Saturday, July 19, 2008

News: Melbourne Writers Festival


The 2008 Melbourne Writers Festival Program has been released! The Melbourne Writers' Festival brings writers, ideas and readers together with over 300 of the best international and Australian authors from 22 August to 31 August 2008 at Federation Square, Melbourne.

The move to the heart of Melbourne at Federation Square heralds a new era with over 270 sessions planned at the BMW Edge, the Australian Centre of Moving Image and other venues. There will also be outdoor events; free events; live streaming; launches, children's activities; the festival club and more.

Audiences will have the opportunity to engage with the written word with writers from across the spectrum – the novelist, social and cultural commentators, sports writers, philosophers, poets, screenwriters, historians, journalists plus more.

The key note address at the Melbourne Town Hall opens the 10 idea-packed day festival. Big Ideas @ RMIT Capitol Theatre is a series of 10 debates which hooks into the zeitgeist, tackling the issues surrounding politics, international and domestic affairs, culture and technology.

The master classes at the City Museum are always popular as they draw on the rich resources and experience of the international authors attending the festival. For the emerging writer there is a program of seminars which covers the whole gamut from blogging to writing a nail-biting crime novel to starting your own publishing outfit.

'I'm thrilled that the festival will have a more visible presence in Melbourne and believe our move to Federation Square will bring a new audience. The festival has always attracted a very culturally aware audience - those looking for fresh perspectives and who have high expectations of a challenging debate. I’m looking forward to meeting many more of Melbourne’s sharpest minds when we open in Federation Square in August', says Rosemary Cameron, Director, Melbourne Writers' Festival.

The Atrium at Federation Square will be the festival hub, a place for people to sit, chat, eat, drink and relax between sessions. The festival bookshop and box-office will also be located in The Atrium.

Writers and readers come together to talk books and ideas at Australia's premier literary event the Melbourne Writers' Festival from 22 August – 31 August 2008 at Federation Square, Melbourne. Enquiries: 03 9645 9244. See www.mwf.com.au - the full program is available as of Saturday 19 July, 2008.

Source: Purple Media publicity

News: 2008 St Martins Playwriting Competition

The 2008 St Martins Playwriting Competition is here! For almost 30 years, St Martins has been dedicated to developing the unique voice of emerging Australian playwrights and this proud history continues in the 2008 St Martins Playwriting Competition.

Open to any Australian playwright aged 13-30 years (13-17yrs section and 18-30yrs section), this competition boasts an impressive list of previous award winners including Angus Cerini, Lally Katz and Robert Reid. In 2008 alone, former competition winners have gone on to have
their work featured at the Malthouse Theatre, La Mama and of course as part of the St Martins own Season of New Australian work.

The winning play will receive a rehearsed reading directed by St Martins' own Artistic Director, Sarah Austin. Industry professionals and peers will be invited to see your fabulous play! Exposure like this is a very rare opportunity and getting your name out there is invaluable for your career! On occasion, previous competition winners have had their works professionally produced at St Martins as a result of winning this competition.

Industry professionals will read your work - entries will be read by professional theatre practitioners - if the person reading your script sees potential in your work, who knows what fantastic opportunities might follow? It doesn't matter whether you win or not, the support of great professional contacts and mentors is imperative for an emerging playwright to make the leap into the professional playwriting arena.

St Martins Emerging Playwrights' Studio - selected St Martins Playwriting Competition entrants who show potential (regardless of winning) may be invited to join this exclusive playwriting studio. Participants meet weekly all year to generate ideas, culminating in a
co-written work which is given its very own full production at St Martins in late 2009.

Play Readings - if StMartins see great potential in a writer's entered work, they may decide to develop it in-house at St Martins, with the possibility of a play reading to follow.

The St Martins Seal Of Approval - St Martins has a wonderful reputation in the professional arena - having your play ear-marked by St Martins as 'showing enormous potential' carries a lot of weight out there in the big bold theatre world.

Fee entry - no-one will ever put on your play if they never get a chance to read it! Get that budding masterpiece out of your bottom drawer and send it our way. With free competition entry - why not?

Dramaturgical feedback - this competition also offers a special opportunity for emerging playwrights to receive highly subsidised professional dramaturgical feedback on their work (only $50). With dramaturgical script consultations often costing over $500, this is an
opportunity that we encourage all emerging playwrights to consider as a means of greatly improving their craft.

Remember - competition closes August 15.

For more info and a competition entry form, contact St Martins:

p: 03 9867 2477
f: 03 9866 2733
e: info@stmartinsyouth.com.au
w: www.stmartinsyouth.com.au

Source: Meg Courtney, Workshop and Office Co-ordinator St Martins Youth Arts Centre

Friday, July 18, 2008

Review: Infected

Infected by Scott Sigler
Publisher: Hodder Paperback (10 Jul 2008)
ISBN-10: 0340963530
ISBN-13: 978-0340963531

Gritty urban prose, meets science fiction, meets old fashioned horror in a new modern way. A fast paced romp through more blood and gore than I’ve read in ages. Sigler presents a new threat to world peace from a galaxy far, far away that Captain Kirk, The President and CIA agent Dew Phillips, can’t do anything about.

Based around ex-NFL star, Perry Dawsey, we follow the insertion, growth and mutation of microbial invaders from space. They have only one thing in mind, to open a doorway to let millions of their brethren run rampant on Earth.

The book is heavy on profanity and heavier on gore. Apparently slated for the big screen, this will be a big hit with fans of the 1997 film Starship Troopers.

Perry is the wrong man to infect. Abused incessantly by his alcoholic father, he has grown immune to pain. Once thought of as the best line-backer ever to play the game, a knee injury cut his sparkling career short. He was considered the best, because on the field was the perfect arena for him to release his pent up violence, which earned him the moniker of Scary Perry Dawsey. Off field, it was a constant battle for him to hold onto the anger within.

After blowing his knee he scratched out a living as a computer technician, pulling down only a fraction of the salary he would have in the NFL, which does little to help his demeanour. If it wasn’t for his college buddy Billy, he would have ended up in prison years ago.

But now he can’t stop itching, the sores are getting worse, and they’re growing.

An interesting twist on invaders from outer-space that grips the reader and only sometimes lets go. Those who like their reading sprinkled with copious amounts of profanity and bloodlust, from the popping of a zit-like spore that fails to germinate, to the removal of limbs and other appendages, will love this apocalyptic tale.

The biggest two problems I had with it was the dialogue, and a need by the author to occasionally intrude into the story, kiddies.

Dr Margret Montoya will strike a bad chord with many female readers, while her assistant and her CIA bodyguard are extremely cliché, no bout-a-doubt it. At times the dialogue is comedic, although I don’t think it’s always meant that way—which is a bad thing.

The salesmanship that has come with Infected is something to applaud though. Before you go out and buy the book, get online and check out scottsigler.com with all of Scott's other "junkies" - Scott's term for his fans. Scott is giving away the book in podcast form. Personally I like to have a book in my hands when I read but I did listen to the first 30 or so chapters (the chapters aren’t what a reader would consider normally formatted so there’s actually 88 chapters in only 339 pages) in podcast form to try it out. It’s an interesting experiment. Scott has other full novels available in this manner too. If you just can’t find enough time to read that ever growing pile of books next to the bed, listening to it in the car may be the next best thing. I highly suggest trying this if you’re not big on profanity or visceral horror. If you can get through the first few chapters free and haven’t turned away in disgust, then go and buy the book.

Personally, I think this will be better presented with the magic of CGI and some reworking of dialogue by professional script writers. I might then go and see it on half-price Tuesday, if the lawns don’t need mowing.

Review: Earth Ascendant by Sean Williams


Earth Ascendant opens to selective sabotage, phantasms, and explosive assassination attempts. Here, Sean wastes no time introducing the reader back into the fray of his Astropolis universe that was begun with such skill in Saturn Returns.

Imre Bergamasc, ‘First Prime’ and leader of a bourgeoning empire, is seeing through his plan to forge the bonds between The Returned Continuum and the outlying systems that have yet to return to the fold. His whistle-stop tours have taken him on a journey of self-discovery and revelation. With his latest destination, Dussehra, seemingly no different from the other hundreds of worlds that have been subsumed by his motley crew with their agenda of avenging the Forts and restoring the galaxy to its previous incarnation. But Dusserehra’s inhabitants are not so willing to be annexed, and before Imre can return to Earth, dark mysteries will manifest in the form of its leaders …

Although Earth Ascendant begins with one of Imre’s whistle-stop tours, the book is primarily about Earth. Upon arrival into the flourishing beacon where the Returned Continuum has set up shop as capital, many changes become apparent. With centuries and sometimes millennia transpiring during hardcaster and space travel, the dynamics and structure of civilization can alter dramatically. With such a facet, Sean reminds us just how vast the stage of the universe is … and not just in the realm of fiction. Unexpected and surprising developments greet Imre, not least of which the revelation that he (or his previous self) might have sired a child. During his absence, Imre's old ally Helwise Macphedron has ruled as Regent in his place – something that could have devastating effects.

With answers to unanswered questions coming thick and fast, Earth Ascendant is a remarkably good ride. The prose is how first-rate space opera should be: lyrical, philosophical and poetic. It does the job of putting things into perspective regarding our own earthen empire, and how religions can manifest and evolve. Truly unexpected villains greet us toward the conclusion as the story runs riot with Doppelgangers, parasites, and a broken higher intelligence. The third in the series, The Grand Conjunction, promises to be an epic thrill ride tapering off a remarkable journey that might well be the author’s greatest achievement.

Thursday, July 17, 2008

News: AntipodeanSF #122

AntipodeanSF #122 is available for your enjoyment at www.antisf.com

AntiSF continues to provide you with the best flash speculative
fiction from around the world, and the stories just keep on getting
better and better...

This month's pick of the bunch is:

  • Batting An Eye by Lucy Cohen Schmeidler
  • I'm Too Loud by Laura Goodin
  • The Long Green Goodbye by David Such
  • Distant Fields by Stephen L Thompson
  • The Ultimate Weapon by Shaun A. Saunders
  • Peer Pressure by Mark Smith-Briggs
  • Windows To The Soul by Felicity Dowker
  • The Genocidal Villain Of Mars by Shaune Lafferty Webb
  • I Don't Know by Emma Goninon
  • Fate Of Rulers by Nicole R. Murphy
  • Dinner Party Conversation by S.A. Harris

You'll also find all the regular columns. In Going Critical Jan Napier takes us for a ride on a melodramatic rollercoaster and ends up Dancing With Werewolves. Meanwhile, Nuke, in Vide goes a little all at sea on the not-so-good ship Chathrand, in The Red Wolf Conspiracy.

But most of all, don't forget that fantastic flash fiction. With eleven stories to choose from, you're sure to find at least one to like -- and if you do, don't forget to vote for it!

Source: Nuke, Editor - AntipodeanSF

News: I Know How Many Runs You Scored Last Summer

I Know How Many Runs You Scored Last Summer is due for Australian DVD release in August. Directed by Stacy Edmonds and written by Doug Turner, the promo blurb sets the tone for this oddball exploitation flick.


A cricket team are dismissed by a moustachioed serial killer with a razor sharp cricket glove and an arsenal of sharpened stumps.

One by one the killer exacts revenge for the torment he endured 20 years earlier.

Mass Murder... it's just not cricket.



"The Runs" will have it's international premiere at FrightFest in London, on the 21st of August. UK readers wanting to catch this quirkly slasher can find details at the FrightFest website.

Source: therunsmovie.com

News: 34th Annual Saturn Awards

Walt Disney Studios “Enchanted” proved magical at the 34th Annual Saturn Awards by receiving three Saturn Awards including Best Picture (fantasy), and Best Actress (Amy Adams). Television honors were dominated by the ABC television series, “Lost”, which walked away with 4 awards, including Best Network Television Series and Best Actor (Matthew Fox). “Sweeney Todd”, “Ratatouille”, and “300” each received two Saturn Awards.

Walt Disney Studios film releases received the most Saturn Awards this year with a total of six. Paramount (which includes: Paramount Vantage & DreamWorks/Paramount) saw five Saturn awards this year with Warner Bros. taking four.

THE RECIPIENTS OF THE 34TH ANNUAL SATURN AWARDS

  • Best Science Fiction Film: Cloverfield
  • Best Fantasy Film: Enchanted
  • Best Horror Film: Sweeney Todd: The Demon Barber of Fleet St.
  • Best Action/Adventure/Thriller Film: 300
  • Best Actor: Will Smith (I Am Legend)
  • Best Actress: Amy Adams (Enchanted)
  • Best Supporting Actor: Javier Bardem (No Country for Old Men)
  • Best Supporting Actress: Marcia Gay Harden (The Mist)
  • Best Performance by a Younger Actor: Freddie Highmore (August Rush)
  • Best Direction: Zack Snyder (300)
  • Best Writing: Brad Bird (Ratatouille)
  • Best Music: Alan Menken (Enchanted)
  • Best Costume: Colleen Atwood (Sweeney Todd: The Demon Barber of Fleet St.)
  • Best Make-Up: Ve Neill, Martin Samuel (Pirates of the Caribbean: At World’s End)
  • Best Special Effects: Scott Farrar, Scott Benza, Russell Earl, John Frazier (Transformers)
  • Best Animated Film: Ratatouille
  • Best International Film: Eastern Promises
  • Best Network Television Series: Lost
  • Best Syndicated / Cable Television Series: Dexter
  • Best Presentation on Television: Family Guy: Blue Harvest
  • Best International Television Series: Doctor Who: Sci Fi Channel
  • Best Actor on Television: Matthew Fox (Lost)
  • Best Actress on Television: Jennifer Love Hewitt (Ghost Whisperer)
  • Best Supporting Actor on Television: Michael Emerson (Lost)
  • Best Supporting Actress on Television: (TIE): Summer Glau (Terminator: The Sarah Connor Chronicles) / Elizabeth Mitchell (Lost)
  • Best DVD Release: The Cabinet of Dr. Caligari (remix)
  • Best DVD Special Edition Release: Blade Runner (5 Disc Ultimate Edition)
  • Best DVD Classic Film Release: The Monster Squad
  • Best DVD Collection: Mario Bava (Box Sets 1 & 2)
  • Best Television Series Release on DVD: Heroes (Season 1)
  • Best Retro Television Series Release on DVD: Twin Peaks (Definitive Gold Box Ed.)
  • The Life Career Award: Robert Halmi, Sr.
  • The Life Career Award: Robert Halmi, Jr.
  • The George Pal Memorial Award: Guillermo del Toro
  • The Filmmakers Showcase Award: Matt Reeves
  • The Special Achievement Award: Tim & Donna Lucas
  • The Service Award: Fred Barton
The Academy of Science Fiction, Fantasy and Horror Films honored several prominent producers and directors with special awards. Filmmaker Guillermo del Toro flew in from London to accept the prestigious George Pal Memorial Award for his visionary genius. Highly respected producers Robert Halmi, Sr. and Robert Halmi, Jr. received the Life Career Award for their successful body of work. Director Matt Reeves was recognized with the Filmmakers Showcase Award for his work in directing the successful film, “Cloverfield”.

The Academy was founded in 1972 to honor and recognize genre entertainment. Currently serving as President is Robert Holguin. The Academy has honored in person such legendary icons as Boris Karloff, Rod Serling, Gene Roddenberry, Ray Bradbury, Fritz Lang, William Friedkin, Vincent Price, James Cameron, Ray Harryhausen and Steven Spielberg.

Source: Dale Olson, The Academy of Science Fiction, Fantasy and Horror Films

News: A Night Of Horror Screenplay Competition!

A Night Of Horror International Film Festival are excited to introduce the inaugural A Night of Horror Screenplay Competition.

Think you've written the next breakthrough horror script? We want to see it, and, if it's as good as you think, we'll even help promote it!

Yes, there will be prizes for the winner. But the most exciting news of all is that a representative from Lionsgate, the world's leading distributor of horror cinema, will be reading the three finalist feature length screenplays! This is your chance to have your script recommended to the industry.

There are categories for both feature length and short screenplays.

For more details visit: www.anightofhorror.com/submission.htm

Or enter online at: www.withoutabox.com


Source: Lovecraft 21C Productions via David Carroll

News: Science Fiction and Fantasy World Building Workshop


This workshop is a practical approach to designing believable worlds and universes for science fiction and fantasy settings. Discover how geography, climate, terrain, biodiversity, magic, monsters, technology, transport and communications can affect the political, cultural and economic structures of a make-believe setting. Apply the basics of geography, natural history, physics and planetary motion. Understand why it is important to create maps of your world. Participants will be asked to contribute to developing two fictional settings, one fantasy and one science fiction.

About David Conyers
David Conyers is the author of more than 30 science fiction and horror short stories and novellas found in the numerous anthologies, magazines and journals across the world. He has been short-listed for the Aeon Award in Ireland and the Ditmar, Australian Shadows and Aurealis Award in Australia, and won the Australian Horror Writers Association Flash Fiction Award. His first novel, The Spiraling Worm co-authored with John Sunseri, was published in 2007 and his first edited anthology Cthulhu's Dark Cults will be released in late 2008. His website is found at www.davidconyers.com.


Booking the Workshop
The workshop will be held at the SA Writers’ Centre, Level 2, 187 Rundle Street, Adelaide SA 5000 on Saturday August 30, 2-5pm. Cost is $55 for SA Writers’ Centre members, $77 for non-members. Bookings can be made on 08 8223 7662, sawriters@sawc.org.au or through www.sawc.org.au.

Source: David Conyers

News: Salisbury Writers’ Festival 2008

The Salisbury Writers’ Festival, presented by the City of Salisbury in conjunction with the SA Writers’ Centre, will feature several of Australia’s leading publishers and authors in open discussions on the business of writing.

Publishers include Louise Thurtell of Allen & Unwin (genre fiction), Anna McFarlane of Pan Macmillan (children’s books), Michael Bollen of Wakefield Press (nonfiction) and Patrick Allington of Etchings (short fiction and poetry).

Participants in the festival will be provided with an opportunity to submit the first page of their manuscript to publishers. Each publisher will select two works and discuss them at the Festival’s Forum on Saturday August 16. This will be done anonymously and writers will not be named.

The following published authors will also take part, presenting their tips for success: fantasy and crime novelist Fiona McIntosh; children’s writer Phil Cummings; romance novelist Lucy Clarke; poet and short story writer David Cookson; and nonfiction author Liz Harfull.

The forum will be held on the weekend of August 16-17. To register contact Steve Davidson, Cultural Liaison Officer, City of Salisbury on 08 8406 8469 or email sdavidson@salisbury.com.au.

Further information available at the Salisbury Writers' Festival website.

The fourth annual Salisbury Writers' Festival is a joint project between the City of Salisbury, SA Writers' Centre and the Salisbury Library Service. The Festival is presented and supported by Tyndale Christian School, Langmeil Wines, Dymocks Booksellers Northpark and Cultural Fund.

Source:

Review: Ritual Mo Hayder


Ritual
Mo Hayder
Random House Australia 2008


Mo Hayder hit the literary scene with a major splash in 2000 with her debut release Birdman. Since then each of her books have received rave reviews and won numerous awards. Her new release, Ritual, is just as suspenseful as her previous successes, if not a bit better as it uses the storyline created in earlier books to create a highly involved and textured tale. It is a beautifully paced, dark and suspenseful crime thriller with horror overtones.

Ritual develops the characters Hayder introduced in Birdman and continued with in The Treatment. Jack has broken up with Rebecca and moved to Bristol. He has still not dealt with the disappearance of his brother as a child. While the reader (from earlier volumes) knows what happened Jack does not, though he can suspects the truth. This background sets the stage for the story of Ritual.

Police diver Phoebe "Flea" Marley, discovers a severed hand floating in water of the Bristol docks. A day later the matching hand is found buried under the entrance of a nearby restaurant. Forensics indicate that the victim was still alive when both hands were amputated. Flea calls in jack to work the investigation, so they stories begin to intertwine.

Along the way we are introduced to Mossy, a young heroin addict who has recently vanished from the backstreets of Bristol. Desperate for his latest hit, he has been imprisoned in a run-down house. Mossy allows his captors to extract his blood, and to film his extreme behavior, in exchange for drugs. Soon, however, he comes to suspect that he is at greater risk than he first thought.

In the search for Mossy and his abductor, Flea and Jack, begin their search and follow a grisly trail of blood and torture, they are lead deep into the inner recesses of Bristol's criminal underworld, where prostitution, drug addiction and crime is rife but this is nowhere near the worst of it. An ancient evil lurks; an evil that feeds off the blood and flesh of others.

This is a superb page turner of a book, which combines both crime and horror, mystery and suspense into a highly successful if not twisted tale ! It does not avoid graphic descriptions of violence and combines the very best elements of a detective tale with horror elements. I have read many of Hayder’s works and this brings so many strands together and offers one of her best books so far.
Reviewer: Robert Black

Wednesday, July 16, 2008

Review: Through A Glass, Darkly by Bill Hussey




The second novel in the Bloody Books imprint has recently been launched. Bill Hussey’s ‘Through A Glass, Darkly’ is very different from the first offering (Joseph D’Lacey’s ‘Meat’), a return to a more traditional horror/gothic tale.

Jack Trent is a very unique Inspector. Some call him a freak, simply because they do not understand. Because Trent is able to sense things, to glimpse into the future, and quickly solve cases others try for years to crack. But now, Trent is having bad dreams. He experiences ‘the dreaming’ and sees the horrible murder of a child in a forest clearing.

Reality collides with the dreaming when Trent is assigned to a missing person case. Along with his partner, Sergeant Dawn Howard, Trent travels to a small town named Crow Haven. This has to be one of the most eerie towns I have read about for some time. With so little described of its actual inhabitants, we soon learn that Crow Haven has a terrible history which involved the burning and burial of a witch, a curse on the town that sees no one born within its boundaries ever leaving, and an army of Crows keeping sentry. Trent and Howard arrive at Anne Malahyde’s house, a mansion made of glass tucked amongst the forest. Its previous owner was Dr. Elijah Mendicant, our ‘ghost’ for the novel and a brilliant villain.

Anne’s son, Simon Malahyde, is missing. However, the boy was not quite the same before his disappearance. He is one of the keys in a long-planned ritual that Dr. Mendicant’s spirit must perform in order to reincarnate his soul, part of a dark trinity. And, as the story develops, Trent learns that Jamie may be the next key, the main sacrifice for Mendicant’s reincarnation – the ritual itself the very scene from Trent’s dreaming.

Trent must race to stop this from happening (the novel takes place over one week, the countdown running before the reincarnation ritual is enacted), but he also must confront what makes him a freak to others. Trent’s mind houses a horde of potentially evil beings, ‘them’, who saved his life once but killed his mother, who have shaped his life so that he cannot touch people, lest the beings escape momentarily and see into other people’s minds or hurt others. This is a wonderful way to create a pained character – Trent used to have a relationship with Howard, and loved her and Jamie, but he could never get close to her and so had to break it off. It also makes him like the villain in a way, and presents a great conflict of the minds when it comes to stopping Mendicant. Trent is helped by Father Brody, who faced Mendicant when he was alive, and then a spirit, and lost (but lived to scribe the tale). Father Brody escapes from the Home for Retired Priests to return to Crow Haven before it’s too late, but his protégé, Father Garret, has already succumbed to the false promises of Mendicant. Garret has collected the rather morose items needed for the ritual – if you have children, like me, you will not like what unfortunately has to happen.

Congratulations to Hussey for giving the reader one of the most genuinely creepy foes in a long time. It is simply a return to old-school horror, using so much beautiful imagery to unsettle the reader’s nerves. Dr. Mendicant’s spirit is aptly labelled the Crow Man (with his own poem!), a dark stick figure who creeps through the shadows, who can see people’s fears and loves to exploit them. Just don’t stare into the dark void of his eye sockets! It has been a while since a horror creature has been able to creep me out, and there were some well-written scenes that had me considering getting out of bed and reading in a well-lit room.

That said, the novel uses a lot of back-story to carry it forward, and for me this was both admirable and annoying. The novel could almost be split into two – one telling the story of Crow Haven when Dr. Mendicant was living, and also its earlier days, and the other concerning Trent’s present case. Yes, the back-story deepens the novel, and that is why it is admirable. But amongst the horror, this is also a crime thriller, with a case to be solved, and the constant shift to past events (most in the form of Trent reading books, either in a brilliantly-executed ghostly library or from Father Brody) really destroys a lot of the tension, which Hussey has to work hard at re-establishing so you remember the limited time remaining for Trent to save Jamie.

Such a situation just seemed a little implausible at times – if you were in a rush to save someone, would you stop and read three volumes about your foe? On the other hand, knowledge is power, and Trent may never have gained a solution if he didn’t read (though only a small part of the conclusion was related to such a long set of passages). More of the original pace could have been retained, perhaps, if Father Brody simply told Trent about Dr. Mendicant on the way to face him. Excuses such as “No, you have to read” just aren’t solid, in my mind. Trent should have been more demanding for the verbal answers.

That said, the back story was so well written I did not mind being taken on long tangents. I only hope Hussey considers writing more stories in this realm (old Crow Haven, Trent’s earlier case). And the end, while inevitable (and with a slight twist), was quite intelligent.

Hussey writes with a lot of confidence. His prose is well-constructed, the words flowing effortlessly on most occasions. I feel this is the start of something big for this new horror writer, and can’t wait to see what he has to offer next.

The Bloody Books imprint is on a roll. Get this book and enjoy!

News: BrokenSea Audio Seeking Campfire Tales

Remember those stories you used to tell when out camping? Or at your sleep overs? The really scary stories. The ones that were true, cos someone knew someone who knew someone that it really happened to? If you have a favourite tale perfect for scaring people when the shadows flicker by firelight, then Broken Sea would love to hear it.

Record your best creepy campfire tale and send it to exec@brokensea.com (MP3 or Wav format), or submit as text and if selected one of the Broken Sea voice actors will read it.

The Second Annual Brokensea Audio Productions Halloween Season starts 01 October 2008. Be a part of it.

Source: Paul Mannering