.

Lycanthropes, loup-garous, shapeshifters, Lycans, call them what you will, this is a tome dedicated to those who are hairy on the inside, those who have an argument with the moon on a regular basis. The Moon People. The Cursed Ones.

Though some may revel in such curse.

The werewolf has long been a favourite creature of mine from the black ark of the Horror pantheon.

Maybe it's because of my affection for dogs? What percentage of cat lovers prefer vampires, I wonder?

Well, the appropriately named 'The Beast Within', from U.S. publishers Graveside Tales, gives us a bumper pack of twenty stories, 352 pages of transformations and werewolfery. It also holds an introduction by W.D. Gagliani and is dynamically illustrated, the cover and some interiors by the triple-threat editor.

I praised Joe Dante's 'The Howling' when it was released way back in 1980. The influence of it, and other, more recent, werewolf films is evident here of course, but variety is the central tenet of this anthology. Following 'The Howling' (in which werewolves finally looked like werewolves) we had other fine werefilms such as 'Wolfen', 'An American Werewolf in London', 'The Company of Wolves', 'Wolf', 'Ginger Snaps' and 'Dog Soldiers'.

The scope of editor Matt Hults' selection is commendable.

There is a clawful of novelettes in here as well.

Australia is represented by a Lee Battersby novelette that takes place in early settlement days.

These were-tracks range from a slaver ship in 1673 and colonial Australia, through the American Old West, to a future virtual world of avatars, to a werewolf under a porch.

Feral werecats and leopards, gifted bouda, a wereslug, corporate werecreatures, werespiders, bear, amphibians and marine creatures, a werewolf superhero, and, ah, more fond characters from my childhood play; wererats.

The stories that make this assemblage worthy?

I've created my own werehyenas for a story, so I was naturally attracted to Richard Farnsworth's 'Gift of the Bouda'. This one has a Special Forces setting during the Somalia difficulties. Over thirteen and a quarter pages this story is laid down in an action packed style reminiscent of the writings of David Drake. Tightly written with a nice closing paragraph.

'Yard Sale' by Norma Lehr is not the usual take on the theme. Though it features a classic prop of werewolf transformation legend. Nicely understated. Its seven pages is the perfect length for the tale told across it.

I've played with werewolves in westerns as well, long ago. (Like werehyenas it's another natural development, at least to the minds of dark fantasy writers.) William D. Carl has done this in his novelette 'Desert Heart'. The setting here makes this interesting reading. The other American West piece herein is Trent Hergenrader's 'Of Silver Bullets and Golden Teeth'.

Fledgling authors could do far worse than reading as much of Gary A. Braunbeck as they can, for an education in writing fine speculative fiction. His featured novelette 'Some Touch of Pity' is one of his Cedar Hill stories. It is about origins. Grounded in the lore and mythology of the Original People, this one is three stories encompassed in one framework. The Native American field is rich turf for works of dark fantasy, as writers from Henry Wadsworth Longfellow, Robert E. Howard and Algernon Blackwood to Owl Goingback have proven.

'The Night John Fell' by Rick Moore is nicely surreal.

This volume also holds 'The Lure of The Wolf' by Belea T. Keeney. This story is a single, subtle bloom in moonlight. A restrained and pleasing piece.

The last work is by the editor himself; a rollicking bit of seafaring blood, thunder and the supernatural. It reads like an uncensored, unequal mix of Hodgson, Belknap Long and R.E. Howard. This one is almost worth the price of admission on its own. This story and the anthology entire reflect Matt Hults' love of the were tribe.

Though a number of the stories resort to formula in regards to the tempting 'battle of the monsters' approach, all in all this is an interesting bag of shifting shapes. Try and drop it in the river at your own risk.





(This publication was read for review in PDF.)

http://gravesidetales.com/

Tuesday, September 09, 2008

News: Ralan's Webstravaganza Fundraiser

Ralan's Webstravaganza, the Bram Stoker Award winning market guide, is fundraising this September.

From Ralan - "Any amount is appreciated. Give what you think Ralan.com is worth to you."

A paypal feature is available on the site, to facilitate support.

Source: Ralan

Monday, September 08, 2008

News: Black Box on sale

Black BoxBlack Box, the sequel to the critically-acclaimed Shadow Box e-anthology, is at last available to the general public. On sale as a two-disk set for only $12.95, the 'Box contains:

  • Nearly 100 short and nasty stories from many of the best dark fiction writers in Australia and from around the world - Stephen Dedman, Kaaron Warren, Richard Harland, Robert Hood, Rick Kennett, Paul Haines, Will Elliott, Martin Livings, Trent Jamieson, Dirk Flinthart, Lee Battersby, Lyn Battersby, Mikal Trimm, Kurt Newton, Nathan Burrage, Jay Caselberg, Kirstyn McDermott, Gary Kemble, Peter M. Ball, Alan Frackleton ... and many more! Each story is lavishly presented.

  • A dozen of the hottest dark alternative Aussie musos - Dandelion Wine, Pathogen, Temujin, The Eternal, Empyrean, 4th Wall, Frankenbok, Opera Macabre, Virgin Black, Wendy Rule, and Talie Helene.

  • Galleries from some excellent dark fantasy artists - Andrew J. McKiernan, Brian Smith, Adam Duncan, John Banitsiotis, Peter Schwartz, and Emily Steigerwald.

  • A short graphic novel by Bryn Sparks.

Order your Black Box now from Brimstone Press and enjoy what's inside the box!


Source: Brimstone Press

News: Transcript of the Australian Publisher Chatroom Discussion

On Tuesday the 29th of July the Australian Horror Writers' Association hosted a special Australian publisher showcase in the AHWA chatroom.

Special Guests were:

  • James Cain, editor of Dark Animus
  • Angela Challis, editor-in-chief of Black: Australian Dark Culture, a number of anthologies, and director of Brimstone Press
  • Shane Jiraiya Cummings, managing editor of Black: Australian Dark Culture and HorrorScope, and a number of anthologies.
  • Stephen Dedman, fiction editor of Borderlands
  • Stuart Mayne, editor of Aurealis - Australian Fantasy & Science Fiction
  • Kirstyn McDermott, editor of Midnight Echo - the Magazine of the Australian Horror Writers Association, Issue 1
  • Ian Mond, editor of Midnight Echo - the Magazine of the Australian Horror Writers Association, Issue 1

Transcripts of this online event are now available to peruse at the AHWA website:

Participation in the AHWA Chatroom is available exclusively to AHWA Members and invited guests. To find out more about joining the Australian Horror Writers' Association visit www.australianhorror.com.

The Australian Horror Writers Association would like to thank Adam Wieland, AHWA Chatroom Administrator, for facilitating this special online event.

Source: Talie Helene, AHWA News Editor


News: Andromeda Spaceways Inflight Magazine #36

Andromeda Spaceways Inflight Magazine #36 - you can't afford to miss this issue! Dip your toes into new fiction from Golden Aurealis winner Cat Sparks, and internationally acclaimed authors such as Rachel Swirsky and Lisa Mantchev. Then dive on in, because the rest is just as fine!

Fiction

  • Piper Cat Sparks
  • Purrgatory Cathy Bryant
  • A Drowning Aimee Smith
  • The Robber King and the Blood Orange Tree Maggie Della Rocca
  • The Amazing Story of Dominic Lazar Rachel Swirsky
  • Halfway to Dead Lisa Mantchev
  • The Nalendar Ann Leckie
  • Too Hot Janeen Samuel
  • Apart Grant Stone
  • Homemade Autumn Shane Nelson

Poetry
  • Working for a Greener Narrative Lee Battersby
  • The Problem Was Michael Merriam

Special Features
  • An Interview with Greg Egan Simon Petrie
  • Book Reviews Simon Petrie, I.E. Lester, Dirk Flinthart


As always, available in print and PDF from the website.

Edited by Lucy Zinkiewicz and Tehani Wessely, with artwork by Eleanor Clarke, Anna Repp, Aimee Chow and Catherine Deziel.

Source: ASIM

Sunday, September 07, 2008

News: Morrigan Books add their voice to fundraiser

Morrigan Books have joined the fundraising effort to assist author Paul Haines; for every copy sold of the Australian edition of Voices, $2.00 will be donated to the fund.

Every room has a story to tell - the question is: can you bear to listen; can you bring yourself to hear the voices?

In every room, there is a story.

In this hotel, the stories run to the wicked and macabre.

Well crafted psychological and supernatural horror offerings await you, each written by a master storyteller. Whether you are looking to be shocked, disturbed or out-right frightened, Voices will have something to titillate your nerves and make your hair stand up on end. Leave the lights on and brew a strong cup of tea, the voices in the room plan on keeping you up all night.

To purchase your copy of Voices, visit the easy to use online order form at Morrigan Books.

Source: Mark S. Deniz - publisher, Morrigan Books

News: Kryptographik Direktor's Kut Episode 4

Kryptographik is a trans-continental podcast featuring Brian (in the U.S.) and Damian (in Australia), providing news, reviews, commentary and interviews covering horror, dark fantasy and science-fiction.

In the 4th Direktor's Kut, Brian and Damian sit down with Kat and Josh from the comic, Titanium Rain, which is being published by Archaia Studio Press.

This is the first in the series of interviews and comic commentary - so if you have your copy of Titanium Rain #1, go and get it and be ready to go through the book page by page with all of us!

109 minutes of Kryptography in only 49.8 MB

Listen to streaming audio online, by Direct Download (iPod not required), or visit the homepage for show notes, links and iTunes/Zune/Podcatcher feeds.


Source: Damian, Co-host of Kryptographik

News: Remix My Lit - Extended Deadline - Extended Mix!

RML have cut up the August 31 deadline and remixed a brand new one for you: 19 October 2008!

Get inspired by the remixable short stories, show your vision through revision, and submit your own version to anthology@creativecommons.org.au for your chance to be published in an anthology alongside these awesome established Australian authors -


So jump up and down, get remixing, tell your friends, check out the existing remixes, including cut ups from the Melbourne Writers Festival masterclass and flash fictions via sms in Fed Square.

Source: RML

News: The Zombie State

Melbourne Workers' Theatre, in association with with Melbourne University Student Union House Theatre, present The Zombie State!

Your taxi-driver is distracted, your surgeon keeps getting your name wrong, the girl selling you shoes is maniacal…

The Living Wage?

More like the working dead in a world-class city.

The nightmare begins with a deranged Southbank seagull and converges in a secret government project in the bowels of the city… As Melbourne finds itself in the grip of the vengeful dead, who will stand and fight?

The Zombie State
by Ben Ellis

Directed by Daniel Schlusser
Design by Kate Davis
Lighting by Niklas Pajanti and Danny Pettingill
Sound by Darrin Verhagen
Video Design by Matthew Gingold

17–27 September 8pm
Union Theatre, Ground Floor, Union House, The University of Melbourne

Tickets: Full $25/Concession $15/Union Members $12
Preview 16 September: All tickets $10
union.unimelb.edu.au/tickets

You can also buy tickets in person from the Union House info desk, ground floor, Union House.

For more information, please contact Melbourne Workers' Theatre or Union House Theatre directly, or visit The Zombie State on Facebook.

Source: MWT

News: Halloween Ghast Fest 2008

The Australian Horror Writers' Association, in association with The Writing Show, is proud to present the schedule for this year's Halloween Ghast Fest 2008 broadcasts.

October 27th Marty Young

October 28th Alison Pearce

October 29th Chuck McKenzie

October 30th David Conyers

October 31st Rick Kennett (with story read by Alan Chaney)

Master of ceremonies: Stephen Studach

ABOUT THE HALLOWEEN SPECIAL

The Halloween Special was the brainchild of Paula B., host and founder of the The Writing Show. Catch Members of the AHWA reading their own horror stories, one author a day up until Halloween, with the podcasts made freely available from The Writing Show's website from October 27. Some of the stories also feature sound effects like the radio shows of old, guaranteed to give you chills...

Source: Marty Young, President AHWA

News: Call for Papers for Swancon Academic Stream

Doctor Stephen Dedman, the Academic Programme Co-ordinator for Swancon, has issued the following call for papers:


The Academic Stream at Swancon 2008 was an outstanding success, and as Academic Programme Co-ordinator for Swancon 2009, I would love next year’s to be as good or even better.

With this in mind, I am calling for papers on any subjects of interest to sf and fantasy writers, students, and fans. Possible topics include, but are not limited to:

  • Studies of sf /fantasy in any media
  • Future trends (technological, social/political, linguistic, environmental, etc.)
  • Comparisons of fantasy and history
  • Alternative or parallel history
  • Astronomy, exobiology and space sciences
  • Forensic sciences
  • Psychology or sociology of fandom
  • Fan fiction, slash, filk, zines, vids, cosplay, and other forms of fan creativity

If you are interesting in submitting a paper, proposals should include a 500-word abstract, current/working contact information (snailmail AND email addresses), and details of any audio-visual equipment your presentation requires.

Many thanks,
Stephen Dedman PhD
Academic Programme Co-ordinator

Email Attention of Stephen Dedman at swancon@swancon.com

Swancon 2009 will be held on April 9-13, 2009, at the All Seasons Perth, Northbridge.

Guests of Honour are Richard Morgan, Trudi Canavan, Theresa Anns, Rob Masters & Alicia Smith.

Source: Stephen Dedman

News: 2008 Macabre Mansion Special Halloween Broadcast

This year The 2008 Macabre Mansion Special Halloween Broadcast will be
featuring two Dark Shadows programs; Dark Shadows - Return to Collinwood and Dark Shadows - The House of Despair.

Beginning Saturday October 25th, and continuing through Halloween, listen to Macabre Mansion for these two Dark Shadows audio productions, as well as a special broadcast introduction by Mr. David Selby.

In addition to Dark Shadows, this year Macabre Mansion are pleased to be including two Alien Voices productions; Alien Voices - The Invisible Man and Alien
Voices - The Time Machine.

Alien Voices is the audio theater production company founded by Mr. Leonard Nimoy and Mr. John de Lancie and their audio productions feature the voice talent of fellow Star Trek actors. Macabre Mansion are pleased and thankful having been given special permission from Mr. Leonard Nimoy and Mr. John de Lancie to broadcast these two excellent Alien Voices
productions. Listen during the Halloween Special for a special broadcast introduction recorded for us by Mr. John de Lancie.



For more information visit Macabre Mansion on the web.

Source: Uncle Mortimer

News: New Releases from Tasmaniac Publications

Tasmaniac Publications are thrilled to announce two new titles in their range of horror novellas!

STONE COLD CALLING by Simon Clark

Introduced by Kealan Patrick Burke
Illustrated by Vince Natale
Limited to 300 soft covers ($22.95)
& 26 lettered hard covers ($150.00)
Lettered edition sold out!
Release date September 15th (available to pre-order).
140 pages.


It beats but has no heart Calls without voice Desires, yet is void of emotion It waits to destroy anyone unlucky enough to grant it freedom... Stone Cold Calling - it may well be the end of us all...

"Simon Clark is a god among men. With Stone Cold Calling, Clark again proves that when it comes to generating tension, he is without peer. An ill-fated expedition doomed by the wrath of nature and powerful evil; this is Stephen King written in James Rollins' blood. But the wicked ending? That's all Clark."
Michael McBride, author - THE INFECTED and the GOD'S END TRILOGY

"Hang onto this book with both hands, folks. STONE COLD CALLING takes you on a wildly imaginative ride from page one, masterfully twisting and turning and still never going the direction you think it might. Part Indian legend, part treasure hunt, part ancient mystery, but 100% Simon Clark at his horrific best. Wow! I stone cold loved it!"
Gord Rollo, author - THE JIGSAW MAN and LOST IN TRANSLATION

“The web of fear, tension and paranoia Simon Clark spins in STONE COLD CALLING is so palpable it’s unnerving. And like all good webs, by the time you realize you’ve been caught in it, you’re already doomed. A page-turner from the start, this tightly written and highly entertaining tale is a testament to Clark’s skills as a master storyteller, and a must-have for
anyone who enjoys exciting and expertly crafted horror fiction. STONE COLD CALLING is one call you really need to answer.”
Greg F. Gifune, author - THE BLEEDING SEASON, DEEP NIGHT, DOMINION and BLOOD IN ELECTRIC BLUE.

Also from Tasmaniac Publications -


THE NOBODY by Tom Piccirilli

Introduced by Norman Partridge
Illustrated by Alex McVey
Limited to 300 soft covers ($22.95) & 26 Lettered hard covers ($150.00) -
lettered edition sold out.
Release date 5th of December (available for pre-order).
Soft cover will be released with 2 alternate covers (150 of each). 140 pages.


Cryer once had another name, but he can't remember it.

The man he used to be was stabbed in the head by an assailant. After months of catatonia, Cryer awakens in a mental facility to find that his former life is almost completely forgotten. He knows his wife and daughter have been murdered - he saw them die moments before his own assault - but his shattered mind is incapable of retaining their names. Or even his own.

Now Cryer is free again and trying to track down an elusive killer through his own unknown past. But how do you investigate the murders of your loved ones when you can't remember them? When you have no idea who your friends or enemies were? Where you lived and worked? And what secrets you might have once had and failed to keep?

And how is he supposed to deal with the little man who keeps crawling in and out of his skull?

Cryer is a nobody now, but that won't stop him from finding a vicious murderer and making him pay.

"THE NOBODY is a dangerous exploration into the mind and soul of man. Piccirilli’s beautiful prose allows us to take a peek into the abyss of our consciousness and shine a light into those places that warmth has long ago forgot. You cannot read this book and not be changed."
Larry Roberts - Bloodletting Press

"Clichés: can't live with 'em but, as I discovered when I read this remarkable novella, you can't live without 'em. Part vigilante procedural part hard-boiled PI yarn and part examination-of-post-loss-survival weepie, THE NOBODY is Tom Piccirilli at his uncompromising best. The dialogue is so crisp it's like Leonard on speed, and the second and third pages are the literary equivalent of being hit in the face with a shovel. A roller-coaster ride? You bet. A page-turner, even? Yep, no question. A palpable atmosphere, larger-than-life characterisation and impeccable plotting? They're all there. Like I said - clichés: can't live with 'em, can't live without 'em."
Peter Crowther - PS Publishing

"A revenge tale almost Mythic in its simplicity. Shocking, tragic, beautifully written, insightful and nuanced, mournful and uplifting - everything we've come to expect from Tom Piccirilli, done to perfection. From its brutal opening scene to its heartfelt final pages, The Nobody is Pic at his finest."

RJ Sevin - Creeping Hemlock Press


Novellas can be ordered directly from Tasmaniac Publications by e-mailing bugme@tasmaniacpublications.com

Postage within Australia is free. Please query for overseas postage. Because of the limited nature of these releases, purchases will be done on a first come, first served basis.

Copies are also available from Ellison & Hawker, a bookstore in Hobart, Tasmania. Tasmaniac titles will also be available at Conflux at the AHWA table!

Source: Steve Clarke, Publisher - Tasmaniac Publications

News: Eric Henshall Exhibition

Eric Henshall, creator of the Fenwick comic, is staging an exhibition titled 'In between days' – An Exhibition of New Paintings by Eric Henshall.

Opening Night
Tuesday September 16th from 6 - 8pm

September 16th to 21st – One Week Only

Dantes Upstairs Gallery
150 – 156 Gertrude St
Fitzroy, Victoria, Australia
(tel: +613 94172468)

Visit www.erichenshall.com for more information.

Source: David Carroll

News: Infinitas Newsletter September 2008

The Infinitas Newsletter - published by Infinitas Bookshop - is now available for September 2008 at www.infinitas.com.au. This months edition features a short story by David Such, some readers' book reviews, genre news, and lots of new release books. Scan through for your favourite authors and series and be tempted.

Readers are invited to join in online discussions at: www.infinitas.com.au/forums

Source: Tim, Infinitas Bookshop

Friday, September 05, 2008

Interview: Hannah Tinti - Stealing Readers' Hearts

Marty Young catches up with Hannah Tinti, author of The Good Thief (Headline Review 2008), a noir fairytale with a Dickens meets Dahl meets Lemony Snicket style.


When the world gives you nothing, you take what you can.

Young Ren is missing his parents and a hand, and doesn’t know what happened to any of them. He is beginning to fear that he will never be claimed from his cold New England orphanage; that his dream of a family – of a life – will come to nothing.

But one day a glamorous stranger arrives at the orphanage. To Ren’s astonishment, the handsome, charming Benjamin Nab says he is his brother. He says he has come to bring him home. And even when his stories grow more and more extraordinary, when he puts Ren’s life in danger again and again, and leads him into theft and grave-robbing, Ren will not abandon hope. He believes that one day all the hunger, danger and unwanted excitement will be worth it. That he will find a family, at last. But trusting Benjamin is another story…
- from Hachette Livre


Marty Young: Hi Hannah - Firstly, thanks for agreeing to chat with me. I thoroughly enjoyed The Good Thief – it was a delight to read. The story could have been very dark and grim though—grave robbing, murder, torture—but it wasn’t. Was there a reason for keeping the style light?

Hannah Tinti: I think it’s a writers’ job to choose the right details, rather than go overboard and throw everything and the kitchen sink on top. One good description will go a lot farther than a page worth of expletives. That said, I did purposely try and go easy on some of the more gruesome details. This stance is one I’ve come to over the years, after doing a lot of editing of other people’s work. I wanted to keep the shock value down, so that it wouldn’t stop anyone from reading. I also wanted to give Ren a happy ending, after all the hell I put him through.

Marty: You’ve created a swath of troubled, unruly characters here, from murderers to thieves and drunks, yet at the same time most of them have an underlying goodness or morality about them, even if perhaps a bit skewed. Are we going to see them again in a sequel?

Hannah: I’ve got some ideas of a second novel that would take place within the same world, but I haven’t written enough yet to say that’s definitely what I’ll be doing next. Once I get to 100 pages or so, I’ll let the cat out of the bag.

Marty: There was some personal inspiration behind the character of Ren, the one-handed orphan, right?

Hannah: Many people have asked why Ren is missing his left hand. Part of the inspiration for this is from a childhood accident that I had, when I was about five years old. My kindergarten was in the basement of an old church. At recess, we would play in the graveyard (this may seem rather gothic, but in New England, this is normal). One day I tripped and fell on an old grave. The headstone was broken, and a piece of slate went through my left wrist. I basically slashed my wrist open on a grave (I know, even more gothic). I was rushed to the hospital and they fixed me up. I have a scar there now, and full use of my hand—only a bit of nerve damage. But the accident definitely wound its way into my subconscious, and found its way out again, through this character.

Marty: Pilot and the Hat Boys are quietly ominous characters. You don’t really tell us a great deal about them, but rather leave them as pure henchmen. Was this your plan all along or did it evolve from the story’s style?

Hannah: I’d seen pictures of old gangs from the five points section of New York City in the 1800s, and they would wear the same hats, the same way gangs these days wear colors. I twisted the idea to follow the theme of resurrection, which is woven throughout the book. So in The Good Thief the hats are all different, but every time the man who wears one is killed, the same hat is passed down to another man. I had this image of the hats basically growing new people beneath them, like pod-people. That’s why I have the Top Hat change his face, but not the hat. I think it makes the men more terrifying.

Marty: How much did growing up in Salem inspire the content of The Good Thief?

Hannah: Growing up in Salem influenced the novel a great deal. It’s a very historical city, with the witch trials, and Nathaniel Hawthorne. It’s also a harbor town, and did a lot of shipping and trading. The area I grew up in has many old houses from the 1700s and 1800s. On them are plaques, saying when the homes were built and for whom. Whenever we dug up our small garden, we would constantly find things in the earth—broken china plates, clay pipes, and old coins. All of this made it easier for me to imagine the time period, and the people who lived in it.

Marty: What can we expect from Hannah Tinti next?

Hannah
: I’m exploring the possibility of writing a sequel to The Good Thief, that would shift the focus onto different characters.

Marty: Finally, who did you grow up reading? And who do you enjoy reading now?

HT: I grew up reading Dickens, James Fenimore Cooper, Robert Louis Stevenson, and also Tolkien, C.S. Lewis, and the Brontës. Adventure stories. I think that’s why I ended up writing one myself. Nowadays there are so many different writers that I enjoy. I’m always discovering new ones. My tastes are wide and eclectic. A great book I recently read was Northline by Willy Vlautin. It’s completely spare and beautiful.

About the author
Hannah Tinti grew up in Salem, Massachusetts and is the author of Animal Crackers. Her work has appeared in publications including Story, Epoch, Alaska Quarterly Review and Best American Mystery Stories 2003. She earned her M.A. from New York University's Graduate Creative Writing Program and has been awarded residency fellowships from, among others, the New York State Writers Institute. She is currently the editor of One Story magazine.


Marty Young wishes to thank to Louisa Dear at Hachette Livre Australia for making this interview possible.

Thursday, September 04, 2008

News: Screen Sect September Program

This September SCREEN SECT present a variety of cult and classic cinema, including a film adaptation of Daphne Du Maurier's Don't Look Now.

THE VANISHING (George Sluizer, 1988)
Monday, September 8, 2008

A dark, disturbing, brilliantly structured tale of abduction, obsession and the banality of evil. Sluizer also directed the disappointing US remake – this, the original, is infinitely superior and will etch itself indelibly into your memory.

BABY DOLL (Elia Kazan, 1956)
Monday, September 15, 2008
Adapted from a Tennessee Williams play, Kazan’s controversial, blackly comic and grimy pot-boiler tells the story of a cotton mill owner and his child-like bride, who becomes a pawn in the battle between him and a competitor. Stars Carroll Baker, Karl Malden and - in his film debut - Eli Wallach.

THE STRAIGHT STORY (David Lynch, 1999)
Monday, September 22, 2008
An uncharacteristically linear gem from the (typically) oblique and dark Lynch. Here he shifts into a sweeter register and steps unashamedly into the light, to tell the true story of septugenarian Alvin Straight (a very moving performance from ex-stuntman Richard Farnsworth) as he makes a lawnmower-mounted odyssey to reconcile with his estranged brother.

DON'T LOOK NOW (Nicolas Roeg, 1973)
Monday, September 29, 2008
Arguably the creepiest film ever made. Roeg’s take on Daphne Du Maurier’s vaguely supernatural short story uses his fragmentary, symbolic imagery and editing to superb effect, as he charts the passage of a grieving couple (Donald Sutherland and Julie Christie) through the eerie maze of Venice, toward a horrifying fate.

SCREEN SECT is a film-night in Melbourne - devoted to rarely seen, obsessively loved and criminally neglected cult classics of cinema. Revisit old favourites, uncover hidden celluloid gems, indulge guilty pleasures, or just get yourself an education.

SCREEN SECT
Monday Nights, 7:30pm - 10:30pm
Bar Open (Upstairs)
317 Brunswick Street
Fitzroy, Australia

Source: Adam Kyle Spellicy

News: The Tenth Stage Grand Guignol

Life is a cabaret... a dark cabaret.

For your strict enjoyment Melbourne Fringe Festival present The Tenth Stage performing a selected assortment of their dark tales of murder, mystery, lust and betrayal. With a stage show including some unique visual performances and brand new instrumentation this show will thrill you! Also appearing are Opera Macabre, who will send chills down your spine with their songs of doom presented by vocalist The Baroness.


Wednesday, October 1, 2008

7:00pm - 11:55pm

Toff In Town

Level 2 / 252 Swanston Street

Melbourne, Victoria, Australia


Tickets available at the door, or from the Melbourne Fringe Festival Box Office on 03 9660 9666 or at www.melbournefringe.com.au

Source: The Tenth Stage

News: Philipe Mora Double Feature

Chauvel Cinema present a Philipe Mora double feature this Sunday!

Sun 4.00pm
COMMUNION (1989) (M) / 35mm
Christopher Walken stars in this dramatization of Whitley Strieber’s ‘non-fiction’ account of his encounters with extraterrestrials.

plus 6.00pm
HOWLING III (1987) (M) / 35mm
A professor (Barry Otto) goes searching for a rare breed of werewolf, and falls in love with one of the females in this satirical comedy.

Tickets just $11.00
Now on sale at the Chauvel or online.


Sunday, September 7, 2008

4:00pm - 8:00pm

Chauvel Cinema

Cnr Oxford St + Oatley Rd

Paddington, NSW, Australia

Source: Chauvel Cinema

News: Babble Slam Presents Zombie Slam!

The first Wednesday of every month is Babble Slam at Bar Open, where poets duke it out for a grand prize of TEN DOLLARS!!!


The competition gives each participant three minutes on stage, which is enforced by a ninja, and then they are given a score by five judges from the audience that have NOTHING to do with poetry. Scores are between ten and negative infinity. The highest and lowest scores are dropped, and they proceed through to the final round where it all happens again.

Why do poets do it? The money, clearly. I mean, it's TEN DOLLARS!!! Other reasons include the glory, and the love of the game. Some of them think they can take on a ninja, but they are wrong.

Come! Be part of an audience that rules the show, and feel free to tell anyone on stage that they suck if you so desire. You, the audience, are the lions, and the poets are but lambs to the slaughter.

The October theme is Zombie Slam. Enjoy your meal!


Wednesday, October 1, 2008

7:30pm - 11:30pm

Bar Open

317 Brunswick St

Fitzroy, Victoria, Australia

Source: Babble Slam

Review: All the Colours of Darkness

· Publisher: Hodder Hb (August 7, 2008)
· ISBN-10: 1845799941
· ISBN-13: 978-1845799946

A couple of disclaimers: I’ve never read any of the previous 18 Chief Inspector Banks novels and I’m not a big fan of crime novels although I have read the genre occasionally and found it to be enjoyable.

This is not the case here. Drowned in detail would be the most obvious point to make. The author obviously has a large CD collection and considers music an important part of what makes up a character, mood, setting, and anything else to which he can link it. I found this all very disappointing as Robinson is an author of mutli-award winning novels and short stories. Could this book be a hiccup or am I simply not seeing what the major crime literary organisations see?

A lovers spat that gets out of hand and results in a murder-suicide, attempts to get all mysterious as it’s wrapped up in the shadows of international espionage, terrorism, and the British Secret Intelligence Services. The plot is slow and convoluted with very little encouragement to the reader to turn the page.

The need to describe every scene in minute detail becomes boring and most indoor settings are tied into a musical offering as if that will help the reader better connect with the lame plot. The story meanders through the efforts of Inspector Banks and DI Annie Cabbot as they attempt to prove far-fetched leaps of imagination while they continue with their very average mundane lives. Lots of red herrings are left around the place and obvious questions are left unasked. The author also seems to have a bad habit of showing us a detailed scene and then confirming we understood it by telling us the same thing all over again at the end.

Occasional references back to things that happened in earlier books, makes this less of a stand-alone tale as the reader is left with unanswered questions about character and motivation. The author also makes his feelings plain on things ranging from past and present governments to drink driving. Worse still are the typos littered through the book; missing words here and there further detract from the work. The cover work by Michal Affanasowicz/Trevillion Images is exceptional though.

But the plot never really gets anywhere, winding up with no real solution that the characters spend the entire book searching for; a case of the little man being left in the dark by the powers that be. Not particularly satisfying.

I read a story to suspend my belief and be entertained – this offering did neither.

In the end, this is not a work of horror or dark fiction; not even disturbing in its content. International terror and the way government intelligence services work is very disturbing, but that isn’t conveyed here, or rather it’s drowned in the way it’s presented. The images are over explained, over shown, and the descriptions of locations are done in such a travel brochure manner I’m sure I could walk the same path as the character and pick out all the same landmarks – but I’m guessing I’d have more emotion tied to them.

Tuesday, September 02, 2008

News: Murky Depths Issue #5 is now available!

Murky Depths is a quarterly anthology with a difference. It features top quality speculative fiction with sprinklings of horror and fantasy that push the boundaries of science fiction. Each story is complimented with its own unique artwork. Alongside the straight prose stories are cutting edge graphic stories. Articles across the genres and mixed disciplines add authority, humour and maybe a little controversy. Can you afford to pass on this?

Issue #5 features 15 stories by the likes of Ed Norton, Bill Ward, James Johnson, and Christopher Hawkins, with cover art by Luke Cooper. Check it out now at www.murkydepths.com

Source: Marty Young, President AHWA

Dymocks Southland Bestselling Horror Titles for August ‘08

Dymocks Southland is a general bookshop in Cheltenham, Victoria, boasting a fairly extensive range of genre stock. Below are listed the top 10 bestselling horror titles for August 2008.

Breaking Dawn (Twilight #4) – Stephanie Meyer
Black: Australian Dark Culture – ed. Angela Challis
At the Mountains of Madness – H. P. Lovecraft
Every Which Way But Dead – Kim Harrison
Dr. Jekyll & Mr. Hyde – Robert Louis Stephenson
Twilight Watch – Sergei Lukyanenko
Vampyres and Other Perilous Creatures (Art Book)
For a Few Demons More – Kim Harrison
Immaterial: Ghost Stories – Robert Hood
Day Watch – Sergei Lukyanenko

Dymocks Southland also publishes a monthly SF, fantasy and horror newsletter – Dymensions - which can be subscribed to here.

Movie Review: The Mist (DVD)

Directed by Frank Darabont, from the novella by Stephen King, Dimension Films, 2008


After a massive overnight storm wrecks havoc upon a small New England town, many of the homeowners – including our out-of-towner protagonist, his young son, and unpleasant neighbour – head to the local supermarket to stock up on supplies. As they shop, a dense mist rolls in, blotting out the world beyond the windows, completely muffling any sounds from outside. Shortly thereafter, the nervous shoppers discover that there are things in the mist – otherworldly, half-glimpsed things with a taste for human flesh.

And so, faced with an apparent apocalypse, the survivors begin to turn upon each-other...

Let’s cut to the chase: The Mist is one of the best and most horrifying movies I have ever seen. It’s somewhat mystifying that Stephen King’s original tale has never before been adapted for the screen, given the highly visual quality of the base material, not to mention the use of themes that have cropped up time and time again in classics such as John Carpenter’s The Thing, Invasion of the Body Snatchers and Dawn of the Dead: Isolation, the shocking insertion of The Other into Everyday Normality, and The Monsters Within.

Having said that, Darabont’s realisation of the tale is so utterly gripping that the long wait seems a small price to pay. The movie turns dark within ten minutes of starting, and doesn’t let up for a second from there on. The growing fear and desperation of those trapped within the supermarket is depicted with horrific reality by an excellent cast backed up by a gripping script and outstanding (and sparingly used) special effects. Darabont (who earns extra credit for writing the screenplay) pushes all the right emotional buttons; in particular, his depiction of horribly frightened human beings, rather than the inherently vicious people of King’s original tale, leaves the viewer rooting for everyone - likeable or otherwise - to survive. The viewer is forced to invest in these characters, and that’s a shaky investment to make in a celluloid world where literally nothing is certain.

And that brings us to the movie’s conclusion.
There’s been much touting of the hush-hush ‘shock’ ending to The Mist, which deviates from King’s original (where our protagonists drive off into the mist, to an uncertain fate), and which King himself is on record as saying is ‘better’ than his own. I must admit the original always struck a chord with me, the ‘hanging’ conclusion having an unpleasant realism to it; that said, the Darabont conclusion – which presents a more defined end to the tale, and – yes - is truly shocking – is also a brilliant piece of uncompromising horror. I found myself quite upset by the final scene for days afterwards, and I feel it only fair to give the following advice to anyone who has not yet seen the film:

If you are either a parent with a nervous disposition, or a person who finds it hard to stomach Bad Things Happening to Kids, I’d seriously advise you to switch off The Mist about three minutes from the end, and be content with the original driving-off-into-the-unknown ending.

But of course, you won’t.

Book Review: The Steel Remains

Richard Morgan, 2008, Orion Books


When Ringl Eskiath, hero to anyone who doesn’t know him (and sexual degenerate to anyone who does), agrees to his mother’s request to track down a missing family member, he has no idea just how deep into trouble he’s just dumped himself. Very soon, though, he and two other veterans of the War against the Scaled Folk find themselves up against religious zealots, conniving politicians, and inhuman gods (or are they?) with unspeakable agendas of their own, agendas that may well see the entire human race driven to extinction.

Richard Morgan, who has been deservedly celebrated for his dystopian science fiction, here creates a fantasy tableau at once familiar and disturbingly different. Most of the standard fantasy trappings are here: the great warrior, wielding his sword against monsters and evildoers as he undertakes a quest across the darker regions of the world. But through this backdrop shine (if that’s the right word for such dark offerings) the aspects that raise this novel above the same-old: the religious attitudes to sexuality, which see homosexuals publicly impaled; the political machinations that see former heroes forcibly evicted from their homes, and slavery made legal.

In short, Morgan’s fantasy setting is, at times, uncomfortably similar to the real world, and therein lies its strength. There is no good nor evil, merely varying shades of grey. Shit happens, and often to those who least deserve it. There is little moral posturing, either by the author or his characters. The world, for all its faults, is just the way it is - usually depending upon whether or not it’s your head on the block personally. There’s also a fascinating vagueness about the ‘laws’ of this particular fantasy setting: the rules by which Morgan’s world operates are taken as read by the characters who inhabit it, and that’s all the reader needs to know. There are zombies, dragons and ghouls, there are spells and sorceries, there are pre-human races, and most are depicted in terms that feed the background rather than the plot; those integral to the plot, however, are usually described in such an un-fantasylike manner that the tale often reads more like SF, and this, too, seems to be deliberate on the part of the author, blurring the background still further so as to bring the plot into sharp focus.

I greatly enjoyed The Steel Remains, which – I should add -appears to be that rarest of things, a stand-alone fantasy novel. Time will tell, I suppose. Nonetheless, this is a book that will be enjoyed by readers of any speculative genre. The tone is science-fictional; the trappings are fantasy; the atmosphere, for the most part, is one of horror. I should caution that there is also a great deal of gore, profanity, and graphic sex (hetero, gay and even interspecies!); however, for the most part, these aspects don’t come across as gratuitous, so if you can overlook any discomfort these aspects may cause, you’ll be guaranteed an engaging and enjoyable read.

Book Review: Darkly Dreaming Dexter

Jeff Lindsay, 2004, Orion Books


Dexter Morgan appears to be the perfect gentleman. He’s witty, charming and handsome. He has a great girlfriend, whose kids adore him. He’s good at his job, working as a forensic officer for the Miami Police, and is popular with his colleagues.

Dexter also happens to be an accomplished serial killer, responsible for the murders of several dozen people. Despite being unable to function emotionally as a human being, his ability to ‘pretend’ – coupled with his knowledge of forensics – has ensured that he has never been caught. And perhaps he shouldn’t be caught, because, thanks to the ‘code’ laid down by his now-dead foster father Harry, Dexter is a serial killer with a difference: he only kills Bad People.

As a great fan of the Dexter TV series, I thought it was about time I checked out the original novels, and I certainly wasn’t disappointed. Narrated by the titular character, this first of (soon to be) four novels tells the tale currently unfolding on our TV screens, of the Miami PD’s hunt for (and Dexter’s infatuation with) a terrifying sociopath tagged ‘The Ice Truck Killer’, who has a fondness for cutting up prostitutes into neat, bloodless pieces which he then leaves wrapped in individual packages for the cops to find. The killer also habitually breaks into Dexter’s home to leave personal ‘offerings’, a fact that both alarms and excites Dexter, and raises the creepy possibility that Dexter’s ‘Dark Passenger’ (his serial-killing alter-ego) may be out ‘playing’ while Dexter is asleep. And if that’s the case, can Dexter take control again before his alter-ego targets someone Dexter actually sort of cares about..?

The tone of the novel, like the show, is seldom gory, relying more upon atmosphere, quick cut-aways (no pun intended), and careful phrasing by the narrator to unsettle the reader. Lindsay is masterful at giving us insight into the characters of both ‘empty’ Dexter and the people who inhabit his world, despite the narrator being unable to relate to any of these characters on an emotional level. Tension runs high throughout the tale, much of this due to the notable traits of the various characters being somewhat more intense than is the case in their TV counterparts: Dexter, for example, is definitely more deranged (inwardly, at least) and gives the impression of constantly fighting to control his urges. This is not to suggest for a moment that this novel won’t grip you up if you’ve not seen the TV show - or vice-versa. In fact, my opinion of the show’s creators has risen a couple of notches after reading the novel, as they have clearly and skilfully chosen to tone down some aspects of the tale which – although working perfectly in prose – might have come across as cartoonish on screen. They have also done a wonderful job at fleshing out the original story for TV by stuffing it chock-full of ‘filling’ that doesn’t actually taste like filling.

In a nutshell, you can read the novel and keep watching the show without lessening the enjoyment of doing either. There are similarities and there are divergences, but both takes on the same story are extremely gripping, involving and worthy. I’ll definitely be diving into the second Dexter book ASAP – presumably just in time to see the second TV series hit our screens.

Film Review: Tokyo Gore Police

C'mon, admit it. You've been waiting your whole life for a movie that combines the visceral body horror of David Cronenberg, the slapstick violence of Raimi's Evil Dead 2 and the twisted social satire of Verhoeven's Robocop. Wait no longer. Tokyo Gore Police does exactly what it says on the label.

This berserk (and I mean that in the nicest possible way) movie features Eihi Shiina, whom many would have last seen torturing the hapless salaryman in Takashi Miike's Audition. She plays Ruka, a police officer in a near future Tokyo involved in hunting down 'engineers' - genetically modified mutants who, when injured, turn their wounds into weapons. She's driven by the memory of her late father who was shot and killed in front of her when she was a child. His head being ripped apart by the bullet is shown in loving detail right at the beginning of the film and the violence manages to escalate from there.

Yoshihiro Nishimura directs this insanity with the verve of a zombie in an abattoir (one of those crazy, fast 28 Days Later Zombies, not the shuffling Romero Zombies). He cut his teeth as a special effects supervisor and it shows. Bodily fluids of all kinds, though mainly blood, are washed across the screen at every opportunity; bodies are ripped, blown and shot apart. You could bemoan the lack of a credible storyline or the offensiveness of some of the images but that would be missing the point. There is just so much imagination underwriting the carnage and it's done in such a gleeful way that your critical facilities eventually surrender. Not convinced yet? The villain of the piece spends most of the movie with his brain exposed and shot gun barrels in lieu of eyes, while another character employs a huge gun which shoots human fists.
Now the bad news. I saw this film at the recent Brisbane International Film Festival so I'm not sure if we'll be seeing a general cinema release for this little gem. If your stomach is made of stern stuff, hunt it down. Then put your mind on hold and enjoy the ride.

Monday, September 01, 2008

REVIEW: KING OF THE HILL (SPAIN, 2007)


Director: Gonzalo López-Gallego
Stars: Leonardo Sbaraglia, María Valverde
Released by Madman Entertainment

SPAIN’S answer to films such as Deliverance, Backwoods, the Ordeal and Funny Games is a relentless, uncompromising look into the dark side of humanity.

When Quim decides to take a short cut through the back woods of rural Spain to visit his ex-girlfriend his car is fired upon by an unknown gunman. After narrowly escaping the gunman’s sights he is hunted like prey deeper into the woods by an unsympathetic killer.

Lopez-Gallego creates a film that is terrifying in its brutal simplicity that this could happen to you. Quim is a pawn in another’s cruel game. He has done nothing to bring this crime onto himself and nothing he can do will change the outcome. The horror comes not from his inability to act but the irrelevance his actions will have on his fate.

King of the Hill represents the emergence of a new breed of horror film in which the revenge driven killer is being replaced by a far more sinister ``bored’’ bad guy. Like the families in Funny Games, Quim is targeted at random for simply being in the wrong place at the wrong time and despite his best efforts to survive is at the mercy of a villain who is unbiased in his choice of victims.

Like its genre buddies, King of the Hill takes the horror viewer out of their comfort zone and into a whole new film experience. The rules have been changed. The bad guy doesn’t pay for his crimes and he isn’t an anti-hero for the audience to cheer on. Films such as King of the Hill are dirty. They take you to horror’s final taboo. Reality.

News: Art That Scares You - A Fundraising Success

The Art That Scares You fundraiser auction, held in support of author Paul Haines, has been a stunning success!

Paul and his family are currently dealing with Paul's on-going treatment. After being diagnosed with bowel cancer, having sections of his bowel removed and enduring six months worth of chemotherapy, Paul recently discovered he has spots on his liver. Paul has met this news by reloading his guns and is fighting it with two forms of chemotherapy, combined with a monoclonal antibody called Avastin. Unfortunately Avastin is not part of Medicare or the private health system's funding at this stage. The expense is costed at $20,000 - news of which galvanized members of the Australian speculative fiction community into fundraising action.

One of the auctions four co-director's, Tansy Rayner Robers, has announced the results. "Our official tally of bids is $4215. All in all, over 90 separate items sold, which is BEYOND AWESOME. Assuming all bids are paid, that puts the fundraiser for Paul Haines over the $20,000 goal we wanted to pay for his Avastin treatments. As said elsewhere, this means we can contribute a bit extra to Paul and his family to help them with their other expenses during this difficult time."

Tansy's partner in this endeavour, Alisa Krasnostein, has expressed the emotion of this fundraiser. "As organisers we have received so many really kind messages along the way from contributors and from the community at large. It's definitely been a reward in itself to be at this end and get caught in the periphery of the warm glow being shone in Paul's, and his family's, direction... donations and contributions have come from far and wide and it takes more than a few people to raise over $20 000, especially in basically just one month. I'm uplifted and inspired by the generosity, warmth and love and I'll never forget how quickly and kindly it was mobilised. The world is a good and amazing place full of wonders and beauty and love. We love you Paul and we hope for your speedy recovery. "

If you are paying for a winning item, please send your donation to the Paul Haines Paypal fund via a donate button and email artscaresyou@gmail.com

If you'd like to make a general donation via paypal, you may still do so at any time by clicking the button:






Source: Tansy Rayner Roberts and Alisa Krasnostein

News: Maroondah Writers' & Readers' Festival

Do you enjoy reading or writing crime stories or novels?

Come along to the 2008 Maroondah Writers' and Readers' Festival - where this year's theme is Crime.

October 3-5 2008

Check out the Program for full details of events including workshops, discussion groups and keynote speakers.

Featured writers include Shane Maloney, Jarad Henry, Dale Campisi, Robin Bowles, Adrian Hyland, Marshall Browne, Adrian Puckering, Robert Dessaix, Sophie Cunningham, John Silvester, Vikki Petraitis, Sue Turnbull, and Rochelle Jackson. The Eastern Regional Libraries Short Story Competition Winner will also be announced at a special ceremony.

Source: Eastern Regional Libraries

News: Ned Kelly Award 2008 Winners

This year's Ned Kelly Awards were presented by the Crime Writers' Association of Australia at Federation Square in Melbourne, on August 29th 2008.

2008 Ned Kelly Award Winners

Best First Fiction

  • The Low Road, Chris Womersley

Best First Fiction Short List

  • Golden Serpent, Mark Abernethy
  • A Fraction Of The Whole, Steve Toltz

Best Fiction
  • Shatter, Michael Rowbotham
Best Fiction Short List
  • Sucked In, Shane Maloney
  • Amongst The Dead, Robert Gott
  • el Dorado, Dorothy Porter

Best Non-Fiction
  • Red Centre, Dark Heart, Evan McHugh

Best Non-Fiction Short List

  • Underbelly The Gangland War, John Silvester and Andrew Rule
  • Killing Jodie, Janet Fife-Yeomans
  • Red Centre, Dark Heart, Evan McHugh

Lifetime Achievement Award
  • Marele Day

Source: Crime Writers' Association of Australia

News: Indigenous Literacy Day Special Event

The Victorian Writers' Centre is proud to be presenting a major literary event as part of Indigenous Literacy Day, to fundraise and raise awareness for the project in Melbourne.


Alexis Wright, John Marsden, Adrian Hyland, and Arnold Zable will be discussing the importance of literacy in their lives, and development as writers, as well as literacy issues within the Indigenous and broader communities.


Originally the brainchild of Queensland bookseller Suzy Wilson, the Indigenous Literacy Project has developed into a national campaign to raise funds and help address the literacy crisis in remote Indigenous communities. The project has grown enormously, with fabulous response from the broad literary community and the Patron support of Therese Rein.


Following the discussion, thanks to the very generous support of the publishing community, there will be an auction - a chance to do your Christmas shopping early, with a tax deductible donation. Special thanks go to the participants and to the State Library - all of whom are donating their time, venue and services.


Indigenous Literacy Day Forum

When: Wednesday 3 September, 6:30pm start

Where: Village Roadshow Theatrette, State Library of Victoria, entry via Lonsdale Street


Bookings: VWC - email: info@writers-centre.org or phone 9654 9068

Cost: By donation


Source: Victorian Writers' Centre